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KATANA White Paper

http://www.thefoundry.co.uk/articles/2011/02/21/221/katana-white-paper/ Contents 1 Introduction 1.1 What is KATANA? KATANA is a 3D application specifically designed for the needs of look development and lighting in an asset based pipeline.
Title: Blind Batman - Real Time Character Name: Jocelyn Zeller Country: Canada Software: 3ds max, Photoshop, ZBrush hey, this is my entry for the comicon 2010 challenge on gameartisans.org. I choose to do an old blind batman with a high sense suit and 2 assist drones. Full model + 2 drones / 11800 tris + 2048 diffuse/specular/gloss/glow/normals

Blind Batman - Real Time Character, Jocelyn Zeller (3D)

http://forums.cgsociety.org/showthread.php?f=121&t=929248&page=1&pp=15
MakingOf

http://www.cgsociety.org/index.php/CGSFeatures/CGSFeatureSpecial/scitech_oscars Sun 9th Jan 2011 | News The Academy of Motion Picture Arts and Sciences has announced that ten scientific and technical achievements represented by 22 individual award recipients will be honored at its annual Scientific and Technical Awards Presentation at the Beverly Wilshire on Saturday, February 12, 2011. Unlike other Academy Awards to be presented this year, achievements receiving Scientific and Technical Awards need not have been developed and introduced during 2010.

SciTech Oscars

Cinematographer President Speaks to VFX Artists

<p><img src="http://www.cgsociety.org/piwik/piwik.php?idsite=1" style="border:0" alt="" /></p> Login Register CGSociety http://forums.cgsociety.org/showthread.php?t=945890
Synopsis: Visual Effects. Computer-generated Film Images. (Visual Effects. Filmbilder aus dem Computer) By Barbara Flueckiger --> deutsche Synopsis Download English translation of the chapter "Digital Characters" free of charge. In the wake of William J. http://zauberklang.ch/vfx_en_css.html

barbara flueckiger / visual effects

http://www.lasjedi.com/disciplines_3dvfx.html

Jedi Masters Program: 3D Visual Effects Track

If your dream is to work on world-class productions at an international studio, make it happen by applying for an apprenticeship at Lucasfilm Singapore. The Jedi Masters Program offers talented individuals the chance to learn from the masters in a variety of creative disciplines -- from visual effects to animation and game production. This is an incredible career opportunity to learn from the best and to gain valuable production experience. We are looking for only the most motivated young talent to complement our team of international artists. Join The Force!

BANG! The Anatomy of Explosions

MUNITIONS - the Atomic Bomb Cont. Fission bombs use an element like uranium-235 to create a nuclear explosion, the fuel must be kept in separate subcritical masses, which will not support fission, to prevent premature detonation. The two or more subcritical masses must be brought together to form a supercritical mass at the time of detonation. To bring the subcritical masses together into a supercritical mass, two techniques are used; Gun-triggered and Implosion. The bomb known as Little Boy (left) was the first nuclear weapon used in warfare dropped on Hiroshima by the B-29 Enola Gay. It was a Gun-Triggered Fission Bomb where one subcritical mass of uranium was fired along a tube into another subcritical mass of uranium that had an explosive force (or yield) equal to about 20,000 tons of TNT. http://www.cgsociety.org/index.php/CGSFeatures/CGSFeatureSpecial/bang_the_anatomy_of_explosions
This was circulating at work, I very much subscribe to the notion of getting everyone into a room and looking at the work that is being generated. Get comments on it. Does this work?

Pixar’s Brad Bird on Fostering Innovation

http://paulallenanimation.blogspot.com/2008/05/pixars-brad-bird-on-fostering.html

yU+Co: Yogi Bear Title Sequence

<p><em>[ Javascript required to view QuickTime movie, please turn it on and refresh this page ]</em></p> Credits Creative Credits: Project: Yogi Bear main-on-end titles Client: Warner Bros. Design/Animation: yU+Co., Hollywood, CA Creative Director: Garson Yu Art Director/Design lead: Synderela Peng VFX Director/Supervisor: Richard Taylor Producer: Sarah Coatts Effects Coordinator: Sean Hoessli Design Team: Edwin Baker, John Kim, Daryn Wakasa, Etsuko Uji 3D Stereoscopic Compositors: Stevan del George, Mark Velacruz After Effects: Jill Dadducci, Andres Barajas, Gary Garza, Wayland Vida, Alex Yoon Animators: Josh Dotson, Eddie Moreno, Noel Belknap, John Dusenberry, Dae In Chung, Ben Lopez, Pota Tseng Editorial: Jason Sikora, Latoria Ortiz <p style="text-align:right;color:#A8A8A8"></p> http://motionographer.com/theater/yuco-yogi-bear-title-sequence/
CG Lighting

Maya

ALICE

http://www.cgsociety.org/index.php/CGSFeatures/CGSFeatureSpecial/alice Using Chaos and imagination, (like children seeing a dragon when looking at a simple cloud in the sky) I can cheat the mental process. The Rorschach test uses the same process. This can build a better bridge between the conscious and the subconscious.