Mona Lisa – Portrait of Lisa Gherardini, wife of Francesco del Giocondo. Mona Lisa. The Mona Lisa (Monna Lisa or La Gioconda in Italian; La Joconde in French) is a half-length portrait of a woman by the Italian artist Leonardo da Vinci, which has been acclaimed as "the best known, the most visited, the most written about, the most sung about, the most parodied work of art in the world". The painting, thought to be a portrait of Lisa Gherardini, the wife of Francesco del Giocondo, is in oil on a white Lombardy poplar panel, and is believed to have been painted between 1503 and 1506, although Leonardo may have continued working on it as late as 1517.
It was acquired by King Francis I of France and is now the property of the French Republic, on permanent display at The Louvre museum in Paris since 1797. Leonardo da Vinci. As the court engineer for a number of years, he did a fair amount of work with artillery, gunpowder, and fighting machines.
He saw them as a way to study the physics of objects moving at high speeds, not as a weaponry. He was able to study physics while still getting paid. He invented multi-barreled guns and even steam-powered ones. At the time he had even thought of more efficient ways of bridge building by developing light, strong, and effective bridges, and ways to destroy such bridges.
Flight had been the dream of men for centuries. He first worked on flapping wings but then later used the propeller, helicopter and hot air balloon. Science and inventions of Leonardo da Vinci. Leonardo's most famous drawing, the Vitruvian Man, is a study of the proportions of the human body, linking art and science in a single work that has come to represent Renaissance Humanism.
Condensed biography NOTE: This is a brief summary of Leonardo's early life and journals with particular emphasis on his introduction to science. Leonardo da Vinci. YOUNG SCIENTISTAt age 17, Leonardo Da Vinci went to become an apprentice of painting under the instruction of Andrea del Verrochio in Florence.
This is where his appreciation of science really started. He used science to enhance his paintings and was right away intrigued. While he learned about art, his interests started to broaden. Leonardo da Vinci’s Chiaroscuro. Leonardo da Vinci was the first artist to use value consistently across colors, achieving tonal unity in which a figure presents a single, swelling, homogeneously generated volume in contrast to the inevitably fragmented effects of color-modeling.
Light, color and form are now related in a way that approximates, and describes, their scientific and naturalistic behavior. Benois Madonna, Leonardo da Vinci, c. 1478. His use of oil painting technique enabled him to achieve depth and intensity of coloring and transparency in the effects of light and shade. In Leonardo’s painting above, a young Mary is playing with her son and holding a flower with four petals (signifying the cross). Leonardo DaVinci. During the very early years of his output Leonardo favoured the subject of the Madonna and Child.
He produced several paintings on this theme along with a number of sketches and a large number of drawings. His works showed mother and child in precious private moments and focused on the emotions between them; it was Leonardo's aim that the subjects looked natural. The complexity and detail of these paintings set new standards, yet they are lesser known than his other works. Upon first examination the Benois Madonna (also called the Madonna of the Flower), is a gay painting with obvious affection shining from the face of the Madonna's girlish face. Benois Madonna. Madonna and Child with Flowers, otherwise known as the Benois Madonna, could be one of two Madonnas Leonardo da Vinci had commented on having started in October 1478.
The other one could be Madonna of the Carnation from Munich. It is likely that the Benois Madonna was the first work painted by Leonardo independently from his master Verrocchio. There are two of Leonardo's preliminary sketches for this piece in the British Museum. Studies of these sketches and the painting itself suggest that Leonardo was concentrating on the idea of sight. At that time it was thought that human eyes exhibited rays to cause vision with a central beam being the most important.
The child is thought to be guiding his mother's hands into his central vision. The composition of Madonna and Child with Flowers proved to be one of Leonardo's most popular. How Leonardo da Vinci's angels pointed the way to the future. Leonardo da Vinci painted the most beautiful angels in the world.
Since there are no actual angels, his pictures of them are literally the most real, the most gorgeous, the most magical that exist. This is strange, because Leonardo was not a religious man. Although the National Gallery made a vivid case for him as a religious artist in its 2011 exhibition of his paintings, there is very little in his notebooks to suggest that Christianity was part of his everyday, personal life.
Shopping lists are more prominent than prayers among his notes. However compelling Leonardo's religious paintings are, it has to be remembered that all are commissioned works. Leonardo conceals his heterodoxy within his paintings – his composition The Virgin of the Rocks is an idiosyncratic image with no parallel in Christian art. Annunciation (Leonardo) This is a painting of the Biblical subject of the Annunciation, by the Italian Renaissance artists Leonardo da Vinci and Andrea del Verrocchio, dating from circa 1472–1475 and housed in the Uffizi gallery of Florence, Italy.
The subject matter is drawn from the Gospel of Luke, Chapter 1, verses 26-39 and depicts the angel Gabriel, sent by God to announce to a virgin, Mary, that she would miraculously conceive and give birth to a son, to be named Jesus, and to be called "the Son of God" whose reign would never end. The subject was very popular for artworks and had been depicted many times in the art of Florence, including several examples by the Early Renaissance painter Fra Angelico. The details of it commission and its early history remain obscure. Leonardo da Vinci: Apprenticeship: 1467-1476. Summary As a boy, Leonardo was apparently an avid artist.
