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Alec Soth

Alec Soth

http://alecsoth.com/photography/

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Becoming An Image « Heather Cassils Becoming an Image is a piece that works at the interstices of performance, photography, and sculpture. This piece was originally conceived as a site-specific work for the ONE Archives in Los Angeles, the oldest active LGBTQ archive in the United States. Cassils unleashes an attack on a 2000 pound clay block. Delivering a series of kicks and blows in total darkness, the spectacle is illuminated only by the flash of a photographer, burning the image into the viewer’s retina. At Cassils’s solo show at Ronald Feldman Fine Arts, 12 photographs were displayed. They were taken by blinded photographers who captured performances from prior exhibitions in London, Montreal, and Los Angeles.

diter roth British artist Tania Kovats makes drawings, sculpture, installations and large-scale time-based projects exploring our experience and understanding of landscape. She is best known for Tree (2009), a permanent installation for the Natural History Museum in London; and Rivers, an outdoor sculpture in the landscape of Jupiter Artland outside Edinburgh. This new exhibition focuses on her fascination with the sea. Gasworks - Studio Artists - Tonico Lemos Auad Tonico Lemos Auad Tonico Lemos Auad was born in Nasceu em Belém, Brazil. In 2000 he completed an MA in Fine Arts and Associate Research at Goldsmith¹s College. Auad now lives and works in London, Auad disregards material value to create lyrical, often transient forms using a wide range of materials, from the ephemeral and everyday to the precious and enduring. Notions of luck, chance and the supernatural pervade Auad¹s work.

INFO - Airyka Rockefeller Airyka Rockefeller is from a small island in the Pacific Northwest. She graduated from Sarah Lawrence College in New York with a BA in cultural studies and photography, and received her MFA from California College of the Arts in 2005. Rockefeller's art works turn attention to repurposed landscapes, worldly metamorphosis, and the paradigms between the symbolic and factual value of things and places. Long fascinated by the popular tendency to monumentalize particular landscapes, architectures or objects, while determining others as insignificant, her work investigates the overlooked and vestigial on an intimate scale. Her ongoing series of self-portraits, Between Or Before, was recently included in Auto Focus: The Self-Portrait in Contemporary Art, a publication by Susan Bright, and a photograph from the same project is featured on the cover of Photo World magazine from China for their March 2014 issue.

Rania Matar: Unspoken Conversations examines the universal and complex nature of mother and daughter relationships (PHOTOS). Rania Matar Rania Matar worked as an architect for many years, but while pregnant with her fourth child, she began taking photography classes in order to get better pictures of her children. It turned out to be a career-changing moment, launching a body of work that looks at transitional moments in the lives of women. Matar, who is Lebanese and American, was also influenced by her connection to both cultures, especially in light of the events of Sept. 11 that left her feeling confused. “I’m American and I’m Lebanese,” Matar recalled about how she felt during that time. “I thought where am I fitting in on this?

Rick Poynor Rick Poynor is a writer, critic, lecturer and curator, specialising in design, media, photography and visual culture. Much of his writing has concentrated on alternative and self-directed forms of design practice, and he has a special interest, as both practitioner and enabler, in the development of design writing and criticism. He was the founding editor of magazine and is now its writer at large. He is a columnist and contributing editor for magazine in New York. He was a cofounder of the website, where he writes regularly. Rick Poynor studied history of art at the University of Manchester and received an MPhil in design history from the Royal College of Art.

Corkin Gallery Mädler presents ‘without cynicism’ the appearance of things, not denouncing or lecturing, and his pictures arouse emotions without veering into pathos… He strives to concentrate on something ‘essential in his pictures … and produces an atmosphere that makes the world outside the camera’s frame appear irrelevant to the spectator.’ - Katharina Menzel Capturing monochromatic stretches of the natural world – vast tracts of ocean, sky or golden fields, Frank Mädler’s images are devoid of any locating markers. His experimentation with traditional technique conjures an ethereal, mirage-like quality to his work that is both alluring and haunting.

E.J. BELLOCQ: "'Bellocq Epoque' - Nan Goldin on Photographer E.J. Bellocq" (1997) By Nan Goldin, Originally Published in ArtForum, May, 1997 Late one Berlin night in 1991, a famous German fashion photographer invited me and two friends to join him for a trip to Bel Ami, his favorite brothel in the Grunewald. The presence of a woman as a customer created a ripple of surprise, but the photographer, being a regular and popular visitor, put them at ease.

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