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Aether (mythology)

Aether (mythology)
In Greek mythology, Aether or Aither (Æthere, Ancient Greek: Αἰθήρ, pronounced [aitʰɛ̌ːr]), also known as Akmon or Acmon in Latin (possibly from the same route as "Acme") is one of the primordial deities, the first-born elementals. Aether is the personification of the upper air.[1] He embodies the pure upper air that the gods breathe, as opposed to the normal air (ἀήρ, aer) breathed by mortals. Like Tartarus and Erebus, Aether may have had shrines in ancient Greece, but he had no temples and it is unlikely that he had a cult. Hyginus ... started his Fabulae with a strange hodgepodge of Greek and Roman cosmogonies and early genealogies. The fifth Orphic hymn to Aether describes the substance as "the high-reigning, ever indestructible power of Zeus," "the best element," and "the life-spark of all creatures The Theoi Project, "AITHER"

Iris (mythology) In Greek mythology, Iris (/ˈɨrɨs/; Ἶρις) is the personification of the rainbow and messenger of the gods. She is also known as one of the goddesses of the sea and the sky. Iris links the gods to humanity. She travels with the speed of wind from one end of the world to the other,[1] and into the depths of the sea and the underworld. According to Hesiod's Theogony, Iris is the daughter of Thaumas and the cloud nymph Electra. Iris is frequently mentioned as a divine messenger in the Iliad which is attributed to Homer, but does not appear in his Odyssey, where Hermes fills that role. According to Apollonius Rhodius, Iris turned back the Argonauts Zetes and Calais who had pursued the Harpies to the Strophades ('Islands of Turning'). Iris had numerous poetic titles and epithets, including Chrysopteron (Golden Winged), Podas ôkea (swift footed) or Podênemos ôkea (wind-swift footed), Roscida (dewey), and Thaumantias or Thaumantos (Daughter of Thaumas, Wondrous One).

Pan (god) In Greek religion and mythology, Pan (/ˈpæn/;[1] Ancient Greek: Πᾶν, Pān) is the god of the wild, shepherds and flocks, nature of mountain wilds, hunting and rustic music, and companion of the nymphs.[2] His name originates within the Ancient Greek language, from the word paein (πάειν), meaning "to pasture."[3] He has the hindquarters, legs, and horns of a goat, in the same manner as a faun or satyr. With his homeland in rustic Arcadia, he is recognized as the god of fields, groves, and wooded glens; because of this, Pan is connected to fertility and the season of spring. The ancient Greeks also considered Pan to be the god of theatrical criticism.[4] The Roman Faunus, a god of Indo-European origin, was equated with Pan. The worship of Pan began in Arcadia which was always the principal seat of his worship. Representations of Pan on 4th century BC gold and silver Pantikapaion coins Pan is famous for his sexual powers, and is often depicted with a phallus. Christian apologists such as G.

Jupiter (mythology) The consuls swore their oath of office in Jupiter's name, and honoured him on the annual feriae of the Capitol in September. To thank him for his help (and to secure his continued support), they offered him a white ox (bos mas) with gilded horns.[10] A similar offering was made by triumphal generals, who surrendered the tokens of their victory at the feet of Jupiter's statue in the Capitol. Some scholars have viewed the triumphator as embodying (or impersonating) Jupiter in the triumphal procession.[11] During the Conflict of the Orders, Rome's plebeians demanded the right to hold political and religious office. During their first secessio (similar to a general strike), they withdrew from the city and threatened to found their own. The augures publici, augurs were a college of sacerdotes who were in charge of all inaugurations and of the performing of ceremonies known as auguria. The role of Jupiter in the conflict of the orders is a reflection of the religiosity of the Romans.

Religion in ancient Greece Many Greek people recognized the major (Olympian) gods and goddesses: Zeus, Poseidon, Hades, Apollo, Artemis, Aphrodite, Ares, Dionysus, Hephaestus, Athena, Hermes, Demeter, Hestia, and Hera though philosophies such as Stoicism and some forms of Platonism used language that seems to posit a transcendent single deity. Different cities often worshiped the same deities, sometimes with epithets that distinguished them and specified their local nature. The religious practices of the Greeks extended beyond mainland Greece, to the islands and coasts of Ionia in Asia Minor, to Magna Graecia (Sicily and southern Italy), and to scattered Greek colonies in the Western Mediterranean, such as Massalia (Marseille). Greek religion was tempered by Etruscan cult and belief to form much of the later Ancient Roman religion. Beliefs Zeus, the king of the gods, and controller of thunder and the sky. While there were few concepts universal to all the Greek peoples, there were common beliefs shared by many.

