Get flash to fully experience Pearltrees
Approaching Images Students need to learn how to read images, including images linked with texts, for many of the same reasons they learn how to analyze and interpret purely verbal texts -- essays, memoirs, articles, and other forms of nonfiction; poems, stories, plays, and other genres of literature.
For his latest book, Days of Destruction, Days of Revolt , out this month in paperback, Pulitzer prizewinning author Chris Hedges collaborated with awardwinning cartoonist and journalist Joe Sacco to produce a heartfelt, harrowing picture of post-capitalist America. Together they explore the country's 'sacrifice zones' - areas that have been offered up for exploitation in the name of profit, progress, and technological advancement - and show in words and images what life looks like in places where the marketplace rules without constraints <p style="text-align:right;color:#A8A8A8"></p>
An unusual summer reading roundup of books that blend meaty subject matter with engaging visual storytelling Who doesn't love comic books? While infographics may be trendy today (and photography perennially sexy), there's just something special about the work of the human hand. Good old-fashioned manual labor, literally, brings a unique richness to storytelling where words alone sometimes fall flat. I've put together a list of some of my favorite graphic non-fiction. These hybrid works combine the best elements of art, journalism, and scholarship, and provide the perfect way to mix some visual magic into your summer reading list.
About graphic novels and the selection of Maus for study The term “graphic novel” has been in use since the 1960s though books written in this format did not appear often until the early 1980s. The genre is characterized by stories about substantive issues written in comic book format and published as bound paperback or hardbound books. Longer than a short story and more literary than a comic book, the graphic novel uses high quality graphics with text to tell a complete story.
What becomes interesting is when you have more than one box, either superimposed or next to each other, because that implies time and that’s essential to what comics have to offer. Launch this player in a separate window or get more CHF talks for your mobile device. Cartoonist and artist Art Spiegelman explicates the evolution of comics, alternative and otherwise, from the editorial cartoons of William Hogarth through Winsor McCay and his own work for The New Yorker and The Nation .
WEEK 1: Historical Introduction ( In-class screening): Excerpts from Imaginary Witness: Hollywood and the Holocaust.
Online Material for Comics Courses We're in the process of developing these pages to provide links and information on all comics related classes at UF. Please email us if you teach comics classes at UF, elsewhere, or know of additional resources so we can add that information to these pages.
If a picture is worth a thousand words then imagine how we can enhance communication using images and words together to create visual content by: 1) learning the basics of how to use a digital still camera; 2) downloading your pictures to a computer; and 3) using ImageBlender software to create more advanced imaging techniques and integrate those images in the curriculum. As a teacher it doesn't matter if you are a beginner or a novice, your goal is to create of collect images that will optimize visual literacy with a community of learners. What is Visual Literacy? "Visual literacy is defined as the ability to interpret images as well as to generate images for communicating ideas and concepts". (Stokes, 2002)
A format for looking at and talking about photographs. Overview As Professor of Art Education Terry Barrett says, "Describing is a logical place to start when viewing an exhibition or particular photograph because it is a means of gathering basic information on which understanding is built." Carefully looking at and describing a work of art is crucial in the understanding of the work.
Describes subject matter that is presented in a brief, simplified, often distorted manner, with little or no attempt to represent images realistically. In La ngresse blonde (The Blond Negress) Brancusi dramatically simplifies a woman's face, delineating only her hair and lips. Mondrian's New York City 2 reduces and abstracts the appearance and energy of the city to a series of lines. Constantine Brancusi La Négresse blonde (The Blonde Negress) 1926 bronze (polished) Gift of Agnes E.
Describes subject matter that is presented in a brief, simplified, often distorted manner, with little or no attempt to represent images realistically. In La ngresse blonde (The Blond Negress) Brancusi dramatically simplifies a woman's face, delineating only her hair and lips. Mondrian's New York City 2 reduces and abstracts the appearance and energy of the city to a series of lines. Constantine Brancusi La Négresse blonde (The Blonde Negress) 1926 bronze (polished) Gift of Agnes E. Meyer and Elise Stern Haas ©Artists Rights Society (ARS), New York / ADAGP, Paris Piet Mondrian New York City 2 (unfinished) 1941 oil and tape on canvas Purchased through a gift of Phyllis Wattis ©Mondrian/Holtzman Trust, c/o Beeldrecht / Artists Rights Society (ARS), New York <p style="text-align:right;color:#A8A8A8"></p>
Teaching Graphic Novels
Make Complex Concepts Approachable Integrating graphic novels into my curriculum has been one of the best choices I have made as a teacher of both high- and lower-level students. These novels can make a difficult subject interesting and relatable. I have seen many students with no previously expressed interest in language and literature excel in the analysis of a graphic novel. The graphic novel is also an excellent way to teach complex concepts to higher-level students and to introduce them to an important postmodern genre.
Jonathan Taking comics seriously can take many forms. Liz and I are interested in a variety of approaches to thinking about, practicing, and fostering students’ (and colleagues’) engagement with comic arts and how they intersect with literacy, media, rhetoric, and writing instruction. A pretty direct way to think about comics is, of course, offering courses about comics.
by Kirstin Butler Seeing the world in six-panel strips, or what Allen Ginsberg has to do with the wonders of zygotes. Who doesn’t love comic books? While infographics may be trendy today (and photography perennially sexy), there’s just something special about the work of the human hand. Good old-fashioned manual labor, literally, brings a unique richness to storytelling where words alone sometimes fall flat. We’ve put together a list of some of our favorite graphic non-fiction, excluding Maus -style memoirs — perhaps another time — since narrowing down to ten picks was tough enough.
By Barbara Chai On May 22, the first volume will be released of “The Graphic Canon,” a three-volume anthology of classic literature adapted into graphic and visual form. The books are edited by Russ Kick and published by Seven Stories, and include everything from the epic of Gilgamesh to Walt Whitman’s “Leaves of Grass” to David Foster Wallace. There will be a launch event for the book at the Rubin Museum of Art in New York on May 23, with editor Kick and contributors Molly Crabapple, Sanya Glisic and Gareth Hinds. Below are excerpts from “The Graphic Canon, Volume 1,” published by Seven Stories Press. For more information about the book, click here .