Wordiness, Wordiness, Wordiness List
absolutely essential = essential aforementioned = DELETE a bigger/greater/higher/larger degree of = more a considerable amount of = DELETE OR BE SPECIFIC a decreased number of = fewer a distance of 28 kilometers = 28 kilometers
The 101 Most Useful Websites on the Internet
Eight Secrets Which Writers Won’t Tell You
Image from Flickr by Lazurite This is not particularly relevant to the post, but I’m getting an awful lot of comments telling me, often a little snarkily, “it’s ‘THAT’ not ‘WHICH’”. The “don’t use which for restrictive clauses” rule comes (as far as I can tell) from Strunk and White. Plenty of authors, including Austen, have used “which” exactly as I use it in the title. It’s very commonly used like this here in England, so I’m guessing my comments are coming from US readers. There was never a period in the history of English when “which” at the beginning of a restrictive relative clause was an error.
60 Awesome Search Engines for Serious Writers
June 20th, 2010 Finding the information you need as a writer shouldn’t be a chore. Luckily, there are plenty of search engines out there that are designed to help you at any stage of the process, from coming up with great ideas to finding a publisher to get your work into print. Both writers still in college and those on their way to professional success will appreciate this list of useful search applications that are great from making writing a little easier and more efficient. Professional Find other writers, publishers and ways to market your work through these searchable databases and search engines.
Common Mary Sue Traits
"Im good at too many things! WHY CAN'T I JUST BE NORMAL? IT'S A FUCKING CURSE!" While Mary Sue is too nebulous to be judged by any hard and fast standard, certain traits have become surprisingly popular.
Questionnaires for Writing Character Profiles - Creative Writing Help - StumbleUpon
Enter your e-mail to get the e-book for FREE. We'll also keep you informed about interesting website news. "I have searched the web and used different worksheets, but none have come close to your worksheets and descriptions of (what to do and what not to do). Both courses I have taken have with Creative Writing Now have been amazing. Each time I have learned something new.
TEN SIMPLE KEYS TO PLOT STRUCTURE
Structure is something that every agent and executive in Hollywood talks about, and that all of us teachers/authors/consultants/gurus/whatever go on and on about, to the point that it can seem complicated, intricate, mysterious and hard to master. So I want present plot structure in a way that simplifies it – that will at least give you a starting point for properly structuring your screenplay without overwhelming you with rules and details and jargon. Here are what I consider ten key elements of structure – ten ways of looking at structure that will immediately improve the emotional impact – and commercial potential – of your script. THE SINGLE RULE OF STRUCTURE I once got to work with long time television writer Doug Heyes, who used to say that there is only one rule for achieving proper plot structure: What’s happening now must be inherently more interesting than what just happened.
"How To Bullshit Your Way Through Any Essay" by K W Schroeder
If there is one thing college kids neglect the most, besides basic diet and hygiene, it’s the homework assignment essay. Hastily written and utterly unedited the night before it’s due, the modern essay has become something of a nightmare for lackadaisical college students. But writing an essay that seems like it was written by someone with more than a double-digit IQ is not nearly as difficult as it seems, I assure you. Even the laziest Guitar Hero II god can whiz through an essay that reads like it was written by F.