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Patricia Piccinini

Patricia Piccinini
Writing, essays and information about Patricia Piccinini Index of all artwork and works by Patricia Piccinini Calendar and event information for Patricia Piccinini Links and connections CV - Curriculum Vitae for Patricia Piccinini Email, addresses and gallery contact details for Patricia Piccinini

http://www.patriciapiccinini.net/

Larry Clark's photographs This site is dedicated to the photographic work of Larry Clark. It attempts to collect comprehensively photographs and collages by Larry Clark and books devoted to him or where his work is treated, explained. The photobooks by Larry Clark are: Tulsa, Teenage Lust, 1992, The Perfect Childhood, Punk Picasso. You can contact the team by sending an email to contact@larry-clark.net. The idea of this site is to be a place of exchange: If you have photos, texts, links to complete the site, you can send them by email.

Patricia Piccinini Le terme «monstrueux» qualifie quelque chose qui effraie, qui fait sortir l’ordinaire de ses gonds, en s’écartant d’une norme établie. Le Petit Robert nous renseigne et définit le terme comme suit : «qui choque extrêmement la raison, la morale». Mais le monstre c’est également cet être choquant que l’on exhibe, que l’on montre. De monstruosité et de monstration, il en est question dans l’oeuvre de la plasticienne australienne Patricia Piccinini, née à Freetown (Sierra Leone) en 1965.

Fundación Gala - Salvador Dalí Figueres, 11 de mayo de 1904 - 23 de enero de 1989 Nace el 11 de mayo en Figueres (Girona). Hijo del matrimonio compuesto por el notario Salvador Dalí Cusí y Felipa Domènech Ferrés. Nace su única hermana, Anna Maria. Takashi Murakami TAKASHI MURAKAMI, Invoking the Vitality of a Universe Beyond Imagination, 2014, mixed media, 32 5/16 x 78 3/4 x 37 inches (82 x 200 x 94 cm) © 2014 Takashi Murakami/Kaikai Kiki Co., Ltd. All Rights Reserved. Takashi Murakami Listed Exhibitions (66 Kb) Takashi Murakami Bibliography (88 Kb) A lightning rod between different cultural valencies (high/low, ancient/modern, oriental/occidental), Takashi Murakami has stated that the artist is someone who understands the borders between worlds and who makes an effort to know them.

Takashi Murakami Takashi Murakami (村上 隆, Murakami Takashi?, born February 1, 1962) is an internationally prolific contemporary Japanese artist. He works in fine arts media—such as painting and sculpture—as well as what is conventionally considered commercial media —fashion, merchandise, and animation— and is known for blurring the line between high and low arts. Transhumanism Transhumanism (abbreviated as H+ or h+) is an international cultural and intellectual movement with an eventual goal of fundamentally transforming the human condition by developing and making widely available technologies to greatly enhance human intellectual, physical, and psychological capacities.[1] Transhumanist thinkers study the potential benefits and dangers of emerging technologies that could overcome fundamental human limitations, as well as the ethics of developing and using such technologies. They speculate that human beings may eventually be able to transform themselves into beings with such greatly expanded abilities as to merit the label "posthuman".[1] History[edit] According to Nick Bostrom,[1] transcendentalist impulses have been expressed at least as far back as in the quest for immortality in the Epic of Gilgamesh, as well as historical quests for the Fountain of Youth, Elixir of Life, and other efforts to stave off aging and death. First transhumanist proposals[edit]

Newcastle Art Gallery - LIKE US: Patricia Piccinini LIKE US: Patricia Piccinini 29 November 2014 - 22 February 2015 Principal partner: the carrier a hyper real sculpture by patricia piccinini feb 27, 2013 the carrier a hyper real sculpture by patricia piccinini ‘the carrier’ by patricia piccinini, 2012fibreglass, silicone, human hair, clothing 170 x 115 x 75 cmall images © peter malletall images courtesy the artist and haunch of venison the otherwordly sculptures of australian artist patricia piccinini will be showing at the haunch of venison in new york,in an exhibition titled ‘how to tell the future form the past’, on now through to the 2nd of march. piccinini’s work spans the disciplines of sculpture, photography, video and drawing to increasingly blend the worlds of the artificial and the natural. she sparks a dialogue with both our desire to humanise technology and perfect or homogenise the human body, expressing the challenges of our ability to accept those who don’t meet our concept of the ideal. piccinini’s interests encompass both medical science and bio technology and how the subject can be used to explore the trepidations of modern society lara mikocki I designboom

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