Johannes Mantl. Kunsthaus Bregenz. Current projects. Publikationen: Artikel 1980-1989. Einzelausstellungen (Auswahl) 1975 Kosmologie des Paradoxen, Galerie nächst St.
Textos e textos. UM QUE TENHA » Baby Consuelo. Programa Hélio Oiticica. Espécie: Textos sobre arte / Programa H.O.
Título do Projeto: A OBRA, SEU CARÁTER OBJETAL, O COMPORTAMENTO Resumo Artigo no qual Hélio Oiticica expõe suas preocupações diante da institucionalização por museus e galerias de arte de obras que tenham "proposições de uma arte-totalidade". Assim, por exemplo, Mondrian, fora de seu ambiente, acaba ganhando uma aparência "acadêmica". H.O. defende a noção de "recinto-obra", a partir do conceito de "Merzbau" de Schwitters, na qual vida e arte se fundem. Documentos relacionados 0459/69 - LONDOCUMENTO (versão preliminar manuscrita)0493/69 - DILMEN MARIANI SERIES 3: Discovery of HERMAPHRODIPOPOTESIS 0367/69 - SERIE DILMEN MARIANI 2 / CRELAZER0215/68 - Sem título 0130/68 - O Objeto - Instâncias do problema do Objeto 0152/68 - O OBJETO 0008/64 - Sem título 0101/77 - O Objeto na Arte Brasileira nos anos 60 Imagem(ns) do documento.
Programa Hélio Oiticica. Ondrej Brody & Kristofer Paetau. Emotion Mapping Book - Christian Nold. UM QUE TENHA » Baby Consuelo. Plásticas poéticas. Franz greger. Guillaume Bijl. Juan Downey. Juan Downey (1940–1993) was a Chilean artist working in New York whose innovations in video, sculpture and interactive performance encouraged reflection on perception and the self to generate a more complex multicultural discourse.
Drawing together advances in technology with an interest in the rituals of his native Latin America, Downey engineered ‘invisible architectures’ to rethink connections between society, history, information and the environment. His groundbreaking 1973 video performance Plato Now will be restaged for the first time as a continuous performance for four days in the Tanks, leading up to Playing in the Shadows, a symposium and performance series on 26 and 27 October. In 1969 Downey relocated to New York, where he became part of the community associated with the journal Radical Software and the Raindance collective, who were amongst the first artists to articulate the technical, theoretical and political potential of video. International - Volltextsuche. Band 203, 2010, Monografie, S. 238 Band 203, 2010, S. 238 Annelie Pohlen Als die 68er Kuba noch als Insel der Zukunft feiern, erlebt Diango Hernández Castros 'Vision' vom neuen Menschen in einer Internatsschule auf dem Land als Alptraum.
Auch wenn er seine eigenen Texte wie die seiner Interpreten mit zahlreichen Deutungsmöglichkeiten aus dem kubanischen Alltag versieht, diese wie alle weiteren Erfahrungen in seinem Heimatland werden zum Brennpunkt in einem kreativen Kosmos, in dem 'Kuba' mehr ist als ein politischer Fall - und mehr als ein ,Geburtsort', auf den man verzichten kann.1988 beginnt Hernández ein Studium in Havanna. Noch keimen Hoffnungen auf Befreiung aus den kollektiven Verordnungen. Abonnentenlogin: Auch als Nicht-Abonnent können Sie sich sofort Zugang zu allen Beiträgen verschaffen und KUNSTFORUM-Online komplett testen, indem Sie sich ein kostenloses KUNSTFORUM-Testpaket der letzten Print-Ausgaben ordern! 7ª Bienal do Mercosul. ASU Art Museum. A funny thing happened on the way to Diablo… Above: Juan Downey: The Invisible Architect at the ASU Art Museum.
Photo by Craig Smith. I was taking a quick break, heading up to the third floor to visit the infamous Diablo, when this thought occurred to me. The first floor gallery of Downey’s work is a segue to the second floor gallery of Downey’s work. Now, bear with me here, I’m definitely not claiming you can’t appreciate one without witnessing the other, but it’s enjoying the individual parts instead of the whole. While the gallery on the first floor contained mostly drawings, sketches, and diagrams, the second floor, containing Video Trans Americas, is a multi-media mash-up of video and drawing. Regardless of changes in media, the themes remain the same. Think that’s all? While filming Video Trans America, Downey and his family spent nine months living with the Yanomami in the Amazon.
Where did the inspiration for that even come from? Phaidon. Bonomi-folderblog.zip. The Otolith Group. The Otolith Group Founded by Anjalika Sagar and Kodwo Eshun in 2002, The Otolith Group has grown as a collaborative platform that seeks to rethink the dynamics of cultural production under conditions of accelerated, unstable and precarious global conditions.
Films, art works, exhibitions, curated programmes, and publications are collectively conceived by the two artists, and research forms the basis of the practice. For over a decade, the Group have explored the moving image, the sonic and the aural and aspects of various science fictions within the gallery. Their work in particular has focused on the essay film as an expanded form that seeks to inhabit events and histories that inform our present and future. William Kentridge's work.