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Roman mythology

Roman mythology
Roman mythology is the body of traditional stories pertaining to ancient Rome's legendary origins and religious system, as represented in the literature and visual arts of the Romans. "Roman mythology" may also refer to the modern study of these representations, and to the subject matter as represented in the literature and art of other cultures in any period. The Romans usually treated their traditional narratives as historical, even when these have miraculous or supernatural elements. The stories are often concerned with politics and morality, and how an individual's personal integrity relates to his or her responsibility to the community or Roman state. Heroism is an important theme. When the stories illuminate Roman religious practices, they are more concerned with ritual, augury, and institutions than with theology or cosmogony.[1] The nature of Roman myth[edit] Founding myths[edit] Other myths[edit] Mucius Scaevola in the Presence of Lars Porsenna (early 1640s) by Matthias Stom

http://en.wikipedia.org/wiki/Roman_mythology

Related:  Greek & RomanlegendMythos

Greek mythology Greek mythology is explicitly embodied in a large collection of narratives, and implicitly in Greek representational arts, such as vase-paintings and votive gifts. Greek myth attempts to explain the origins of the world, and details the lives and adventures of a wide variety of gods, goddesses, heroes, heroines, and mythological creatures. These accounts initially were disseminated in an oral-poetic tradition; today the Greek myths are known primarily from Greek literature. Archaeological findings provide a principal source of detail about Greek mythology, with gods and heroes featured prominently in the decoration of many artifacts. Geometric designs on pottery of the eighth century BC depict scenes from the Trojan cycle as well as the adventures of Heracles. Sources

Chinese mythology Chinese mythology refers to those myths found in the historical geographic area of China: these include myths in Chinese and other languages, as transmitted by Han Chinese as well as other ethnic groups (of which fifty-six are officially recognized by the current administration of China).[1] Chinese mythology includes creation myths and legends, such as myths concerning the founding of Chinese culture and the Chinese state. As in many cultures' mythologies, Chinese mythology has in the past been believed to be, at least in part, a factual recording of history. Thus, in the study of historical Chinese culture, many of the stories that have been told regarding characters and events which have been written or told of the distant past have a double tradition: one which presents a more historicized and one which presents a more mythological version.[2] Historians have written evidence of Chinese mythological symbolism from the 12th century BC in the Oracle bone script. Major concepts[edit]

Livy Life[edit] Titus Livius probably went to Rome in the 30s BC, and it is likely that he spent a large amount of time in the city after this, although it may not have been his primary home. During his time in Rome, he was never a senator nor held any other governmental position. His elementary mistakes in military matters show that he was never a soldier. However, he was educated in philosophy and rhetoric. Romulus and Remus Capitoline Wolf. Traditional scholarship says the wolf-figure is Etruscan, 5th century BC, with figures of Romulus and Remus added in the 15th century AD by Antonio Pollaiuolo. Recent studies suggest that the wolf may be a medieval sculpture dating from the 13th century AD.[1] Romulus wants to found the new city on the Palatine Hill; Remus prefers the Aventine Hill.[2] They agree to determine the site through augury but when each claims the results in his own favor, they quarrel and Remus is killed.[3] Romulus founds the new city, names it Rome, after himself, and creates its first legions and senate. The new city grows rapidly, swelled by landless refugees; as most of these are male, and unmarried, Romulus arranges the abduction of women from the neighboring Sabines.

Dionysus The earliest cult images of Dionysus show a mature male, bearded and robed. He holds a fennel staff, tipped with a pine-cone and known as a thyrsus. Later images show him as a beardless, sensuous, naked or half-naked androgynous youth: the literature describes him as womanly or "man-womanish".[10] In its fully developed form, his central cult imagery shows his triumphant, disorderly arrival or return, as if from some place beyond the borders of the known and civilized. His procession (thiasus) is made up of wild female followers (maenads) and bearded satyrs with erect penises. Some are armed with the thyrsus, some dance or play music.

