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Gotye - Somebody That I Used To Know (feat. Kimbra) - official video

Gotye - Somebody That I Used To Know (feat. Kimbra) - official video

http://www.youtube.com/watch?v=8UVNT4wvIGY

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GOTYE LYRICS - Somebody That I Used To Know [Gotye:] Now and then I think of when we were together Like when you said you felt so happy you could die Told myself that you were right for me But felt so lonely in your company But that was love and it's an ache I still remember You can get addicted to a certain kind of sadness Like resignation to the end, always the end So when we found that we could not make sense Well you said that we would still be friends But I'll admit that I was glad it was over But you didn't have to cut me off Make out like it never happened and that we were nothing And I don't even need your love But you treat me like a stranger and that feels so rough No you didn't have to stoop so low Have your friends collect your records and then change your number I guess that I don't need that though Now you're just somebody that I used to know Now you're just somebody that I used to know Now you're just somebody that I used to know

England <div id="blq-no-js-banner"><p>For a better experience on your device, try our <a href=" site</a>.</p></div> Accessibility links Somebody That I Used to Know "Somebody That I Used to Know" is a song written by Belgian-Australian singer-songwriter Gotye, featuring New Zealand singer/guitarist Kimbra. The song was released in Australia and New Zealand by Eleven Music on 5 July 2011 as the second single from Gotye's third studio album, Making Mirrors (2011). It was later released by Universal Music in December 2011 in the United Kingdom, and in January 2012 in the United States and Ireland. Asobi Seksu Bearing a hyper-stylized and glitzy graphic design sense, a pretty and petite Japanese female singer who sings alternately in Japanese and English, and a band name with a hint of nod-and-a-wink naughtiness (it's claimed to be a Tokyo-based slang term that means "playful sex"), Asobi Seksu come across like the latest Japanese import, the newest in a long line of ironic Shibuya-kei indie pop artists following Puffy AmiYumi, Cibo Matto, and Pizzicato Five. In fact, the quartet is based out of New York City, and besides the heavy Japanese pop influences, Asobi Seksu bear comparison both to the British shoegazer bands of the early '90s (My Bloody Valentine in particular) and to New York guitar noise acts ranging from Sonic Youth to Yo La Tengo. Singer and keyboardist Yuki Chikudate, guitarist James Hanna, bassist Glenn Waldman, and drummer Keith Hopkin formed Asobi Seksu in late 2001, self-releasing their self-titled debut album the following year.

Psychoactive Soundscapes - 20 Mind-Bending Psychedelic Albums of 2012 - REDEFINE magazine Well, it’s now past the supposedly prophesized Mayan apocalypse, and of course no obvious signs of eschatological judgment have been wrought down upon us, which was much to be expected. There is something else we need to address though, before we can just write this shit off for good. If you were paying any attention to what those of the neo-spiritualist ilk were saying for the last decade or so, the conversation always involved a shift in consciousness rather than a rogue asteroid raining fiery death from above. Nobody said it’d be instantaneous. Prophecies regarding a sudden massive shift in the perceptual limitations of our species always struck me as being beyond improbable. Whereas I’d be the first to admit that more of us these days are getting turned on to the higher cosmic functionalities of our brains, I’d also point out that it’s probably little more than a numbers game.

UK <div id="blq-no-js-banner"><p>For a better experience on your device, try our <a href=" site</a>.</p></div> Accessibility links BBC navigation In association with RSS feed Morcheeba The most groove-oriented act in the mid-'90s female-fronted electronica crowd, Morcheeba rely on the sweet, fluid vocals of Skye Edwards and a laid-back mix of fusion, funk, and blues produced by brothers Paul and Ross Godfrey, on beats/scratches and guitar/keyboards, respectively. The trio was formed in 1995 when the Godfreys decided to go out on their own after co-producing six tracks for David Byrne's album Feelings. They submitted several tapes of their instrumental demos to labels around London, but received little interest in return. After hooking up with vocalist Edwards at a party, however, their music began to gel and Morcheeba signed to the China label.

Harriet Wheeler « Sirens of Song Harriet Wheeler has been out of the public eye for quite some time now, but that doesn’t mean she’s not missed. It’s been over 10 years since their last album (wow!) yet I get more emails and comments about Harriet Wheeler and the Sundays than anyone else. If you’re ever feeling reminiscent, youtube has a great collection of Sundays interviews and videos, including their video for Summertime! While you’re here though, why not leave some comments about Harriet and the Sundays! How to Put Together the Ultimate Survival Kit Would you be willing to stake your life on your survival kit? I would. There are so many debates when it comes to the perfect survival kit. In my opinion, the items you choose to be in a survival kit can be very different based on the situation you see yourself in (maritime vs. desert survival) as well as your level of skill.

Recoil - Supreme Lyrics Highlight lyrics and explain them to earn Karma points. Supreme talks about his baby's mother like a whore. Sweet sixteen she is, With future Uncertain, Love Incomplete. First Listen: Steve Martin And Edie Brickell, 'Love Has Come For You' Steve Martin and Edie Brickell's first album together, Love Has Come for You, comes out April 23. Courtesy of the artist hide caption toggle caption Courtesy of the artist Steve Martin and Edie Brickell's first album together, Love Has Come for You, comes out April 23. Fever Ray (album) Pitchfork Media's argued that, in contrast to The Knife's "plasticky percussions and goofy synth sounds", Fever Ray "brims with fragile, more finely articulated sounds" and "moves at roughly the same pace and with the same general tone, rendering some of the songs indistinguishable at first, but committed listens will reveal this to be as nuanced and as rich of a production as anything either Dreijer has done."[10] The A.V. Club's Chris Martins viewed it as being "countless times more claustrophobic and creepy than Silent Shout" and stated that "[t]he vocal transformer is such a huge part of what Andersson does—androgynizing her words to accompany the cold music, mimicking the synth warbles and sustained tones that abound. All lyrics written by Fever Ray, except where noted.

LISTEN: Stream Anna Von Hausswolff's LP Next week, City Slang are giving Anna von Hausswolff's second album of dark-hued, cinematic pop Ceremony a worldwide release. Listeners in her native Sweden, where it's already out, will have already wrapped their ears around it, but for the rest of us we're pleased to host a full stream of the album - listen below: Says von Hausswolff of the album: “I didn’t just want Ceremony to be a collection of songs. I wanted it to be like a film, with every single part connected to the other, with shifting moods and settings, but a thread holding all the tracks together.

This Album was Recorded under the Influence of Sahlep: Aphrodite's Child's 666 Aphrodite's Child were a Greek progressive rock band formed by the iconic film composer Vangelis in 1967, featuring Demis Roussos on bass and vocals, Loukas Sideras on drums and vocals, and Anargyros Koulouris on guitar. In 1972, they released 666 (The Apocalypse of John, 13/18), a sprawling, magnificent, and occasionally bonkers double concept album based on every rocker/stoner/teenage boy's favorite section of the Bible. Here's a taster: The album was a hard-sell to the record label suits from the get-go.

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