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FILMSECRETS - Film Resource

FILMSECRETS - Film Resource

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Opening Scenes of Alfred Hitchcock films (film directing, criticism, story... - StumbleUpon Borgus.com - Geography and space were important factors in Alfred Hitchcock’s storytelling technique. So much so that film scholar Paul Duncan (2003) described his formal style as merely "a series of set pieces linked together by plot." In 1934, Hitchcock wrote to readers of Film Weekly declaring his appetite for more "freshness in choice of backgrounds" citing mundane locations in other British films (Gottlieb 1995).

666 DIY Horror Filmmaking Tutorials It’s that time of year again, so we thought it was time to update last years killer feature “Horror Filmmaking: From Script to Scream.” That’s right a sequel! This time we are narrowing the focus a bit and concentrating on the DIY (Do It Yourself) elements. Hopefully this will help you slash the budget without murdering your production values. DIY: Blood, Bullets & Stunts Tools & Utilities for filmmakers You've now entered the Dependent Films Download Center. It's unbelievable 1) how much these files can help, and 2) how hard all of these tools are to find on the net. Thus, this is why we've assembled this compilation for all of you aspiring filmmakers out there. Best of all, they're all FREE (a favorite word for all independent filmmakers). These programs have really helped our productions, and hopefully they can help yours as well.

An Online Graphic Novel by Daniel Lieske Never miss a new chapter by subscribing to my newsletter!* *I will use your email information only to send you short announcements of new chapters or equally important events (e.g. kickstarter campaigns). Your email information will not be disclosed to third parties, and in every email from me you'll find instructions to easily unsubscribe from my newsletter. Production Team Screenplay Basics - Scripped A Scripped Compendium by Johnathan Carr Traditional storytelling recounts past events, whereas screenwriting is locked in the present - thus you may not deviate from PRESENT TENSE. You may also be tempted to describe every inch of the world you're creating - don't! Take comfort in the idea that a screenplay is not meant to have any literary value. As you're writing, be mindful to preserve only the most important details: information that will advance the story.

The only film making advice you really need — Cinema Advanced Cinema Advanced Yesterday, I told you how Listening to ’so called’ experts could destroy your film career before it even starts . Today I’m going to share with you the few principles you really need to know. If you’ve ever dreamed about being a director, then this post is a must read for you. The 9 things you need to do if you really want to be a film maker. Shoot the damn thing – Stop obsessing over what gear you need, stop worrying about raising money, stop obsessing over every little detail. Thank you for Subscribing to DPS – Check Your Email Now Thanks for signing up to the dPS newsletter newsletter you’re one step away from receiving great photography tips every week. We’ve sent you an email with a link that once you click will activate your subscription. We can start to send you the newsletter. If you don’t see the email – check your junk mail box as it could have been filtered. If you don’t find it please email us via our contact form.

30 Amazing Stanley Kubrick Cinemagraphs The Lobby is a multiverse of random things we found on the interwebs, along with the occasional 3AM drunken rants by our founders and their minions. These posts are curated by our highly trained group of crazy, up-jumped, Scarlett Johansson-obsessed, hard-drinking monkeys on a vision quest in a sacred North Dakota sweat lodge at the invitation of our great native elder, Chief Running Nose. The Lobby is currently the world’s largest repository of dead YouTube links and contains quite possibly the best tasting nacho cheese dip in existence. Part 1: Basic Terms French for "author". Used by critics writing for Cahiers du cinema and other journals to indicate the figure, usually the director, who stamped a film with his/her own "personality". Opposed to "metteurs en scene" who merely transcribed a work achieved in another medium into film. The concept allowed critics to evaluate highly works of American genre cinema that were otherwise dismissed in favor of the developing European art cinema.

mental_floss » 15 Film Production Credits Explained Ever wonder what all those strange credits are when they roll by at the end of a film? I used to, until I moved to LA, where I started meeting Best Boys and Dolly Grips with their kids when I took my son to the playground—yes, Hollywood, where you meet Gaffers and Armourers at your average Saturday night house party. So I started asking questions, and here's what I've learned:

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