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Vulture - Entertainment News - Celebrity News, TV Recaps, Movies, Music, Art, Books, Theater

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Video In Mainline's newest and 12th instalment of their TRIBUTE series, Chantal Anderson follows an Icelandic teen, Úa and her wanderlust. The 14-year-old artist who's name represents the sound of a specific noise a bird makes when it has found love, speaks freely and honestly about growing up in her hometown, and how her choice of wanting to move away filters down to her creativity often being stumped by her surroundings. The familiar restraint, which impedes on a teenagers continuing quest for freedom, is illustrated through Úa’s experiences in the film. We speak to Chantal Anderson about her four-minute motion picture. Where did you meet Úa? Chantal Anderson: I first met Úa while I was doing an artist residency in the East Fjords of Iceland.

Concerning Violence - Kino Lorber Theatrical Releases Film Info Release Year: 2014 Running Time: 89 Color Type: Color Country: Africa (region), Denmark, Finland, Sweden, U.S. Language: From the director of The Black Power Mixtape comes a bold and fresh visual narrative on Africa, based on newly discovered archive material covering the struggle for liberation from colonial rule in the late '60s and '70s, accompanied by text from Frantz Fanon's The Wretched of the Earth. The Awl - Be Less Stupid Thank you for stopping in at The Awl, a New York City-based web concern established in early 2009. The Awl intends to encourage a daily discussion of the issues of the day—news, politics, culture (and TV!)—during sensible hours of the working week. We believe that there is a great big Internet out there on which we all live, and that too often the curios and oddities of that Internet are ignored in favor of the most obvious and easy stories.

Prelude to Afrofuture(s) Click to download: “Wangechi Mutu wonders why butterfly wings leave powder on the fingers, there was a coup today in Kenya.” by Binyavanga Wainaina (pdf) FEATURING: “Wangechi Mutu wonders why butterfly wings leave powder on the fingers, there was a coup today in Kenya.” by Binyavanga Wainaina. Jalada’s Afrofuture Anthology will be released on January 15th 2015. The Prelude, which features Binyavanga Wainaina’s profile of Wangechi Mutu, and her art, is a perfect expression of this shared dream among African artists to redefine how we envision future Africa. A group of Jalada editors are hard at work on the submissions, and here is what they have to say about it all.

In Which These Are The 100 Greatest Writers Of All Time The 100 Greatest Writers of All Time by WILL HUBBARD and ALEX CARNEVALE Other lists of this kind have been attempted, none very successfully. We would like to stress that there is a crucial difference between "an important writer" and "a great writer"; the latter is at this time our sole interest. We will account for some of the names that did not make this list in a later dispatch.

8 Women Who Auctioned Off Their Virginity While it never occurred to most of us that we could make bank on our virginity, there are some women who’ve found a way to monetize their purity. Twenty-year-old Brazilian woman Catarina Migliorini auctioned off her V-card this week for $780,000, more money than most of us have made since we lost our virginities (for free). Migliorini sold her virginity for a noble cause. She told the media that she planned to donate as much as 90 percent of the profit to charities that will build homes in the Brazilian state of Santa Catarina. Well, that’s one way to raise money.

Moving Target Visual art and poetry have long been cross-fertilizing forces in the Bay Area. Much of this history is well known and well-documented. Think of the wild sociality of Beat painters and poets in North Beach or the multidisciplinary scene that gathered around 80 Langton Street in the late 1970’s, to name just two moments in time. Other instances, although no less transformative in their own right, have been less documented. Here, local artist and curator Margaret Tedesco’s venue-hopping series, Moving Target, which brought performance, sound, and visual artists together with local writers, comes to mind. VIDEO ESSAY: Our Scary Summer: 1979 [Jed Mayer's script for the video essay follows.] The cover of the June 1979 issue of Newsweek featured an image of Sigourney Weaver from Alien. The caption read: "Hollywood's Scary Summer."

Harvard Seeks to Jolt University Teaching - Teaching By Dan Berrett Cambridge, Mass. A growing body of evidence from the classroom, coupled with emerging research in cognitive psychology and neuroscience, is lending insight into how people learn, but teaching on most college campuses has not changed much, several speakers said here at Harvard University at a daylong conference dedicated to teaching and learning. Too often, faculty members teach according to habits and hunches, said Carl E. Profile - 032c Workshop Finding the new in the old and the old in the new, it is considered the “Berlin magazine that propagates an aesthetic of brutal elegance” by the Frankfurter Allgemeine Zeitung, or simply as the “revue ultra-pointue” by Vogue Paris. The magazine fuses art and architecture, literature, urban studies and fashion in ways that can make one forget how depressing a visit to the newsstand has become.” The New York Times→ more Press Coverage Founded in 2000 in Berlin, 032c is edited by Joerg Koch and art directed by Mike Meiré. It is distributed to 29 countries and can be found in select art bookstores, fashion boutiques, and newsstands worldwide (also in our Store).

Best of 2013: Perfume and Otherwise 2013 was eventful for me - a little more eventful than I tend to like - and it had less to do with perfume than I'd prefer. Still, there were highlights. Precious few, but they peppered the disappointments enough to keep me engaged, if barely. - In November, Andy Tauer and I released the third fragrance in our ongoing collaboration between the characters and stories of the Woman's Picture film series and the line of companion fragrances we created, Tableau de Parfums. It was a summation for us of what we've done the last several years, and an anniversary in many ways - celebrating a creative partnership, a cycle of stories, and a love of perfume and film in general. A step forward, too, where we asked ourselves 'What now?'

Main Page 2. Act normal If you are a high-risk source, avoid saying anything or doing anything after submitting which might promote suspicion. MOUSSE CONTEMPORARY ART MAGAZINE Recently, the Miami-based artist Jillian Mayer shared with me selfeed.com, a project that she, Erik Carter, and Tyler Madsen premiered in January 2014 at the Utah Museum of Fine Arts. The site is a real-time stream of images tagged #selfie on Instagram, a continuous cycle of faces from around the planet, at all hours, in all poses, in any number of social configurations: lonely teens in bathrooms, group shots in hallway mirrors, couples at dinner, bros at the game. The stream moves too quickly for any one selfie to stand out. Instead, faces race across the screen, blurring into one another, smiles, eyes, facial hair, until a single, delirious visual object seems to emerge—one that John Kelsey recently described as “our finest and final hallucination, the ultimate transitional object” in the “bright ruins of a constantly refreshed now.” [1] The selfie has migrated across platforms and is now the most common, if not essential, unit of all social media. DIS, Courtesy: DIS Magazine

Best of 2013 This year has been a strange one for me; but considering that last year I didn't even get around to putting together an end-of-year summary, I guess all's well that ends well... I've been leafing through my entire year of blogging last night, trying to gain an outside perspective on my creative olfactory life, and my conclusion is: 2013 was the year of the forest! I've spent more time than usual (though still not enough) in the woods, finding inspiration in the scents as well as the resilience and grounded stability of the thriving trees. Decidedly I was not going to launch any new perfume in 2013. It was a year when I would concentrate on maintaining what I have and strengthen my brand.

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