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Gerhard Richter

Gerhard Richter

http://www.gerhard-richter.com/

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Aaron Nagel This summer we are proud to announce the first Empty Kingdom Art Show at 111 Minna. Within the show will be a host of fantastic artists, one of whom is Alicia Martin Lopez. Alicia works with both digital painting and oil, which she describes rather well. Her work is mysterious and other worldly, she herself is intelligent and well spoken. Check out her art and interview! Please introduce yourself.

jennifermehigan.tumblr the publication of some of my work for enclave store’s new e-presse is now available online! huge thanks + photo credit to Kyle Coble :) 3 days ago May 20, 2013 Anicka Yi Maybe She's Born with it., 2015 blower, Mylar, plastic, resin, temper-fried flowers, LED lights, Plexiglas, wood 60 x 120 inches (152.40 x 304.80 cm) 7,070, 430K of Digital Spit, 2015 Kunsthalle Basel, Basel installation view Odor in the Court, 2015 book, Bunsen burner, metal, motor, tiles, various materials 23.62 x 23.62 x 23.62 inches (59.99 x 59.99 x 59.99 cm) Middle Earth Medical, 2015 kombucha leather, metal, paint, stainless steel 72 x 12 x 12 inches (182.88 x 30.48 x 30.48 cm) Gerhard Richter Gerhard Richter (born 9 February 1932) is a German visual artist and one of the pioneers of the New European Painting that has emerged in the second half of the twentieth century. Richter has produced abstract as well as photorealistic paintings, and also photographs and glass pieces. His art follows the examples of Picasso and Jean Arp in undermining the concept of the artist's obligation to maintain a single cohesive style.

Creating digital archives of 3D artworks Abstract Recent improvements in laser rangefinder technology, together with algorithms for combining multiple range and color images, allow us to accurately digitize the external shape and surface characteristics of many physical objects. This capability makes it possible for the first time to digitize and archive substantial bodies of three-dimensional artistic and cultural artifacts, such as statues, buildings, and archeological remains. Although the methodologies needed to create and manage digital archives of two-dimensional artifacts have matured substantially in the last ten years, the jump from two to three dimensions poses new problems. These are problems of both scale and substance, and they touch on every aspect of digital archiving: storage, indexing, searching, distribution, viewing, and piracy protection.

Richard Dadd: Masterpieces of the asylum - Features - Art So when he started behaving erratically in the last leg of the 10-month trip, his increasingly bizarre behaviour and the outlandish assertion that he was acting under the influence of the Egyptian god Osiris was dismissed as an acute case of sunstroke. We now know it was the start of delusional episodes and psychotic behaviour that culminated in murder on 29 August 1843, when he lured his father, Robert Dadd, to a park in Kent, and stabbed him to death. He fled by boat to France, in such a confused and manic state that he later said he was on his way to assassinate Ferdinand I, Emperor of Austria. He was arrested after attacking a French passenger with a razor and brought back to England. Painting Linkbar2 Linkbar António Olaio - The Sorrows of Electricity - Galeria Filomena Soares - Lisbon McDermott and McGough - Suspicious of rooms without music or atmosphere - Cheim and Read - New York Mitja Ficko - Das Ende vom Labyrinth - Galerie Zink - Berlin

Michele Gabriele Reblogged from Paul Barsch’s instagram; a fast look into the BODY HOLES project. BODY HOLES, the third and most elaborate exhibition project by New Scenario, explores the natural orifices of the human body as practical exhibition spaces for art. The show builds on macro shots of artworks by over forty international artists and artist groups, installed in the mouth, nose, ears and more explicit areas. BODY HOLES will be released June 3rd, 2016 as an online exhibition at the 9th Berlin Biennale and can be accessed via the online section “FearOfContent” and newscenario.net.

Brice Marden Life[edit] Brice Marden, The Dylan Painting, 1966/1986, San Francisco Museum of Modern Art Brice Marden, For Pearl, 1970, 8 x 8 feet, Private Collection Brice Marden, Vine, 1992-93, oil on linen, 8 x 8.5 feet, Museum of Modern Art, New York Marden was born in Bronxville, New York and grew up in nearby Briarcliff Manor. Impressionist Impressionism is a 19th-century art movement that originated with a group of Paris-based artists. Their independent exhibitions brought them to prominence during the 1870s and 1880s, in spite of harsh opposition from the conventional art community in France. The name of the style derives from the title of a Claude Monet work, Impression, soleil levant (Impression, Sunrise), which provoked the critic Louis Leroy to coin the term in a satirical review published in the Parisian newspaper Le Charivari. Overview[edit] Radicals in their time, early Impressionists violated the rules of academic painting.

Artist Takes Every Drug Known to Man, Draws Self Portraits After Each Use This is all kinds of cool, and everything your mother told you not to do. Bryan Lewis Saunders is an artist from Washington D.C., not just any artist though. Saunders prefers to take a more unconventional approach to his artwork. Arguably his most interesting project, entitled DRUGS is described as follows: Below, you can view a collection of portraits Saunders drew while under the influence of various substances ranging from cocaine, to marijuana, to DMT. Each portrait is an astonishing look into the mind of someone tweaked out on drugs, something that your eyes will surely appreciate.

Louise Zhang Tomorrow is the last day of PLOMP @arterealgallery. Friday/Saturday 11-5pm. One of the things that’s great about art is its attentiveness to, and affirmation of littleness, failure and weakness, its enthusiasm for imperceptible. — MINIMAL DOMINATION by Justin Clemens Housemate and I are going to learn this dance and it will be our walk. Joe Bradley - April 2 - May 3, 2016 Download Press Release PDF (93 Kb) Opening reception: Saturday, April 2, from 6:00 to 8:00pm I like the idea of a work of art containing both irony and sincerity. Let 'em fight it out.

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