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Reggae

Reggae
Reggae is a music genre that originated in Jamaica in the late 1960s. While sometimes used in a broad sense to refer to most types of popular Jamaican dance music, the term reggae more properly denotes a particular music style that was strongly influenced by traditional mento and calypso music, as well as American jazz and rhythm and blues, and evolved out of the earlier genres ska and rocksteady. Stylistically, reggae incorporates some of the musical elements of rhythm and blues, jazz, mento, calypso, African, and Latin American music, as well as other genres. One of the most easily recognizable elements is offbeat rhythms; staccato chords played by a guitar or piano (or both) on the offbeats of the measure. The tempo of reggae is usually slower than ska and rocksteady.[1] The concept of "call and response" can be found throughout reggae music. Reggae has spread to many countries across the world, often incorporating local instruments and fusing with other genres. Etymology[edit]

http://en.wikipedia.org/wiki/Reggae

Native American music and culture Music plays an integral role in the daily life of Native Americans. Music plays an integral role in the life of Native Americans. It is used for ceremonial purposes, recreation, expression, and healing. There are many different instruments used when making Native American music, including drums, flutes, and other percussion instruments. Native American Music Styles Rose Ann Abrahamson (Lemhi-Shoshone) Women's Traditional Dancer from the book People of the Circle Michael Roberts (Choctaw-Chickasaw) Men's Fancy Dancer from the book Powwow - Photographs by Ben Marra © Ben Marra 1996 Andrea "Sissy" Gopher (Chippewa/Cree/Jemez Pueblo) Jingle Dancer from the book People of the Circle Derwin Velarde (Jicarilla Apache) Men's Traditional Dancer from the book Powwow - Photographs by Ben Marra © Ben Marra 1996 William Moore (Prairie Band Potawatomi) Men's Straight Dancer from the book Powwow - Photographs by Ben Marra © Ben Marra 1996

Native American music Characteristics[edit] Singing and percussion are the most important aspects of traditional Native American music. Vocalization takes many forms, ranging from solo and choral song to responsorial, unison and multipart singing. Percussion, especially drums and rattles, are common accompaniment to keep the rhythm steady for the singers, who generally use their native language or non-lexical vocables (nonsense syllables). Traditional music usually begins with slow and steady beats that grow gradually faster and more emphatic, while various flourishes like drum and rattle tremolos, shouts and accented patterns add variety and signal changes in performance for singers and dancers.[1]

The History of Salsa Music By Tijana Ilich Updated September 11, 2016. Salsa is a word that inspires an instant reaction in Latin music lovers everywhere. It is the rhythm, the dance, the musical excitement that sends millions of normally sedate non-Latinos to the dance floor where they meet their Latin neighbors, who are too busy enjoying the music to notice. Native American music Native American music. The music of Native North Americans is primarily a vocal art, usually choral, although some nations favor solo singing. Native American music is entirely melodic; there is no harmony or polyphony, although there is occasional antiphonal singing between soloist and chorus. The melody is, in general, characterized by a descending melodic figure; its rhythm is irregular.

Biography Héctor Juan Pérez Martínez (September 30, 1946 – June 29, 1993),[3] better known as Héctor Lavoe, was a Puerto Rican salsa singer.[4] Lavoe was born and raised in the Machuelo Abajo barrio of Ponce, Puerto Rico. Early in his life, he attended the Ponce Free School of Music known today as the Instituto de Música Juan Morel Campos,[5] and, inspired by Jesús Sánchez Erazo, developed an interest in music.[6] He moved to New York City on 3 May 1963, at the age of sixteen.[6] Shortly after his arrival, he worked as the singer in a sextet formed by Roberto García.[6] During this period, he performed with several other groups, including Orquesta New York, Kako All-Stars, and the Johnny Pacheco band. In 1967, Lavoe joined Willie Colón's band as its vocalist,[7] recording several hit songs, including "El Malo" and "Canto a Borinquen". Early life Héctor attended the local Juan Morel Campos Public School of Music where the first instrument he learned to play was the saxophone.

how to play reggae - The Top 10 Reggae Instruments and Some Here are the top 10 reggae instruments you will see in most reggae band and hear on most reggae recordings. Let me reiterate, these are just the top 10 reggae instruments and some, please note that any instrument can be used in reggae. Peter Tosh was known to have used up to twent y reggae instruments at a time to record. 1. The Guitar Havel Edward Havel Rhetoric of Reggae Research Paper Professor Alfred Snider (Tuna) Salsa music Conga drums, one of the foundational instruments of salsa music. Salsa is primarily Cuban son, itself a fusion of Spanish canción and guitar and Afro-Cuban percussion, merged with North American music styles such as jazz. Salsa also occasionally incorporates elements of rock, R&B, and funk.[6] All of these non-Cuban elements are grafted onto the basic Cuban son montuno template when performed within the context of salsa.[7] Salsa as a musical term[edit] "In 1973, I hosted the television show Salsa which was the first reference to this particular music as salsa.

What Instruments Are Used in Salsa Music The instruments used in salsa music vary depending upon the specific genre and the geographic influence, but the basic salsa setup demands a brass section, piano and a rhythm section. From these elements musicians create a singular sound representing a fusion of African and Spanish traditions. The key to salsa instrumentation is the beat, so percussion instruments are diverse and often numerous. Types A salsa orchestra typically features the same instruments as in a jazz band: baritone, tenor and alto saxophones; a trumpet section; a trombone section; piano; an electric or upright bass; and the percussion section, which may feature conga drums, bongos, claves, cowbells, cascaras, cymbals and timbales.

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