The Mystery of the Ancient Roman Tunnel to Hell There is a place on the northern shore of the Bay of Naples that has long been steeped in history, mystery, myth, and magic. Known as the Phlegræan Fields, it is a desolate place; a barren wasteland strewn with rubble and intersected by deep underground vents that belch out choking fumes and fire. Legends and strange phenomena cling to this hellish, smoke-wreathed landscape, so it is perhaps no wonder that these fields are a location believed since ancient times to hold a tunnel that leads to Hell itself. The Phlegræan Fields is a plateau that is part of an ancient volcanic caldera not far from Mt. Vesuvius, the volcano known for laying waste to the once great city of Pompeii. The heavily volcanic area, which is pitted with steaming vents, sulphur spewing crevasses, and even flaming holes in the ground, was well-known in Greek and Roman myth and is heavily associated with stories of magic and prophecy.

List of mythologies This is a list of mythologies of the world, by culture and region. Mythologies by region[edit] Africa[edit] Central Africa[edit] East Africa[edit] Horn of Africa[edit] Herodotus Place in history[edit] Herodotus announced the size and scope of his work at the beginning of his Researches or Histories: Ἡροδότου Ἁλικαρνησσέος ἱστορίης ἀπόδεξις ἥδε, ὡς μήτε τὰ γενόμενα ἐξ ἀνθρώπων τῷ χρόνῳ ἐξίτηλα γένηται, μήτε ἔργα μεγάλα τε καὶ θωμαστά, τὰ μὲν Ἕλλησι, τὰ δὲ βαρβάροισι ἀποδεχθέντα, ἀκλεᾶ γένηται, τὰ τε ἄλλα καὶ δι' ἣν αἰτίην ἐπολέμησαν ἀλλήλοισι.[2] Herodotus of Halicarnassus, his Researches are here set down to preserve the memory of the past by putting on record the astonishing achievements of both the Greeks and the Barbarians; and more particularly, to show how they came into conflict.[3] His record of the achievements of others was an achievement in itself, though the extent of it has been debated. His place in history and his significance may be understood according to the traditions within which he worked.

Aeneas In Greco-Roman mythology, Aeneas (/ɪˈniːəs/; Greek: Αἰνείας, Aineías, possibly derived from Greek αἰνή meaning "praise") was a Trojan hero, the son of the prince Anchises and the goddess Aphrodite (Venus). His father was the second cousin of King Priam of Troy, making Aeneas Priam's second cousin, once removed. He is a character in Greek mythology and is mentioned in Homer's Iliad, and receives full treatment in Roman mythology as the legendary founder of what would become Ancient Rome, most extensively in Virgil's Aeneid. He became the first true hero of Rome. Portrayal in myth and epos[edit] Aeneas and Anchises

Orpheus and Eurydice Summary The Short Story Ready? Go. Orpheus and Eurydice get married, but later that night, Eurydice is bit by a snake and dies. So far, so terrible. Overcome with grief, Orpheus travels to the Underworld to bring her back to life. History of the Trojan War The Trojan War The Apple of Discord The Trojan War has its roots in the marriage between Peleus and Thetis, a sea-goddess. Japanese mythology Japanese myths, as generally recognized in the mainstream today, are based on the Kojiki, the Nihon Shoki, and some complementary books. The Kojiki, or "Record of Ancient Matters", is the oldest surviving account of Japan's myths, legends and history. The Shintōshū describes the origins of Japanese deities from a Buddhist perspective, while the Hotsuma Tsutae records a substantially different version of the mythology.

Ovid Ovid is traditionally ranked alongside Virgil and Horace, his older contemporaries, as one of the three canonic poets of Latin literature. He was the first major Roman poet to begin his career during the reign of Augustus,[3] and the Imperial scholar Quintilian considered him the last of the Latin love elegists.[4] He enjoyed enormous popularity, but in one of the mysteries of literary history he was sent by Augustus into exile in a remote province on the Black Sea, where he remained until his death. Ovid himself attributes his exile to carmen et error, "a poem and a mistake", but his discretion in discussing the causes has resulted in much speculation among scholars. Life[edit] Ovid talks more about his own life than most other Roman poets.

Related:  Mythology in the Iron age