background preloader

References related projects

Facebook Twitter

(Ve) Boabooks : Boabooks. Welcome : The Liberated Page. Anne Szefer Karlsen on ‘Dublett’ - Events - Independent Curators International. Image credit: Anti/Grandpeople Anne Szefer Karlsen on ‘Dublett’ Tuesday, October 4, 2016 6:30–8pm ISCP 1040 Metropolitan Ave.

Anne Szefer Karlsen on ‘Dublett’ - Events - Independent Curators International

Brooklyn, NY FREE and open to the public Curator Anne Szefer Karlsen will discuss the relationship between editorial and curatorial work, taking as her starting point the book series ‘Dublett’. This publication series (2012-15) included four artist’s book by Annette Kierulf & Caroline Kierulf, Toril Johannessen, Pedro Gómez-Egaña and Elsebeth Jørgensen – each representing a distinct work of art by the artist, in part though a series of specially commissioned texts contributed by authors from a variety of disciplines. The books have a particular ‘three-part architecture’, designed by award-winning designers Anti/Grandpeople. Offsite Hub event, in collaboration with the International Studio & Curatorial Program (ISCP). This event is free and open to the public. New Documents. Ə /UH/-BOOKS - ABOUT. Pr/ paula roush: msdm publications.

Erg - séminaire : Page ages page ages page ages* Le ready-made est supposé avoir été inventé par Marcel Duchamp en 1913 : c’est la fameuse Roue de Bicyclette.

erg - séminaire : Page ages page ages page ages*

Le nom de ready-made apparaît en 1912 dans les Notes rassemblées pour la Boîte Verte. Abritée par la réitération de ce nom propre, l’invention duchampienne se poursuit pendant un demi-siècle, Elle se réalise en 1964 avec la réalisation artisanale et en série limitée des ready-mades pour le galeriste Arturo Schwartz. Entre 1912 et 1964, Marcel Duchamp fait ainsi du ready-made une boussole dans l’exploration d’une question qui nous occupe encore : qu’échangeons-nous sous le nom d’art ? A quelles conditions un acte fait oeuvre? A quelles conditions un objet vaut pour “d’art” ? Il existe très peu de spécialités dans lesquelles les logiciels ne sont pas devenus la partie essentielle de l’activité et des flux de travail [1].

Castillo/corrales. Paraguay Press is the publishing house of castillo/corrales.

castillo/corrales

It was created by the group who works here to reclaim control of the means of creation, production and distribution of the books in which their work appears. Just as much, and yet less selfishly so, Paraguay Press is meant to be a framework for producing publications with a growing number of artists, writers, and institutions whose work we admire. Each project developed by Paraguay Press looks carefully into the pragmatics of publishing, and adapts each print-run and scope, deploys different printing devices, and considers various distribution strategies — according to the nature of each publication. Les éditions Mix. Automatic Books. Badlands Unlimited. Juan de la Cosa. & So : & So. <o> future <o> The Serving Library. Am Nuden Da. Am Nuden Da nuden@amnudenda.com Let's Not Dispute The Useless. ...

Am Nuden Da

Series - Triple Canopy. Reading—reading aloud, reading aloud texts authored by others (and sometimes rewriting them first)—is a creative act, a way of devising new forms of authority.

Series - Triple Canopy

Written text is now increasingly detached from the unifying format of the book and is accessed online, circulated and reproduced digitally, viewed on myriad screens. What, in this context, might it mean to represent a text by voice alone? What does the sound of reading—alone or with a chorus—contribute, alter, or signify? The works presented in this series are reimagined by means of voice. Their authors attend to the ways in which sonic elements, a pause for (human) breath or the odd cadence of audio generated by a text-to-speech program, contribute to the sense and feeling of a written work. Three Letter Words. The Piracy Project Catalogue. Unfold. 89plus and the LUMA Foundation. Publishing House. Beckbooks.ch. DOMINICA. Tanya Leighton - End Note. An exhibition curated by Robert Okuda Fitzpatrick in collaboration with Tanya Leighton and Archive Kabinett.

Tanya Leighton - End Note

Participating artists: Ayreen Anastas & Rene Gabri, Nina Beier, Nina Beier & Marie Lund, Melanie Bonajo & Kinga Kielczynska, Pavel Büchler , Andreas Bunte, Daniel Gustav Cramer & Haris Epaminonda, Simon Denny, Jason Dodge, Karl Holmqvist, Christodoulos Panayiotou, Dan Rees, Rupert Smyth , Megan Francis Sullivan, Erik van der Weijde, Jean-Michel Wicker, XYM and contributing artists from the pilot issue of SOMETHING BLUE (edited and designed by Neue Alte Brücke / Mark Dickinson) As we approach that time of year when the dreary days of winter imminently await us, and the inclination to stay indoors to flip through books, magazines and other printed matter takes precedence over gallery visits, Tanya Leighton and Archive Kabinett invite you to consider the role that publications play in an artist's practice. Performance as Publishing. Where is a semi-public, high security security shipping container and publishing project in Brooklyn, New York.

The Book Lovers. FormContent — The Subject Interrupted.