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Harmony Explained: Progress Towards A Scientific Theory of Music

Harmony Explained: Progress Towards A Scientific Theory of Music
The Major Scale, The Standard Chord Dictionary, and The Difference of Feeling Between The Major and Minor Triads Explained from the First Principles of Physics and Computation; The Theory of Helmholtz Shown To Be Incomplete and The Theory of Terhardt and Some Others Considered Daniel Shawcross Wilkerson Begun 23 September 2006; this version 19 February 2012. Abstract and Introduction Most music theory books are like medieval medical textbooks: they contain unjustified superstition, non-reasoning, and funny symbols glorified by Latin phrases. How does music, in particular harmony, actually work, presented as a real, scientific theory of music? In particular we derive from first principles of Physics and Computation the following three fundamental phenomena of music: the Major Scale, the Standard Chord Dictionary, and the difference in feeling between the Major and Minor Triads. Table of Contents People push different keys on a piano; some combinations and patterns sound good; others do not.

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Harmonic Progressions Kelvin, You actually caught a mistake on the roman numerals! Thanks, I’ll have to fix that. The first and last chords of the progression are not 7th chords. Somehow I inadvertently typed “I7″ on the first chord of all the major keys. (Notice that I didn’t do that for the minor keys.) How Rock And Comedy Can Win The Internet: An Infographical Guide When director Scott Jacobson asked comic Marc Maron to appear in a video for ironic pop singer Nick Lowe’s song "Sensitive Man,” Maron didn’t think twice about starring. "What drew me to the video was being asked to be part of it," jokes Maron, host of the wildly popular and revelatory WTF podcast and the upcoming IFC series Maron. Maron, whose persona is that of deeply introspective if not outwardly acerbic guy, is exactly the type of misunderstood character Lowe wrote about. And as the white-haired Englishman sings earnestly into the camera in the video, Maron awkwardly works his way through a group therapy session guided by a be-turtlenecked flautist (Tim & Eric’s Tim Heidecker) and involving rainbows, role-playing, flower-sniffing with members of Wilco, and “Rollover Whispers.”

jazz chord substitution chord substitution concepts Harmonic substitution is simply about replacing one chordal sound with another, or as I need to think of it, as one color for another. Whether it is in the written harmony from sheet music or the harmony implied by the melody, the theoretical concepts behind chord substitution becomes "search" tools for the learner. The coolness here is that we can create different shades of color, allowing for a variety of ways to blend the melody and harmony of a song together. Through chord substitution we can create different pathways to the same emotional, tonal and artistic destinations. We can disguise our artistic directions by changing traditional harmonic motions to create new twists and shades of emotions in the music.

Music Monday: Best Basslines Happy Music Monday! Today we're gonna talk about basslines, those things you never notice unless they're very, very, very good. But when they are, boy do they improve a song, right? Scott's picked five good ones but overlooked several on purpose, in hopes you might call him out on what he's missed. Go on, start taking notes so you can put him in his place. Here's the first one: Outline of basic music theory - Professional music theory: an outline of basic music theory. Preface and Chapter 1 of the Outline of basic music theory – by Oscar van Dillen ©2011-2014 The beginner’s learning book can be found at Basic elements of music theory. Overview of chapters: Chapter 1: Introduction Chapter 2: Sound and hearing Chapter 3: Musical notation Chapter 4: Basic building blocks of melody and harmony Chapter 5: Consonance and dissonance Chapter 6: Circle of fifths and transposition Chapter 7: Concerning rhythm, melody, harmony and form Chapter 8: Further study Preface

The Chord Guide: Pt III - Chord Progressions Chord progressions are the canvas on which musicians paint their masterpieces, and it’s a canvas which is a piece of art in itself. A chord progression can be subtle and in the background or it can be blatant and up front; it can be simple and catchy, or it can be technical and complex, it can stay in one key or it can change like the seasons. In any of these cases a chord progression is what drives the song as it literally shapes the music that accompanies it. Chord progressions are like a cozy home where melody and rhythm can kick their feet up. All the songwriting giants, like John Lennon, Paul McCartney, George Harrison, and Bob Dylan, to name a few, have/had a tremendous knowledge of the art of the chord progression. I’m not going to promise you tremendous knowledge, but I will offer you a good head start in the way of making your own music – in an easily digestible chunk to boot.

Love of musical harmony is not nature but nurture Associate Professor Neil McLachlan from the Melbourne School of Psychological Sciences said previous theories about how we appreciate music were based on the physical properties of sound, the ear itself and an innate ability to hear harmony. “Our study shows that musical harmony can be learnt and it is a matter of training the brain to hear the sounds,” Associate Professor McLachlan said. “So if you thought that the music of some exotic culture (or Jazz) sounded like the wailing of cats, it’s simply because you haven’t learnt to listen by their rules.” The researchers used 66 volunteers with a range of musical training and tested their ability to hear combinations of notes to determine if they found the combinations familiar or pleasing. “What we found was that people needed to be familiar with sounds created by combinations of notes before they could hear the individual notes. If they couldn’t find the notes they found the sound dissonant or unpleasant,” he said.

Measuring the Evolution of Contemporary Western Popular Music : Scientific Reports To identify structural patterns of musical discourse we first need to build a ‘vocabulary’ of musical elements (Fig. 1). To do so, we encode the dataset descriptions by a discretization of their values, yielding what we call music codewords20 (see Supplementary Information, SI). In the case of pitch, the descriptions of each song are additionally transposed to an equivalent main tonality, such that all of them are automatically considered within the same tonal context or key. Next, to quantify long-term variations of a vocabulary, we need to obtain samples of it at different periods of time. For that we perform a Monte Carlo sampling in a moving window fashion. The dataset contains the beat-based music descriptions of the audio rendition of a musical piece or score (G, Em, and D7 on the top of the staff denote chords).

How to be a Rock Star in 5 Minutes: The 4 Chords to Stardom Sharebar Many of the greatest rock and pop hits from the past 40 years only use the same 4 chords. THE SAME 4 CHORDS. So if you were every thinking of being a rock or pop star, well then all you gotta do is keep writing sappy love songs using these same 4 chords until you make that hit! Music, Mind, and Meaning This is a revised version of AI Memo No. 616, MIT Artificial Intelligence Laboratory. An earlier published version appeared in Music, Mind, and Brain: The Neuropsychology of Music (Manfred Clynes, ed.) Plenum, New York, 1981 Why Do We Like Music? Why do we like music?

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