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Neil Gaiman

Neil Gaiman

http://www.neilgaiman.com/

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a Right-Brained Writing Prompt...Serendipitous Character Descriptions Ways to replicate this interactive prompt without using technology: It's simple; make three columns on your whiteboard or chalkboard or on chart paper, labeling them adjective, character, and phrase. Write four or five adjectives, characters, and phrases (borrowed from the button game above) to give your students a model; then, have your students work in pairs to create more words and phrases that could go in each column. When students share their ideas out loud, record the very best ones on the classroom chart. With a chart created, tell students they are to all create an original character by choosing an adjective, character, and phrase that are in different rows.

Fiona Staples kingdaigo asked: I generally prefer drawing figures and props over background drawing, and I've really started to feel how much of a liability that is. Is there any way to make drawing backgrounds fun for me, or some method that can blend it into my workflow that makes it less of a chore? Have you ever had this issue? Start Here: How to Self-Publish Your Book Last updated October 2015: The following post is an introductory guide to the major self-publishing options available to authors today, and how to choose the right service and approach for you. Here’s the “too long, didn’t read” version if you’re looking for my service recommendations. I will edit this list immediately if and when my recommendations change. CreateSpace: for print distribution to Amazon (zero upfront cost)IngramSpark: for print distribution to non-Amazon universe ($49)Amazon KDP: for ebook distribution to Amazon (zero upfront cost)Draft2Digital: for ebook distribution to everyone else (zero upfront cost) These services provide little or no assistance. That means you have to do all the work of preparing and uploading your files for publishing and distribution.

Haruki Murakami Most authors don't write simultaneous futuristic thrillers and pastoral fantasies about people with slashed eyes. Most authors don't write about chains of events set off by a missing cat. Most authors don't write about 15 year-old Oedipuses.Most authors are not Haruki Murakami.Murakami's works include twelve novels, dozens of short stories, an autobiography, and a non-fiction book of essays and interviews exploring a terrorist attack on Tokyo's subways that occurred in 1995. He achieved literary super-stardom in Japan with the publication of Norwegian Wood, but opinion is very much divided among the Japanese literary community whether he is a genius or a purveyor of somewhat odd popular fiction. His fans say, why not both?

Start Here: How to Get Your Book Published It’s the most frequently asked question I receive: How do I get my book published? This post is regularly updated to offer the most critical information for writers new to the publishing industry, and to provide a starting point for more fully exploring what it means to try and get meaningfully published. If you’d like an in-depth guide on how to get your book published, consider my book, Publishing 101: A First-Time Author’s Guide.For a full-length course, see my 24-lecture series with The Great Courses, How to Publish Your Book.Also, see my recommended guides on writing and publishing. This post focuses on traditional publishing. In a traditional publishing arrangement, the publisher pays you for the right to publish your work for a specific period of time. Traditional publishers assume all costs and pay the author an advance and royalties.

Rosencrantz and Guildenstern - Wikipedia Shakespeare's Hamlet[edit] The majority of characters in Hamlet have classical names, in contrast to the "particularly Danish" ones of Rosencrantz and Guildenstern. The names were common in the court of Frederick II and Christian IV, and also at the University of Wittenberg, an institution where Hamlet is mentioned as having studied (he refers to them as "my two schoolfellows").[3] Writing Emotionally Layered Dialogue (Note: This article is not one that can be read breezily. I'm going to deconstruct a piece of great dialogue line by line, and label every technique that's employed. There's much to be learned by doing so, but it requires focus. When the stories add up: the six narrative arcs in fiction Classic narratives. From Cinderella, 1950. Photo by Rex Features In recent years, literature has been getting attention from an unusual quarter: mathematics. Alongside statistical physicists analysing the connections between characters in the Icelandic sagas, and computer scientists exploring the life and death of words in English fiction, a team of mathematicians at the University of Vermont have now looked at more than 1,000 texts to see if they could automatically extract their emotional arcs. And their results show something interesting, not just about narratives, but also about using this approach to study literature.

Carly Watters, Literary Agent This is the social media elephant in the room. You don’t query in a vacuum. If you write a query letter and an agent is intrigued (congratulations!) the next thing an agent does is Google you or click on the links in your signature to see where it takes us. A writer’s virtual footprint is their resume at that point.

Ray Bradbury on Storytelling, Friendship, and Why He Never Learned to Drive: A Lost Vintage Interview, Found and Animated In the fall of 2012, Lisa Potts discovered a cassette tape behind her dresser. On it was a long-lost interview she had conducted with Ray Bradbury (August 22, 1920–June 5, 2012) — regimented writer, creative idealist, list-maker, space-lover, sage of life and love — exactly four decades earlier, when she journalism student in 1972. Potts and her classmate Chadd Coates were driving Bradbury — a resolute, lifelong nondriver — from his home in West Los Angeles to their university, Orange County’s Chapman College, where he was about to deliver a lecture. The informal conversation that ensued emanates Bradbury’s unforgettable blend of humor, humility, and wholeheartedness to the point of heroism. In this wonderful animation, the fine folks of Blank on Blank — who have previously given us John Lennon and Yoko Ono on love, David Foster Wallace on ambition, Jane Goodall on life, and Richard Feynman on the most important thing — bring to life Potts’s lost-and-found Bradbury treasure.

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