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Andy Goldsworthy Digital Catalogue: Home

Andy Goldsworthy Digital Catalogue: Home
These pages make accessible a sample of entries from the Andy Goldsworthy Digital Catalogue DVD (Volume One: 1976-1986). The Digital Catalogue DVD can be accessed, by appointment, at the University of Glasgow, Crichton Campus, Dumfries. The Digital Catalogue documents, visually and textually, the first ten years of Andy Goldsworthy's ephemeral, outdoor practice. It replicates Goldsworthy's Slide Cabinet Index, and includes previously unpublished material from Goldsworthy's Sketchbook Diaries. The Digital Catalogue project was initiated by the University of Glasgow at the Crichton Campus, Dumfries, and was supported by the University's Humanities Advanced Technology and Information Institute (HATII). It was realised with funding from The Crichton Foundation, Dumfries, and from Private Donors in Dumfries & Galloway.

http://www.goldsworthy.cc.gla.ac.uk/

Related:  artistskunstenaars en vormgeversartistes

Grayson Perry Born in Chelmsford Braintree College of Further Education, Art Foundation Course Portsmouth Polytechnic, Fine Art BA Lives and works in London Krijn Christiaansen – Krijn Christiaansen Cathelijne Montens (KCCM) Profile information for Krijn Christiaansen. Wooden field gates are landmarks in the flat Dutch landscape. The Vechtstreek (the area along the Vecht river, between Utrecht and Amsterdam) used to host many field gates. They were hand made… Read More…

about — Amelia Winger-Bearskin Amelia Winger-Bearskin ( NYU – ITP 2015 Interactive Telecommunications Program PBS MediaShift). She is the co-founder of the ‘Stupid Hackathon’ & @stupidhackathon. She is currently the Director of the DBRS Innovation Lab, an Artificial Intelligence and Design Lab and an Artist in Residence (Tech) at Pioneer Works. In 2014 her video artwork was included in the 2014 Storytelling : La biennale d’art contemporain autochtone, 2e édition (Art Biennale of Contemporary Native Art) at Art Mur (Montreal, Canada). She performed as part of the 2012 Gwangju Biennial and created an interactive portion of The Exchange Archive at the Museum of Modern Art (MoMA) in 2013.

Jeff Koons Jeff Koons was born in York, Pennsylvania in 1955. He studied at the Maryland Institute College of Art in Baltimore and the School of the Art Institute of Chicago. He received a BFA from the Maryland Institute College of Art in 1976. Koons lives and works in New York City. Koons’s work is in numerous public collections, such as the Museum of Modern Art (New York, NY), the Whitney Museum of American Art (New York, NY), the Guggenheim Museum (New York, NY), Los Angeles County Museum (Los Angeles, CA), The Broad Art Foundation (Santa Monica, CA), The National Gallery (Washington, DC), Hirshhorn Museum (Washington, DC), San Francisco Museum of Modern Art (San Francisco, CA), Tate Gallery (London, UK), Stedelijk Museum (Amsterdam, the Netherlands), Museum Ludwig (Köln, Germany), and the Museum of Contemporary Art, Tokyo (Tokyo, Japan).

Electrifying Photography Robert Buelteman uses high voltage photography Forget the notion of a reverent nature photographer tiptoeing through the woods, camera slung over one shoulder, patiently looking for perfect light. Robert Buelteman works indoors in total darkness, forsaking cameras, lenses, and computers for jumper cables, fiber optics, and 80,000 volts of electricity. This bizarre union of Dr. Synth-ethic: Art and Synthetic Biology Exhibition — Vienna, Austria Tuur van Balen Pigeon d’Or Pigeon d’Or proposes the use of pigeons as a platform and interface for synthetic biology in an urban environment. Tuur van Balen’s project attempts to make them defecate soap! Meat Puppet Arcade The 3-D scanner as a portal to the virtual space. Play with true-to-life replicas of the artist’s body. Matt Romein experiments with virtual copies of his own body.

Bridget Riley Loss (1964) Black to White Discs (1961-62) Ease (1987) Pause (1964) ?? Drift No. 2 (1966) partial B/W image of Orient 1 or 2 (1969) ?? Louis Kahn From 1957 until his death, he was a professor of architecture at the School of Design at the University of Pennsylvania. Kahn created a style that was monumental and monolithic; his heavy buildings do not hide their weight, their materials, or the way they are assembled. Louis Kahn's works are considered as monumental beyond modernism. Famous for his meticulously built works, his provocative unbuilt proposals, and his teaching, Kahn was one of the most influential architects of the 20th century.

Ryan Gander Ryan Gander’s complex and unfettered conceptual practice is stimulated by queries, investigations or what-ifs, rather than strict rules or limits. For example, what if a child’s den of sheets were remade in memorialising marble (Tell My Mother not to Worry (ii), 2012)? What if all the pieces in a chess set were remade in Zebra Wood, so that neither side was entirely black nor white (Bauhaus Revisited, 2003)? Gander is a cultural magpie in the widest sense, polymathically taking popular notions apart only to rebuild them in new ways – perhaps by refilming the same ten-second clip 50 times over, as in Man on a Bridge (A study of David Lange), 2008. Language and storytelling play an overarching role in his work, not least in his series of Loose Association lectures or in his attempt to slip a nonsensical, palindromic new word, ‘mitim’, into the English language. Ryan Gander, born in Chester in 1976, lives and works in London.

Gustav Courbet : History of Erotic Art Gustav Klimt (1862 - 1918) was an Austrian artist from Vienna who was one of the pioneers of Symbolism and Art Nouveau who is best known for his paintings though was also an incredibly prolific draftsman. "All art is erotic" — Gustav Klimt We usually use self portraits of the artists on ErotiCart, however Klimt famously has no self portrait and is popularly quoted saying "I have never painted a self-portrait. I am less interested in myself as a subject for a painting than I am in other people, above all women...There is nothing special about me.

Tangible Memories Following on from our pop-up exhibition of audio stories, produced from our winter visit to the MShed (see Memories and Museums) we have been developing another auditory experience using chairs, and inspiration drawn from venturing outdoors. Here I introduce the concept of a therapeutic rocking chair for older people with dementia. Early on in the Tangible Memories project, we recognised that access to the outdoors, and specifically to the natural world, was very limited for many care home residents, often due to a decline in their physical mobility, or particularly if they were suffering from the more advanced stages of dementia. Equally, when we asked ourselves as a team, ‘what would we want in a care home of the future?’

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