Electrifying Photography Robert Buelteman uses high voltage photography Forget the notion of a reverent nature photographer tiptoeing through the woods, camera slung over one shoulder, patiently looking for perfect light. Robert Buelteman works indoors in total darkness, forsaking cameras, lenses, and computers for jumper cables, fiber optics, and 80,000 volts of electricity. Buelteman’s technique is an elaborate extension of Kirlian photography (a high-voltage photogram process popular in the late 1930s) and is considered so dangerous and laborious that no one else will attempt it-even if they could get through all the steps. Buelteman begins by painstakingly whittling down flowers, leaves, sprigs, and twigs with a scalpel until they’re translucent. Because there’s no lens to distort the colors, Buelteman’s work replicates natural hues far better than traditional photographs. Via Wired
Exposition Monet 2010 - RMN - Grand Palais - Paris Pendant plus de soixante ans, Claude Monet a peint sans relâche, élaborant une oeuvre qui incarne l'expression la plus pure de l'impressionnisme, pour constituer au début du xxe siècle un des fondements de l'art moderne. C'est l'ensemble de ce parcours riche et fécond que l'exposition des Galeries nationales réinterroge. Cette exposition monographique est la plus importante manifestation dédiée à l'artiste depuis près de trente ans, lorsque s'était tenue aux Galeries nationales en 1980 une rétrospective en forme d'hommage. Depuis, les recherches sur l'artiste se sont multipliées et ont mis en lumière des aspects moins connus de son oeuvre. Tous les jours de 10h00 à 22h00. Tous les jours de 9h à 23h pendant les vacances scolaires. Fermeture exceptionnelle à 18h00 le 24 et 31 décembre. Dernier accès : 45 minutes avant la fermeture des Galeries. Adresse 3 avenue du Général Eisenhower 75008 Paris Entrée : Champs-Elysées
Fotos: El increíble maquillaje de Elsa Rhae, la joven de las mil caras - Galería de Fotos Reglamento comentarios ETCE no se responsabiliza por el uso y tratamiento que los usuarios le den a la información publicada en este espacio de recomendaciones, pero aclara que busca ser la sombrilla de un espacio donde el equilibrio y la tolerancia sean el eje. En ese camino, disponemos de total libertad para eliminar los contenidos que: 1. 2. 3. 4. Además, tenga en cuenta que: - El usuario registrado solo podrá hacer un voto y veto por comentario. - Un comentario colapsará si tiene más de tres votos en contra. Quickposes: pose library for figure & gesture drawing practice Bridget Riley Loss (1964) Black to White Discs (1961-62) Ease (1987) Pause (1964) ?? Drift No. 2 (1966) partial B/W image of Orient 1 or 2 (1969) ?? Kiss (1961) Acrylic on Linen, 48"x48" Movement in Squares (1961) Tempera on board, 48"x47" Going Along (1999) Oil on linen, 121.9 x 197.5 cm Study '74 Colour/Space Sequence (1974) Gouache on paper, 29"x28" Balm (1964) Oil on canvas, 6'4 3/4" x 6'4 3/4" Orphean Elegy I (1978) Esoteric medium (?) "Blaze 4" (1964) Serigraph(?) Catarct 3 (1967) PVA on canvas, 88 1/2" x 87 1/2" Paean (1973) Acrylic on canvas, 114" x 113" Rêve (1999) Oil on linen, 227.3 x 237.5 cm Zambezi (1999) Oil on linen, 221 x 175.3 cm Britannia ?? Start (2000) Silkscreen, 18 3/4" x 19 1/2" Sylvan (2000) Silkscreen, 35"x24" Carnival (2000) Silkscreen, 28 3/4" x 36" Echo (2000) Silkscreen, 27 1/2" x 28 1/2" Fete (1999) Screenprint, 26 x 34 3/8" Composition with Circles (1998) Silkscreen, 27 5/8" x 39 1/2" Left to right: Blue Dominance. Ra2 (1981) Silkscreen, 42" x 36 3/4"
InfoGoya Gustav Courbet : History of Erotic Art Gustav Klimt (1862 - 1918) was an Austrian artist from Vienna who was one of the pioneers of Symbolism and Art Nouveau who is best known for his paintings though was also an incredibly prolific draftsman. "All art is erotic" — Gustav Klimt We usually use self portraits of the artists on ErotiCart, however Klimt famously has no self portrait and is popularly quoted saying "I have never painted a self-portrait. Gustav Klimt was one of the founding members of the Vienna Secession, a group of Austrian artists who had resigned from the Association of Austrian Artists in protest of their restrictive attitudes towards art. Klimt, as well as many other artists, left the Secession in 1905 due to an ongoing dispute with the Naturalist within the Vienna Secession, who refused to let go of the realist influence in their art.
Andy Goldsworthy Digital Catalogue: Home Arthur Ganson's Machines / Kinetic Sculpture