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Obey Giant - The Art of Shepard Fairey

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Rembrandt Self-portraits in chronological order Self-portraits in chronological order by REMBRANDT It is particularly interesting if the various stages of the creative renewal of an artist can be followed on self-portraits so that the change in style and the change in maturity can be studied simultaneously. From this point of view Rembrandt's self-portraits are without parallel. They are the inexhaustibly rich documents of a human and artistic self-examination lasting a lifetime. How to Criticize with Kindness: Philosopher Daniel Dennett on the Four Steps to Arguing Intelligently By Maria Popova “In disputes upon moral or scientific points,” Arthur Martine counseled in his magnificent 1866 guide to the art of conversation, “let your aim be to come at truth, not to conquer your opponent. So you never shall be at a loss in losing the argument, and gaining a new discovery.” Of course, this isn’t what happens most of the time when we argue, both online and off, but especially when we deploy the artillery of our righteousness from behind the comfortable shield of the keyboard. That form of “criticism” — which is really a menace of reacting rather than responding — is worthy of Mark Twain’s memorable remark that “the critic’s symbol should be the tumble-bug: he deposits his egg in somebody else’s dung, otherwise he could not hatch it.”

David Nahmad David Nahmad (born 1947, in Beirut, Lebanon) is a retired fine art dealer and billionaire.[1] A descendant of a Jewish Lebanese art family residing in Monaco and cousin of defunct Edmond Safra, he and his relations are perhaps the single biggest buying force in fine art.[1] As of 2013, David Nahmad and his family's net worth was estimated at $3 billion, ranking him with his family at 377 on the Forbes billionaires list.[2] Amedeo Modigliani, Seated Man with a Cane, 1918. Origin[edit] The roots of the Nahmad family are in Aleppo, Syria, where Sephardic Jewish[3] banker Hillel Nahmad lived until just after the Second World War. Following anti-Jewish violence in 1947, Hillel Nahmad moved to Beirut, Lebanon and when the situation there became difficult, Hillel took his three sons, Joseph (Giuseppe), Ezra and David, to Milan in the early 1960s.

Street Artist Ludo Merges Technology and Nature to Create a New Order of Hybrid Organisms Paris-based artist Ludo (previously) has been active lately with works popping up all over France. His trademark monochromatic paste-ups with dripping green highlights often merge technology with plants or insects to create what he calls a “new order of hybrid organisms”. To see more of his work you can always stop by StreetArtNews or follow the artist’s blog. If logos were honest Advertising According to Viktor Hertz there is a hidden message behind every logo... the truth. That's why he altered the logos just a little bit! Share

Barnaby Furnas The explosive moment versus painting's innate stillness has been a central concern of Barnaby Furnas's work over the past decade. Drawing on US history and culture, the American artist presents restless, radiant paintings of subjects including Civil War-era battles and high-octane stadium rock gigs, chronicling crescendos of excitement - religious, political, sexual - as they career towards tipping points of uncertain outcome. These are at once brutal and elegant works, bound up with the excesses of the world yet brought into being through the prism of art history. From Cubism's fracturing of the picture plane, through Futurism's attempts to capture movement, via 'blood and guts' outpourings of Abstract Expressionist and the transcendental spaces of colour field painting, Furnas entwines history with art history in provocative combinations of narrative and form.

Intellectually-honest and intellectually-dishonest debate tactics – John T. Reed Copyright by John T. Reed This Web site is, in part, a debate between me and others with whom I take various issues. Anthony Howe (kinetic sculptor) Anthony Howe (born 1954, Salt Lake City, Utah) is an American kinetic sculptor who creates wind-driven sculptures resembling pulsing, alien creatures and vortices. He makes use of computer-aided design, shaping the metal components with a plasma cutter, and completing his work by use of traditional metalworking techniques. “Over the past 17 years I have made a body of suspended and freestanding kinetic sculpture, much of it designed to respond to the exterior natural environment of wind and light. I attempt, with an economy of means, to construct objects whose visual references range from lo-tech sci-fi paraphernalia to microbiological or astronomical models. Utilizing primarily stainless steel armatures that are driven either by hammered curvilinear shapes or flat fiberglass covered discs, I hope the pieces assume a spare, linear elegance when conditions are still, mutating to raucous animation when the wind picks up.

Dran – art pack 1 Keep in touch close Dran – art pack 1 Author: arsek July 14, 2010 the soup Source – LINK 7 Comments The Propaganda Posters of the 1% Banks and governments own all the money and power thus controlling society and they will do absolutely anything to keep it that way, To top it off we are now paying off there huge debt again, as planned -not a mistake. To be honest I have very little hope for society especially when people are trying to do something about this whether it the right way or not but still trying, only to be met with total denial from all sides. As history has has told us, people only do something when its all or nearly too late and we are close to that point and even have an opportunity that will soon be gone.

EROTIC DRAWINGS BY GUSTAV KLIMT lichtblik about drawings by mailbertjacobs Is All the Truth We Need in the Data? by Jag Bhalla Is all the truth we need found in the numbers? Can the stats always chart a better course? Although it seems savvy to defer to “the data,” the devil is in the details. Plakatstil Plakatstil (German for "poster style"), also known as Sachplakat, was an early style of poster art that originated in Germany in the 1900s.[1] It was started by Lucian Bernhard of Berlin in 1906. The common characteristics of this style are bold eye-catching lettering with flat colors.[2] Shapes and objects are simplified, and the composition focuses on a central object. Plakatstil turned away from the complexity of Art Nouveau and propagated a more modern outlook on poster art. Famous Plakatstil artists include Ludwig Hohlwein, Edmund Edel (de), Ernst Deutsch-Dryden (de), Hans Lindenstadt, Julius Klinger, Julius Gipkens, Paul Scheurich (de), Karl Schulpig (de) and Hans Rudi Erdt.[3] A later master of the Sachplakat was Otto Baumberger. Gallery[edit]

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