@font-face Solutions & Suggestions In the last post I talked about the design aspect of using CSS3 @font-face, today I would like to extend this topic to the technical side on implementing custom web fonts. So what are the options for implementing web fonts? I'm going to review the three main methods of incorporating @font-face and explain the pros and cons of each method. 1) CSS3 @font-face Standard @font-face First, let's talk about the native way of implementing custom web fonts — @font-face. Bulletproof @font-face Syntax Because every browser supports different font formats (IE supports EOT only, Firefox supports EOT & TTF, and Safari supports OTF, TTF, and SVG), additional font formats are required to be cross-browse. @font-Face Generator If you need to export the fonts in different formats, there is a generator which allows you to generate various font formats from an existing font. Premium @font-Faces Pros & Cons PROS: Full control because the fonts are hosted on your server. 2) Font Service Providers Installing Typekit
Designing a Typeface, With Illustrator and FontLab, from Start to Finish – Part 1 Lets get one thing straight, there is a difference between 'lettering' and 'type design', this can be some serious stuff. There are people who strictly design letter-forms for their entire lives. They live, breath, eat, sleep, drink and pee typography - I truly admire them. In my personal work I lean towards lettering and don't want to step on any toes by saying this is 'THE' way to design type. This is a way to go about designing a typeface using Ai. Everyone loves letter, so lets have some fun! Learning typography is truly like learning a new language, so I will try to walk the fine line of explaining things so that anyone can understand and using typographic terminology. The inspiration for a typeface can come from anything, a tree, a ladder, rocks, people, old office supplies laying around ... pretty much anything and everything. Step 1a Get inspired. Step 1b Step 2a Step 2b Instead of a fill, use a line with simple black stroke, this will allow experimentation with stroke weight.
10 HTML Entity Crimes You Really Shouldn’t Commit It has been over a couple of years since I posted my HTML tag and usability crimes posts, both of which are amongst the most popular articles here on Line25. There’s something about this title people just can’t resist! Let’s take a look at ten crimes you may be committing in your HTML content. These won’t exactly land you a life sentence, but I bet almost every one of us will be guilty of at least one of these petty crimes. Crime 1: Not converting your ampersands One of the most common HTML validation errors I see when checking the code behind Sites of the Week features are unconverted ampersand characters. Crime 2: Making your own ellipsis Did you know those three dots used to indicate a pause in a sentence are called an ‘ellipsis’? Crime 3: Incorrect use of the em dash I’m definitely guilty of this one myself. Crime 4: Incorrect use of the en dash Similar to the Em dash crime, the En dash is another form of dash often misused in our body copy. Crime 5: DIY Copyright symbol
The Ultimate Guide to Writing Better Than You Normally Do. Writing is a muscle. Smaller than a hamstring and slightly bigger than a bicep, and it needs to be exercised to get stronger. Think of your words as reps, your paragraphs as sets, your pages as daily workouts. Think of your laptop as a machine like the one at the gym where you open and close your inner thighs in front of everyone, exposing both your insecurities and your genitals. Because that is what writing is all about. Procrastination is an alluring siren taunting you to google the country where Balki from Perfect Strangers was from, and to arrange sticky notes on your dog in the shape of hilarious dog shorts. The blank white page. Mark Twain once said, “Show, don’t tell.” Finding a really good muse these days isn’t easy, so plan on going through quite a few before landing on a winner. There are two things more difficult than writing. It’s no secret that great writers are great readers, and that if you can’t read, your writing will often suffer.
The Basics of Typography Typography is a central component of design. It gives us an understanding of the heritage behind our craft. It’s one of the primary ways we, as a society, pass on information to others. Imagine a website, a magazine or even TV without text. What Is Typography? From a descriptive and simplistic point-of-view, typography is the arrangement of type. For me, how typography is used in a design is deeply rooted in its overall theme, tone and message. Your choice of typefaces and your technique of setting type give your composition its character, pace and style. A simple illustration of how influential typography can be is to look at the same text with different typefaces. It’s this level of integration with a design theme that makes typography one of the most powerful tools in the designer’s toolbox. Next, let’s go through a few basic typography terms and concepts. Lines A line of characters has at least five lines that it can be aligned to. Here are the five lines: Leading Leading is powerful.
Create Your Own Custom Fonts Using CorelDRAW (Part I) | CorelDRAW! Tips & Tricks By Steve Bain The challenge of tackling your own font design can be daunting without the right tools. Fortunately, CorelDRAW Graphics Suite has everything you need to design your own custom logotype font or typeface design. It’s no small wonder that typing a few words gives you the ability to communicate across boundless distances in near limitless ways. We routinely email, digitally publish, post online, blog, and text with one another. It isn’t difficult to create a digital font. In this two-part tutorial, I’ll explore how you can benefit from creating your own font. Although the instructions, step sequences, illustrations, and resource files provided with this tutorial were created using CorelDRAW X3, generally any CorelDRAW version (all the way back to version 3) can be used to create letter shapes and export font files. Benefits of Designing Custom Fonts Designing your own typeface is a creative endeavor that can yield significant rewards. Deciding on a Font Design Style Like this:
7 Ways to Survive a Lit Review [Image by Flickr user JKim1 and used under Creative Commons License This summer I experienced a grad student rite of passage: crafting a review of literature. The way was fraught and I had to overcome everything from an avalanche of articles (let’s just say my snowball method raged out of control) to a complete inability to conceive of any kind of organization. I also developed fascinating new ways to procrastinate. Thankfully, I follow #phdchat on Twitter, and the participants’ sage words on the process helped me move from a state of near paralysis to fruitful, concentrated writing sessions. How I felt before How did I do it? 1. Search tools: I relied heavily on the electronic resources at my University’s library, including databases and search techniques suggested on the library’s website. 2. 3. 4. 5. 6. 7. What are your survival tips for the Lit Review?
10 New High-Quality Free Fonts We know that every designer needs new fonts once in a while to have some backup elements to count on, and that is why we are here for, to help you searching for resources to use on your projects. So knowing that every one is looking around for high quality fonts to spice up their designs we decided to do this new roundup with a collection of some new and fresh fonts to give your projects a whole new look. Enjoy!! Sheep Sans Mangosteen BUUG Typeface Legion Slab Typeface Facebook Letter Faces Dunn Typeface Dash Typeface About the Author Hi, I'm Prakash Ghodke, a 19 year old from India working as freelance Web Designer. Related Posts 931 shares 10 Best New Free Fonts We’ve been on the prowl for some new free fonts to share with you. Read More 1138 shares 9 Free & Useful Fonts for your Designs Whether it’s PSD’s or icons, we love finding high quality free files and sharing them with our readers.
Hermann Zapf Specimens of typefaces by Hermann Zapf. Hermann Zapf (born November 8, 1918) is a German typeface designer who lives in Darmstadt, Germany. He is married to calligrapher and typeface designer Gudrun Zapf von Hesse. Zapf's work, which includes Palatino and Optima, has been widely copied, often against his will. The best known example may be Monotype's Book Antiqua, which shipped with Microsoft Office and was widely considered a "knockoff" of Palatino. Early life Zapf left school in 1933 with the ambition to pursue a career in electrical engineering. Introduction to typography Zapf was not able to attend the Ohm Technical Institute in Nuremberg, due to the new political regime. In 1935, Zapf attended an exhibition in Nuremberg in honor of the late typographer Rudolf Koch. Frankfurt A few days after finishing his apprenticeship, Zapf left for Frankfurt. War career World War II broke out in September, and Zapf's unit was to be taken into the Wehrmacht. Post-war