http://thinkingandmaking.com/thoughts/91/more-tips-for-writing-well
20 Common Grammar Mistakes That (Almost) Everyone Makes I’ve edited a monthly magazine for more than six years, and it’s a job that’s come with more frustration than reward. If there’s one thing I am grateful for — and it sure isn’t the pay — it’s that my work has allowed endless time to hone my craft to Louis Skolnick levels of grammar geekery. As someone who slings red ink for a living, let me tell you: grammar is an ultra-micro component in the larger picture; it lies somewhere in the final steps of the editing trail; and as such it’s an overrated quasi-irrelevancy in the creative process, perpetuated into importance primarily by bitter nerds who accumulate tweed jackets and crippling inferiority complexes.
25 Things You Should Know About Character Previous iterations of the “25 Things” series: 25 Things Every Writer Should Know 25 Things You Should Know About Storytelling And now… Here you’ll find the many things I believe — at this moment! 5 editor’s secrets to help you write like a pro I do a lot of copyediting, both of books and advertising collateral. I’ll let you in on a secret that still surprises me, although I’ve seen it hundreds of times now. If you looked at the raw work of most professional writers, you’d be pretty underwhelmed. Professional writers get work because they hit their deadlines, they stay on message, and they don’t throw too many tantrums. Some pros have a great writing voice or a superb style, but as often as not, that gets in the way. When you know that the best word is “prescient,” it’s hard to swallow when an account manager tells you the client won’t know what it means.
Jonathan Franzen’s 10 Rules of Writing Last week, I posted about George Orwell’s rules for writing, so while I’m finishing book #12: The Corrections I thought this would be a great opportunity to check out what Jonathan Franzen has to say on the subject. This list came from The Guardian: The reader is a friend, not an adversary, not a spectator.Fiction that isn’t an author’s personal adventure into the frightening or the unknown isn’t worth writing for anything but money.Never use the word “then” as a conjunction– we have “and” for this purpose. Substituting “then” is the lazy or tone-deaf writer’s non-solution to the problem of too many “ands” on the page.Write in the third person unless a really distinctive first-person voice offers itself irresistibly.When information becomes free and universally accessible, voluminous research for a novel is devalued along with it.The most purely autobiographical fiction requires pure invention. I love #2. I don’t even write fiction, but somehow that resonates with me.
Questionnaires for Writing Character Profiles - Creative Writing Help Enter your e-mail to get the e-book for FREE. We'll also keep you informed about interesting website news. "I have searched the web and used different worksheets, but none have come close to your worksheets and descriptions of (what to do and what not to do). Both courses I have taken have with Creative Writing Now have been amazing. Each time I have learned something new. The one thing I love, you take everything apart and give examples." - Katlen Skye
Characterisation How to write convincing characters Characterisation - the task of building characters - isn't easy. But if you're struggling to build characters with real life and vigour, here is our very own patented technique. If you haven't yet started your book, then work on the exercise below before you start. If you have started, but think that maybe you started prematurely, then back up, do the exercise and then look back over your existing work.
25 Things Every Writer Should Know An alternate title for this post might be, “Things I Think About Writing,” which is to say, these are random snidbits (snippets + tidbits) of beliefs I hold about what it takes to be a writer. I hesitate to say that any of this is exactly Zen (oh how often we as a culture misuse the term “Zen” — like, “Whoa, that tapestry is so cool, it’s really Zen“), but it certainly favors a sharper, shorter style than the blathering wordsplosions I tend to rely on in my day-to-day writing posts. Anyway. Peruse these. Absorb them into your body. Creative Writing For Dummies Cheat Sheet Rewriting and editing helps to tighten up your work. But it can be difficult – what to chop and when to stop may not be clear, and you may change your mind more than once during the process. Ask yourself whether you need to take out: Unnecessary information and explanation. Passages of dialogue that go on too long.
Getting NaNoWriMo Done: How to Write a Novel in 30 Days With November 1st almost upon us, NaNoWriMo is set to begin. There are plenty of tools to help budding novelists achieve the goal of 50,000 words in 30 days, but what about the reasons behind committing to such a daunting task in the first place? Surely, many of those taking on the challenge have other priorities that they have to deal with – myself included – so adding on the pressure of pushing through those commitments and the occasional bout of writer’s block is going to take herculean effort, right? Well, yes…and no. Just as there are many people who have yet to give NaNoWriMo a try, there are many who have – and have met the challenge while maintaining a modicum of their regular lives (and sanity) in the process.
Practical Tips on Writing a Book from 22 Brilliant Authors Hello there! If you enjoy the content on Neurotribes, consider subscribing for future posts via email or RSS feed. Steve Silberman reading at the Booksmith in SF. Photo by Heather Champ. Point of View in Creative Nonfiction I read a lot of novels, and poetry, and even the occasional screenplay/drama. I enjoy them; I learn from them; I find them delicate, and robust, and powerful, and skillful and all the things that make good writing. BUT when I want to really understand something, when I want to feel it in the center of my chest, when I want my cheeks to be rasped with the reality of life, I turn to creative nonfiction. There’s just something about the authenticity of the writer’s perspective there that makes me connect more fully. I’ve been trying to articulate the difference in connection I feel between fiction and nonfiction ever since my friend @karriehiggins were talking about it on Twitter the other night. We were discussing ownership in writing – as in who “owns” their perspective more?
25 Things You Should Know About Storytelling 1. Stories Have Power Outside the air we breathe and the blood in our bodies, the one thing that connects us modern humans today with the shamans and emperors and serfs and alien astronauts of our past is a heritage — a lineage — of stories. Stories move the world at the same time they explain our place in it. They help us understand ourselves and those near to us. Never treat a story as a shallow, wan little thing. 7 steps to creativity - how to have ideas A guest post by Simon Townley of WriteMindset As a writer, having ideas is one of the most important parts of your craft. But often it seems like one of the most difficult and challenging parts of the whole process. How do you keep ideas flowing?
FocusWriter - Gott Code About FocusWriter is a simple, distraction-free writing environment. It utilizes a hide-away interface that you access by moving your mouse to the edges of the screen, allowing the program to have a familiar look and feel to it while still getting out of the way so that you can immerse yourself in your work. It’s available for Linux and Windows, and has been translated into many different languages.