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Jewish Klezmer Music

Jewish Klezmer Music

http://www.youtube.com/watch?v=yB1scKselg4

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Vallenato Origins[edit] The first form of Vallenato was played with gaita flutes, guacharaca, and caja, and later adopted other instruments like guitars. These troubadors were later influenced by Europe's instruments: piano and accordion. About His virtuosity is legendary, his versatility stunning. And as always, Andy Statman's roots are showing. adapted from Sara Eisen’s essay in the Jerusalem Report HAD THERE BEEN a planetarium in 19th-century Galicia, or a kosher deli in Depression-era Kentucky, Andy Statman's music might have been playing in the background.

KLEZMER MUSIC Klezmer music originated in the 'shtetl' (villages) and the ghettos of Eastern Europe, where itinerant Jewish troubadours, known as 'klezmorim', performed at joyful events ('simkhes'), particularly weddings, since the early middle age till the nazi and Stalinian prosecutions. It was inspired by secular melodies, popular dances, 'khazones' (khazanut, Jewish liturgy) as well as by the 'nigunim', the simple and often wordless melodies, intended by the 'Hasidim' (orthodox Jews) for approaching God in a kind of ecstatic communion. In (mutual) contact with Slavonic, Greek, Ottoman (Turkish), Gypsy and -later- American jazz musicians, using typical scales, tempo and rhythm changes, slight dissonance and a touch of improvisation, the 'klezmorim' acquired the ability to evoke all kinds of emotions, through a very diversified music. back home

Klezmer Music 101 - Jewish Traditions By Megan Romer Klezmer Music - The Basics: Originally, the word "klezmer", from the yiddish language, meant simply "musician". Der Rebbe Elimelech Der Rebbbe Elimelech is a Yiddish song written in 1927 by Moshe Nadir and loosely based on the English traditional song Old King Cole.[1] Lyrics and translation[edit] (first verse)

Traditional Indonesian Music Gamelan music is the most popular and important kind in Indonesia. Gamelan orchestras accompany all dances and dramas. Gamel means ‘to hammer’, and most of the instruments of a gamelan orchestra are struck with wooden mallets, padded sticks or hammers.The conductor of a gamelan orchestra is a drummer who is part of the orchestra. Instruments of a gamelan orchestra A complete orchestra could have about 40 or more different instruments. A Short History of Brazilian Music In Rio de Janeiro, in the house of a Bahia-born ialorixá (priestess) who had arrived in Rio as a young woman (part of the exodus of emigrating Bahians leaving for the capital in search of work around the time of Brazil's abolishment of slavery), the music (in the front part of the house anyway, more on out back in a bit) was... ...So everybody has heard of killer bees, right? The Africanized version of European honeybees?

Mariachi Vargas de Tecalitlán In the southern part of the Mexican state of Jalisco, two hours drive south of Guadalajara, lies the village of Tecalitlán, which in indigenous language means “land of stone houses.” To the north the town is bordered by the Cerro de la Cruz (Mountain of the Cross) named for a cross which villagers believe protects them from passing hurricanes and other natural disasters; to the south two volcanoes may be seen in the distance, one of them still active and smoking. Tecalitlán is a typical agricultural and cattle ranching village which is distinguished from other towns of the region mainly by its fame as the birthplace of the Mariachi Vargas de Tecalitlán, Mexico’s most famous mariachi group. The origin of the word “mariachi” has been a subject of controversy. Legend erroneously has it that mariachi is a corruption of the French word mariage . What is a mariachi?

Indonesian Folk Music Overview Indonesia is home to a wide variety of peoples and cultures that encompasses 17,500 islands, 300 languages, numerous religions, and a wealth of vocal and instrumental styles. Because of this diversity, there is not specific Indonesian folk music that can be said to represent all people in the country. Traditional Japanese Music - Koto - Virtual Culture The history of traditional music in Japan is rich and varied. Many musical forms were imported from China more than a thousand years ago, but over the years, they were reshaped into distinctively Japanese styles of expression. Instruments were adapted and newly created to meet local needs, and the most important of these were the shamisen, shakuhachi, and koto. The shamisen resembles a guitar; it has a long, thin neck and a small, rectangular body covered with skin. It's got three strings, and the pitch is adjusted using the tuning pegs on the head, just like a guitar or violin.

Antônio Carlos Jobim It has been said that Antonio Carlos Brasileiro de Almeida Jobim was the George Gershwin of Brazil, and there is a solid ring of truth in that, for both contributed large bodies of songs to the jazz repertoire, both expanded their reach into the concert hall, and both tend to symbolize their countries in the eyes of the rest of the world. With their gracefully urbane, sensuously aching melodies and harmonies, Jobim's songs gave jazz musicians in the 1960s a quiet, strikingly original alternative to their traditional Tin Pan Alley source. Jobim's roots were always planted firmly in jazz; the records of Gerry Mulligan, Chet Baker, Barney Kessel, and other West Coast jazz musicians made an enormous impact upon him in the 1950s. But he also claimed that the French impressionist composer Claude Debussy had a decisive influence upon his harmonies, and the Brazilian samba gave his music a uniquely exotic rhythmic underpinning.

The term klezmer comes from the Hebrew words "kley zemer", referring to the musical instruments themselves; gradually, the identities of the musician and his instrument merged to be covered by the one term. References to klezmer bands are found in surviving town records, memoirs, and historical accounts as early as the 15th century. Paintings and woodcuts from those times show Jewish musicians playing instruments similar to those of their non-Jewish neighbors. The connections between secular and liturgical Jewish music are evident in klezmer scales and ornamentation, which derive from prayer modes and vocal styles used in cantorial music. This sets Jewish music apart, but there was also much cross-fertilization with non-Jewish music of the regions. Jews and non-Jews, especially Gypsies, often played together. Jewish musicians preferred for their wide traveling, broad repertoire, modesty, and sobriety were often hired to play at non-Jewish weddings. by amadolazyr May 6

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