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Le désordre est bien puissant quand il s'organise. (André Suarès)

Le désordre est bien puissant quand il s'organise. (André Suarès)

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Mark Jenkins // Inside The Box, 2014 Living Canvas Series, 2014 High Rider, 2014 High Noon, 2014 Captured: America in Color from 1939-1943 – Plog Photo Blog Posted Jul 26, 2010 Share This Gallery inShare324 These images, by photographers of the Farm Security Administration/Office of War Information, are some of the only color photographs taken of the effects of the Depression on America’s rural and small town populations. The photographs and captions are the property of the Library of Congress and were included in a 2006 exhibit Bound for Glory: America in Color. Faro and Doris Caudill, homesteaders. RANDA MIRZA I works abandoned rooms . (2005 - 2006) Vacant apartments. destroyed villas, hotels, chalets and summer houses sheltered during the "Lebanese Civil War" (1975-1990), the people who fled their endangered regions. The numerous local and foreign militias and armies also inhabited multiple structures, turning them into housing or headquarters.

backyard « Harlem Studio Fellowship – NYC NOt here Works by: Ruben Aubrecht, Maria Anwander, Alessandro Imbriaco, Veronica Raimo. Curated by Raffaele Bedarida Download Floor Plan: not here floor plan Jürgen Nefzger Jürgen Nefzger - HEXAGONE - THE LANDSCAPE CONSUMED This large set of images is now part of the Hexagone corpus, where it forms the second section, entitled “The Landscape Consumed.” In these images Jürgen Nefzger moves away from the highly urbanised territory and towards places with low population density, even rural ones, showing us the other side of appearances: instead of what comes before the manufactured landscape, we are faced with uncertain images of it, resulting from the general takeover by the consumerist model.

Peter Bialobrzeski photography - work The photographs show houses on the verge of demolition to create space for new appartment house developments. Informal Arrangements features the interiors of South African shantytown shacks. These photographs speak of the desire to arrange one’s home comfortably using the few means available. Case Study Homes is actually a sketchbook. The collapse of the Lehman Brothers Bank and the paranoia about a second global economic crisis gave these images another dimension. jimmie durham - Sprovieri Gallery The Forest and Brancusi 2012 three walnut painted pieces, round wood table 280 x 50 x 40 cm This Should Explain 2012 industrial machine, olive and tropical wood branches 210 x 65 x 70 cm It Should Work 2012 industrial machine, olive knot 165 x 75 x 70 cm Homanagem a Luciano Fabro (Homage to Luciano Fabro) 2010 wood 224 x 30 x 50 cm Second Life 2010 wooden table, wooden golf club, and a book 110 x 60 x 73 cm

Visa pour l'Image Perpignan 2011 News Who is doing what and where? Who is in town and what's on show? cityscapes — ADAM GARELICK Manhattan East 42nd Street The Brooklyn Bridge Midtown Manhattan at Night Uptown, Looking West Lower Manhattan Erwin Wurm - Artists - Lehmann Maupin Artist Bio Download CV Erwin Wurm Known for his uniquely humorous approach to formalism, Erwin Wurm’s (b. 1954 Bruck an der Mur/Styria, Austria) multi-disciplinary works have appeared in exhibitions throughout the world. The artist’s recent exhibitions include The Artist Who Swallowed the World, Kunstmuseum St.

personal : erin mulvehill photography/ brooklyn new york erin mulvehill can freeze time // photography beauty will save the world © 2017 / personal