Yahweh By early post-biblical times, the name of Yahweh had ceased to be pronounced. In modern Judaism, it is replaced with the word Adonai, meaning Lord, and is understood to be God's proper name and to denote his mercy. Many Christian Bibles follow the Jewish custom and replace it with "the LORD". Name[edit] The Tetragrammaton in Paleo-Hebrew (10th century BCE to 135 CE), old Aramaic (10th century BCE to 4th century CE) and square Hebrew (3rd century BCE to present) scripts. History[edit] Origins and adoption as the God of Israel[edit] A YHD drachm, a silver coin probably struck by the Persian administration in Jerusalem (4th century BCE). The earliest putative reference to Yahweh in the historical record occurs in a list of Bedouin tribes of the Transjordan made by Amenhotep III (c. 1391- BCE - 1353 BCE) in the temple of Amon at Soleb. Yw in the Baal Cycle[edit] More recently, the damaged Ugaritic cuneiform text KTU 1.1:IV:14-15 is also included in the discussion:[30] From KTU II:IV:13-14

Greek mythology Greek mythology is explicitly embodied in a large collection of narratives, and implicitly in Greek representational arts, such as vase-paintings and votive gifts. Greek myth attempts to explain the origins of the world, and details the lives and adventures of a wide variety of gods, goddesses, heroes, heroines, and mythological creatures. These accounts initially were disseminated in an oral-poetic tradition; today the Greek myths are known primarily from Greek literature. Archaeological findings provide a principal source of detail about Greek mythology, with gods and heroes featured prominently in the decoration of many artifacts. Sources Literary sources The poetry of the Hellenistic and Roman ages was primarily composed as a literary rather than cultic exercise. Finally, a number of Byzantine Greek writers provide important details of myth, much derived from earlier now lost Greek works. Archaeological sources Survey of mythic history Origins of the world and the gods

Sól (sun) Sól (Old Norse "Sun")[1] or Sunna (Old High German, and existing as an Old Norse and Icelandic synonym: see Wiktionary sunna, "Sun") is the Sun personified in Germanic mythology. One of the two Old High German Merseburg Incantations, written in the 9th or 10th century CE, attests that Sunna is the sister of Sinthgunt. In Norse mythology, Sól is attested in the Poetic Edda, compiled in the 13th century from earlier traditional sources, and the Prose Edda, written in the 13th century by Snorri Sturluson. In both the Poetic Edda and the Prose Edda she is described as the sister of the personified moon, Máni, is the daughter of Mundilfari, is at times referred to as Álfröðull, and is foretold to be killed by a monstrous wolf during the events of Ragnarök, though beforehand she will have given birth to a daughter who continues her mother's course through the heavens. "Wodan Heals Balder's Horse" (1905) by Emil Doepler.

Iliad The Iliad (sometimes referred to as the Song of Ilion or Song of Ilium) is an ancient Greek epic poem in dactylic hexameter, traditionally attributed to Homer. Set during the Trojan War, the ten-year siege of the city of Troy (Ilium) by a coalition of Greek states, it tells of the battles and events during the weeks of a quarrel between King Agamemnon and the warrior Achilles. Although the story covers only a few weeks in the final year of the war, the Iliad mentions or alludes to many of the Greek legends about the siege; the earlier events, such as the gathering of warriors for the siege, the cause of the war, and related concerns tend to appear near the beginning. Then the epic narrative takes up events prophesied for the future, such as Achilles' looming death and the sack of Troy, prefigured and alluded to more and more vividly, so that when it reaches an end, the poem has told a more or less complete tale of the Trojan War. Synopsis[edit] The first verses of the Iliad Achaeans[edit]

Taranis Gundestrup cauldron, created between 200 BC and 300 AD, is thought to have a depiction of Taranis on the inner wall of cauldron on tile C The name as recorded by Lucan is unattested epigraphically, but variants of the name include the forms Tanarus, Taranucno-, Taranuo-, and Taraino-.[3][4] The name is continued in Irish as Tuireann, and is likely connected with those of Germanic (Norse Thor, Anglo-Saxon Þunor, German Donar) and Sami (Horagalles) gods of thunder. Taranis is likely associated with the Gallic Ambisagrus (likely from Proto-Celtic *ambi-sagros = "about-strength"), and in the interpretatio romana with Jupiter. Etymology[edit] Taranis, as a personification of thunder, is often identified with similar deities found in other Indo-European pantheons. Association with the wheel[edit] Votive wheels called Rouelles, thought to correspond to the cult of Taranis. See also[edit] [edit] Jump up ^ M. References[edit] External links[edit]

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