background preloader

The home of street photography

The home of street photography
In-Public Workshops Monday 14 April 2014 In-Public is pleased to announce the beginning of an annual workshop series. We will be offering workshops in Paris, London & New York. Paris The first workshop will be held in Paris on the 6-8 June 2014.

Related:  Street Photographystreet photo

The 50 Greatest Street Photographers Right Now Street photography is one of the most interesting yet overlooked genres in imaging. Capturing architecture, people in passing, odd details, and intriguing signage, these photographers are at the top of their game. They're not limited by using film or digital, shooting black and white or color, or having available light. They photograph their hometowns and their travels, and many make political and social statements while they're at it. Our list took into account the legends, but only included the ones who are still producing work. On the same token, we searched for the prolific newcomers who have amassed online followings from their top notch portfolios. Jack Simon. Interview with co-winner of the first prize of the Street Photography Now Project (SPNP) Jack Simon: - What I really love is when I had no idea the photo was good and then get a pleasant surprise when I see it on a monitor. Perhaps my work helps me with an intuitive sense on the street, says Jack Simon, one of the two winners of the first prize of Street Photography Now Project SPNP. This interview with Jack has been done by email.

The 10 Best Street Photography Blogs on the Web (and more) Although street photography is still very much a niche online, here are the top 10 street photography blogs I regularly follow online. If you feel any other site needs to be added to this list, please leave a comment below! 1. Street Photography Tips The photos in this article are from my new “Detroit” series. I’ve had the pleasure of being a judge for a handful of street photography competitions: including the International Street Photography Awards 2012, the Urban Picnic Street Photography Contest in 2013, and the International Street Photography Awards 2014. It was a fascinating experience being a judge– and it has taught me a lot of lessons in terms of how to judge others’ work. More than that, it has taught me to better judge my own work. Here are some lessons I’ve personally learned being a judge, and some tips I suggest when you enter a street photography contest:

IPA Street Photography Contest – 1st April to 1st June ’11 Invisible Ph t grapher Asia celebrates their 1st anniversary in April 2011. To mark this anniversary milestone, we are hosting our first Street Photography Contest. This contest is a celebration, a challenge, and a search for the best street photography and photographers in Asia. The contest is open and free to photographers of any level, and in any country of residence. Markus Hartel street photography blog With zone focusing can be a life-saver between the decisive moment and a hit-and-miss-shot – toss the autofocus camera and get a manual lens instead… Zone focusing is pretty straightforward, the photographer simply uses the DOF (Depth Of Field) effect to have the desired object(s) at working distance in focus. Zone focussing comes in handy, when there is no time to fiddle with the camera controls, or when the photographer wants to be extra unconspicious – without using the viewfinder to focus (aka. shooting from the hip). Once you know what an f-stop is, and how to set it on your camera, you’re good to go.

50 Things I Try to Avoid in Street Photography A Post By: Eric Kim I am a huge proponent of negative learning, that you can learn more by taking on the opposite approach. Philosopher Nassim Taleb calls this “via negativa”. It is the idea that the best way to gain “happiness” in life isn’t chasing what makes us happy, but by vehemently avoiding what makes us unhappy (a long commute to work, a horrible micro-managing boss, poisonous and negative “friends”, and an expensive house mortgage).

Terrified of Street Photography? Here's How I Do It by Mridula Dwivedi. I am truly terrified of street photography. It is such a daunting task to point my camera at a stranger’s face and click. 10 Tips for the Aspiring Street Photographer Let’s face it, starting street photography is no easy task. For the average photographer, going from shooting flowers into shooting people in the streets is like stepping into a Ferrari after driving a Toyota Prius. It is intimidating at first, but quite exhilarating once you try it out. After shooting on the streets for about four years, here are my top ten tips for somebody (with absolutely no background in street photography) to get their feet wet. 1. Ditch the zoom and use a wide-angle prime

10 Lessons Lee Friedlander Has Taught Me About Street Photography In my opinion, Lee Friedlander is one of the most under-appreciated (or simply unknown) street photographers when it comes to the internet/social-media sphere. Of course Friedlander is one of the pillars of photography and is known to every student who has gone to photography school. However when I started photography, I had no idea who he was or never even heard of him. When I first looked at his photographs of the stark urban landscapes, I didn’t really “get” them. STREET PHOTOGRAPHY MANIFESTO “Art is a lie that makes us realise the truth” - Pablo Picasso Look-up ‘Street Photography’ in Wikipedia and the attempt to define it starts with ‘… a form of documentary photography’. But is it really?

Lee Friedlander / Biography & Images - Atget / Videos Books & Quotes Photography has generally been defended on the ground that it is useful, in the sense that the McCormick reaper and quinine have been useful. Excellent and persuasive arguments have been developed in this spirit; these are well known and need not be repeated here. It should be added however that some of the very best photography is useful only as juggling, theology, or pure mathematics is useful --- that is to say, useless, except as nourishment for the human spirit. When Lee Friedlander made the photograph reproduced here he was playing a kind of game. The game is of undetermined social utility and might on the surface seem almost frivolous.

The Death of Street Photography (and what you can do to stop it) Lately on the web, there has been a ton of buzz about the phobia that people are having about street photographers. We have been called creepers, pedophiles, and even in some cases, terrorists (as the TSA would like the public to think). Is all this anti-photographer sentiment leading to the death of street photography as we know it? LUCIDA » » ESSAY // BONE TREE CRITIQUE: LARRY FINK AND ZEV JONAS An essay by Bill Lowenburg. At first glance, the photographs of Australian-born Zev Jonas seem to have little in common with the work of his friend and mentor, the distinguished American photographer Larry Fink. Jonas works in primarily color, Fink in black and white. Jonas utilizes available light, and while Fink does too, his best-known work has been produced with off-camera flash. As a result of his landmark 1980 book, Social Graces, Fink is famous for using flash to create chiaroscuro-style lighting.

Related:  architecture's photographiestreet photophoto