His father, Ser Piero, must have recognized his talents, for he soon apprenticed him to a studio. Since many career paths were closed to the illegitimate child, perhaps art was an obvious choice for such a skilled child: an eventual career as a court artist was the most honorable career a bastard could hope for. Leonardo Da Vinci Biography. Leonardo was born on April 15, 1452, "at the third hour of the night" in the Tuscan hill town of Vinci, in the lower valley of the Arno River in the territory of Florence. He was the illegitimate son of Messer Piero Fruosino di Antonio da Vinci, a Florentine notary, and Caterina, a peasant who may have been a slave from the Middle East.
Leonardo had no surname in the modern sense, "da Vinci" simply meaning "of Vinci": his full birth name was "Leonardo di ser Piero da Vinci", meaning "Leonardo, son of (Mes)ser Piero from Vinci. " Little is known about Leonardo's early life. He spent his first five years in the hamlet of Anchiano, then lived in the household of his father, grandparents and uncle, Francesco, in the small town of Vinci. His father had married a sixteen-year-old girl named Albiera, who loved Leonardo but died young. Leonardo's early life has been the subject of historical conjecture.
The My Hero Project - Leonardo da Vinci. Leonardo da Vinci was one of the greatest thinkers of his time. He was born April 15th, 1452, in a small farmhouse in Tuscany, Italy. His mother and father were unmarried and that made him illegitimate, so he never got a proper education. Instead, the only education he ever got was from the local church priests, who taught him how to read and write. His father, Ser Piero, was an ambitious young man, who did much of his work in neighboring towns and villages. For the first five years of his life, Leonardo lived with his real mother, Caterina, but for the rest of his childhood, he lived with his father on his estate. At the age of twelve, Leonardo's father realized that his son needed a job. Leonardo had such great skills in painting, he soon surpassed all other apprentices.
Even though Leonardo was excellent at his work, he was starting to feel discouraged. In 1485, a huge plague struck Milan and thousands got sick and died. Leonardo da Vinci has many hero-like aspects about him. Leonardo da Vinci. Leonardo da Vinci was born in 1452, in the heart of the Renaissance in the heart of Europe. He was born outside Vinci, which lies high up on Mount Albano, in the valley of the Arno River, near the city of Florence.
Florence was an independent republic and commercial center at the time of his birth. He was the son of Ser Pierro da Vinci, who was a legal specialist, and a peasant girl named Caterina. He was considered an “illegitimate” son because they were not married. Right away. As a child he was very smart and was very quick at arithmetic and music. From 1478 to 1482, he obtained his own studio. Leonardo da Vinci. Early Years Painter, sculptor, architect, designer, theorist, engineer and scientist, Leonardo da Vinci created some of the most famous images in European art. Though many of his works were never finished, and even fewer have survived, he influenced generations of artists and he continues to be revered as a universal genius. Leonardo da Vinci: Facts & Biography.
Leonardo da Vinci, perhaps most noted as an artist, was also an architect, inventor and chronicler of science, among other outlets for his talents. Born on April 15, 1452, in Vinci, Italy, Leonardo da Vinci was the son of a prominent attorney notary and a young peasant girl. Born out of wedlock, he was raised by his father, Ser Piero, and several stepmothers. His early years were spent living on his father’s family estate in Vinci. During this period of his life, he was also influenced by his uncle, who had a love of nature and had a hand in rearing him during his formative years. Daedalus, Vol. 127, No. 1 (Winter, 1998), pp. 207-224. Biography - Italian artist, engineer, and scientist.
Art Nouveau Movement, Artists and Major Works. Synopsis Art Nouveau was a movement that swept through the decorative arts and architecture in the late 19th and early 20th centuries. Survival of the Beautiful: Art, Science and Evolution; an Excerpt. Chapter 6: Can Art Really Influence Science? Most scientists I asked about whether art had truly influenced science said in general, no, because they recognize the fundamental difference between the enterprises more than most artists, and the rest of us, do. We are entranced by parallel images from subatomic particles and Zen brush painting, but we don’t think through the fundamental oppositions of such activities. By Leonard Shlain. Los Angeles Time - October 1, 1991 Visionary Uses His Art in Brilliant Battel with Skeptics By John Wilkes When a Marin County surgeon discourses on art and physics, especially after cheerfully admitting that he taught himself nearly all he knows about both subjects, the reader can be forgiven for some initial skepticism.
Art & Science: Merging Art & Science to Make a Revolutionary New Art Movement — Arthur I. Miller. 8 July – 24 September 2011 Click here to download exhibition e-Catalogue in PDF format. Art Influencing Science. Stephen Webster considers the role of art-science collaborations within science communication. A few years ago I was asked to do some writing about “art-science collaborations”. The Wellcome Trust was having a conference on the subject, and would I write something simple? Down the Euston Road I went and settling myself in the Trust’s comfortable conference zone, I made myself ready to watch artists and scientists find common cause. The Wellcome Trust. Photograph: Flickr/HowardLake. When art advanced science. Art and Biology: How Discoveries in Biology influenced the Development of Art Nouveau. Art Nouveau is the so-called “modern style” developed at the turn of the 19th century.
Although it is dated roughly between 1890 and 1910, its first true recognition as an important new movement in art and design occurred at the Universal Exposition in Paris in 1900. It manifested itself as an international and versatile style that influenced every kind of art and craft from architecture to the decorative arts. Its universal appeal was based on the artists’ effort to explain and express the new era that was ushered in by the incredible scientific discoveries of the nineteenth century. Science in Culture. Theme overview.