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Free online teleprompter. Spaceman Sound. Beginner's Songbook Index. Music Unfolding. Home - PLUGIN ALLIANCE - ENGLISH. Soft - downloads - AU plug-ins, VST plug-ins, DirectX plug-ins, SAWStudio plug-ins, Windows Media Player plug-ins. Mix Round Up of Sound Restoration Software Available in 2010. Dec 1, 2010 9:00 AM, By George Petersen Buzz.

Mix Round Up of Sound Restoration Software Available in 2010

Hum. Click. Pop. Hiss. Audio-restoration. PortMedia. Soundflower. Silk: CuteStudio Ltd. Audio, electronics, graphics and embedded software - products/audio. National Science Foundation (NSF) Discoveries - Studying Nature's Rhythms: Soundscape Ecologists Spawn New Field. DiscoveryStudying Nature's Rhythms: Soundscape Ecologists Spawn New Field Listen to biophony, geophony, anthrophony: The 'music' of Planet Earth February 6, 2012 The following is part four in a series on the National Science Foundation's Science, Engineering and Education for Sustainability (SEES) investment.

National Science Foundation (NSF) Discoveries - Studying Nature's Rhythms: Soundscape Ecologists Spawn New Field

Visit parts one, two, three, five, six, seven, eight, nine, ten, eleven, twelve and thirteen in this series. Musical Instruments for Sale. Go Guitars - Travel Guitars Manufacturer. Studio Six Digital. Audio Sauna - Online Audio Workstation. Music Production Tutorials & Blog. Downloads/devil_with_rta.pdf. Steven Mackey. In my day job at Princeton University I have mentored many young composers as they receive their first published and public reviews.

Steven Mackey

Good or bad these reviews usually ellicit a discussion/pep talk about critics and careers. It is tempting for composers to want to view critics as the enemy but, in addition to the karmic downside of adopting enemies, it is fundamentally wrong. Critics are an important part of the new music community and provide valuable services. Guitar Tuner - Mojo Universe. Guitar Tabs Search Engine - Tab Robot indexes 4 million guitar tabs. YouTube to MP3 Converter - SnipMP3. How can I synchronize two Mac laptops with Live so a friend and I can perform together? Making The Most Of Digital Performer. Technique : Digital Performer Notes Knowing how to squeeze the very best performance and efficiency out of your DP setup can let you work more quickly and increase your creative options, whether you own a G3 iMac or the latest G5.

Making The Most Of Digital Performer

For all you need, read on... Robin Bigwood A major part of the appeal of sequencing software like Digital Performer, that relies on the Mac's processor for all of its MIDI and audio processing, is that it can perform amazing feats of performance under the right conditions — feats that can make hardware-based systems look severely limited. But with the flexibility of the software approach comes a variety of pitfalls: conflicts with drivers, operating systems and other software, confusion caused by the sheer open-endedness of what's on offer, and poor performance that comes from simply not using your software to its best advantage and not establishing the working practices that help you get the best from your system.

Digital Performer Setup. Installation – Complete Control of Ableton Live Using Your iPad or iPod. LiveControl can now be more simply installed using the provider installer.

Installation – Complete Control of Ableton Live Using Your iPad or iPod

Video Tutorial from LoopsinWorship Installation video kindly provided by www.loopsinworship.com Prerequisites You first need TouchOSC installed on your iPod/iPad. Purchase TouchOSC from the Apple Store for $4.99You also need the TouchOSC template editor from hexler.net in order to upload the LiveControl template to your deviceMake sure you are running at least Ableton Live 8.1.Connect your iPod/iPad to the same network as your computer using either a router or an ad-hoc networkOn Windows you need to install Bonjour Print Services if you dont have iTunes installedDownload the LiveControl installer for Mac or Windows Configure TouchOSC. Ten Essential Ableton Live Tips & Tricks - Part 5: Routing Audio. Each track in Ableton allows you to specify the inputs and outputs.

Ten Essential Ableton Live Tips & Tricks - Part 5: Routing Audio

By default, each tracks output gets sent to the Master, whether it be an Audio Track, or a MIDI Track with a sampler/synthesizer. By changing the route of the Audio, a number of possibilities open up for expanding the way you work. You can think of routed audio tracks as gateways for the sound to pass through before it goes to the final master mix. Example The main reason I route audio, is for resampling something on the fly, so I can quickly save what I have created as a mixed down audio file or loop, and continue working with the evolution of the sound in the track, knowing my previous idea is safely stored for later use.

Live Audio to Midi Tracker. Midifreq is a simple concept I’ve been working on for a while, it is still buggy but functions at a very basic level.

Live Audio to Midi Tracker

It turns any live instrument into a pitch based midi controller. Fftwindows. Www.maxforlive.com - Download Max for Live Devices. Creating GRM Tools shuffle for Max/MSP. HI Chris,

Creating GRM Tools shuffle for Max/MSP

Max/MSP: grainstretch~ : Timo Rozendal. Intro to Max for Live: Ableton Tutorial Video. Oli Larkin blog. Programming Novation Launchpad (Visual C++ 6 on Windows) - skriyl. This is some quick and dirty code I have been using to play around on my Novation Launchpad.

Programming Novation Launchpad (Visual C++ 6 on Windows) - skriyl

The code is made up of general purpose MIDI in and out objects together with a basic wrapper object for the Launchpad's MIDI protocol. The code for a sequence experiment (see youtube clip) is included too. Note that these programs do not make any sound.. they need to route MIDI to a suitable synthesizer program. Compose Music Online Software. Mixes and Mashups #1's favorites. MIT Media Lab. Pioneering Self-Powered Loudspeakers for Over 11 Years. PDF version In the 1970s, the whole idea of high-level sound reinforcement was still nascent, and the few sound companies that existed were figuring things out as they went along, relying primarily on their experience and building most of their own equipment, especially mixing consoles and loudspeakers.

Pioneering Self-Powered Loudspeakers for Over 11 Years

Operation of equipment was haphazard, with many sound crews having no understanding of how to choose appropriate combinations of amplifiers and speakers, or make all of the proper electronic settings involved in configuring the system.