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Movement of Data. The Internet backbone Thousands of miles of fibre optic trunk cables laid underground or on seabeds connect Internet users all over the world.

Movement of Data

These trunks, a combination of government, academic and commercially funded high-speed cables, are what make split-second global Internet communication possible. 3.4 Million emails are sent per second More than 100 billion emails are sent everyday in this way - each one split into data packets and routed towards the destination IP address over the internet backbone.

Avoiding the jams Not all packets from the same email follow the same route. Arrives at destination data centre Each packet reaches the email server within the data centre at the destination IP address. The Internet backbone Thousands of miles of fibre optic trunk cables laid underground or on seabeds connect Internet users all over the world. 3.4 Million emails are sent per second Avoiding the jams. Defeat B.O.C.O. - Your Product Depends On It. Meet B.O.C.O.

Defeat B.O.C.O. - Your Product Depends On It

Opinions are varied. Tastes are subjective. Feelings aredifferent. Unchecked by facts, these conflicting teamopinions can grow into a beast that thwarts progress. UX Researcher – Your “Scientific” Guide. “Life Underground”, a journey through the subways of the world. Millennials Are Screwed - The Huffington Post. Eight, 10 people in suits, a circle of folding chairs, a chirpy HR rep with a clipboard.

Millennials Are Screwed - The Huffington Post

Each applicant telling her, one by one, in front of all the others, why he’s the right candidate for this $11-an-hour job as a bank teller. It was 2010, and Scott had just graduated from college with a bachelor’s in economics, a minor in business and $30,000 in student debt. At some of the interviews he was by far the least qualified person in the room. The other applicants described their corporate jobs and listed off graduate degrees. Some looked like they were in their 50s. After six months of applying and interviewing and never hearing back, Scott returned to his high school job at The Old Spaghetti Factory. In theory, Scott could apply for banking jobs again. There are millions of Scotts in the modern economy. You can even see this in the statistics, a divot from 2008 to 2012 where millions of jobs and billions in earnings should be. The Class of Oh No ’07 grad’09 grad Boomer Millennial Boomer. Proud & Torn: A Visual Memoir of Hungarian History.

Joey Bada$$ Political MC. Journalisme web - Les meilleurs formats longs des médias web. L’info ne se consomme pas seulement en format snack… et les formats longs fonctionnent encore très bien.

Journalisme web - Les meilleurs formats longs des médias web

Florilège. « Elyse ! Avalanche ! » Snow Fall - The New York Times - De John Branch - Décembre 2012 Le pitch : En six tableaux, retour sur un drame de haute montagne ayant eu lieu au nord-est des États-Unis en 2011. C’est pour vous si : Vous avez toujours rêvé de dévaler l’Everest en troïka mais que vous tenez votre droite sur les escalators de la station Montparnasse à Paris. Le + : Une visite virtuelle de la Cowboy Mountain, à l’est de Seattle et des explications à la « C’est pas sorcier » pour tout comprendre sur les éboulements en altitude.

La NSA aux trousses NSA Files decoded : What the revelations mean for you - The Guardian - De Ewen Macaskill et Gabriel Dance - Produit par Feilding Cage et Greg Chen - 1er novembre 2013 Le pitch : Pas besoin de papoter avec un terroriste pour être sur écoute. Le + : Du lourd ! « Dites bonjour à Kate ! Cover Story: Daft Punk. Daft Punk started working on Random Access Memories in 2008, playing almost everything on their own and making loops, just like they had done before.

Cover Story: Daft Punk

But it didn't feel right. “It became clear that we were limited by our own disability to hold a groove the way we wanted for more than eight or 16 bars,” admits Bangalter. “Something we love about disco is the idea of playing the same groove over and over again—your brain can tell it's not a sample that's being replayed.” So they enlisted technically masterful instrumentalists (the kind of guys who grace the covers of magazines like Modern Drummer and Bass Musician), put different combinations of players together, explained their ideas, laid down sheet music or hummed melodies, and collected tons of original recordings on analog tape. “The idea of working with musicians was way beyond making it sound better,” says Bangalter. As Bangalter and de Homem-Christo talk about “Touch”, there's still a sense of astonishment in their voices.