Film & Animation

Facebook Twitter

Soylent green - the scene. The Tree of Life Movie Trailer Official. Fanny and Alexander Prologue. Tarkovsky's "Sacrifice": End Credits Music. Paradjanov - Sayat Nova. Nostalghia (1983. Edit Storyline The Russian poet Andrei Gorchakov, accompanied by guide and translator Eugenia, is traveling through Italy researching the life of an 18th-century Russian composer.

Nostalghia (1983

In an ancient spa town, he meets the lunatic Domenico, who years earlier had imprisoned his own family in his house for seven years to save them from the evils of the world. Seeing some deep truth in Domenico's act, Andrei becomes drawn to him. In a series of dreams, the poet's nostalgia for his homeland and his longing for his wife, his ambivalent feelings for Eugenia and Italy, and his sense of kinship with Domenico become intertwined. Plot Summary | Add Synopsis Edit Details Release Date: March 1992 (USA) See more » Box Office Opening Weekend: $5,233 (USA) (31 May 2013) Gross: $5,233 (USA) (31 May 2013) See more » Company Credits Technical Specs Runtime: Aspect Ratio: 1.66 : 1 See full technical specs » Edit Did You Know? Trivia This was Andrey Tarkovsky's first film directed outside of the USSR. Quotes Connections. Max Manus. Maximo Guillermo "Max" Manus DSO, MC & Bar (9 December 1914 – 20 September 1996) was a Norwegian resistance fighter during World War II.

Max Manus

Manus was born in Bergen to a Norwegian father and a Danish mother. His father's name was originally Johan Magnussen, but he changed his name to Juan Manus after living several years in foreign (mainly Spanish-speaking) countries. He was famous for being one of the most brilliant saboteurs during World War II. After the war he wrote several books about his adventures and started the successful office supply company Max Manus AS. He was awarded Norway's highest decoration for military gallantry, the War Cross with sword. During the final years of his life, Manus and his wife Tikken lived primarily in Spain, where he died at the age of 81. His autobiographical accounts[edit] Two books were written by Max Manus shortly after World War II. After the war in Finland, Max Manus returned to Norway as the Germans invaded on April 9, 1940. After the war[edit] A Man Of War: Max Manus - Trailer. Sintel, the Durian Open Movie Project.

Nederlandse animatiefilm Sintel vrijgegeven op internet. De Nederlandse animatiestudio Blender Institute heeft de animatiefilm Sintel op internet geplaatst.

Nederlandse animatiefilm Sintel vrijgegeven op internet

De 15 minuten durende film, die legaal verspreid mag worden, is door veertien animatoren gemaakt met het opensource-pakket Blender 2.5. Sintel is een fantasy-animatie en gemaakt door het in Amsterdam gevestigde Blender Institute, de animatiestudio die enkele jaren geleden Big Buck Bunny uitbracht. De animatiefilm, waarin de acteurs Thom Hofman en Halina Reijn de stemmen hebben ingesproken, bevat kwalitatief hoogwaardige animaties en is geheel ontwikkeld met het opensource animatiepakket Blender 2.5. Het produceren van Sintel heeft in totaal vier ton gekost en is het werk van veertien animators uit diverse landen. Sintel kreeg een subsidie van 125.000 euro van het Nederlands Fonds voor de Film, terwijl ook fans en bedrijven geld konden geven. Sintel is vrij te downloaden onder de Creative Commons 3.0-licentie. Orson Welles on Privacy, the Passport and Personal Rights. Orson Welles was best known for his work as an American film director and actor – Citizen Kane being his pivotal career piece, which he co-wrote, produced, directed and starred in.

Orson Welles on Privacy, the Passport and Personal Rights

In 1955 Welles did a series for the BBC called Sketchbook where in six, 15 minute shows he drew in a sketchbook “to illustrate his reminiscences for the camera … [he] served as host and interviewer, his commentary including documentary facts and his own personal observations.” Perhaps most interesting to the contemporary viewer, weren’t his memories of movie stars and film making, but rather his very modern and apt observations about privacy, the passport and personal rights.

I wonder why it is that so many of us look like criminals in a police lineup when we have our pictures taken for a passport. Ingmar Bergman - BBC 1.