MICHEL REILHAC

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Reilhac runs with ‘ultra-trail’ transmedia project

http://www.screendaily.com/festivals/berlin/reilhac-runs-with-ultra-trail-transmedia-project/5051787.article# EXCLUSIVE: Former Arte Cinema chief also developing interactive film geo-location App Cinema City. Former Arte Cinema chief Michel Reilhac, who left the Franco-German broadcaster last November to focus on his transmedia interests, has announced his first major project: a multi-platform work exploring the world of the high endurance sport ultra-trailing. “It’s a personal project which I’ve been writing for some two years,” explains Reilhac, who has reactivated his production company Mélange, which was mothballed during his time at Arte, and now defines himself as an auteur and transmedia consultant and producer. Provisionally entitled Ultra-trail , the work draws inspiration from the world of ultra-trailing, an increasingly popular sport consisting of 150 to 200-kilometre marathons, such as the Ultra-Trail du Mont-Blanc and Grand Canyon Ultra Marathon, in which participants run for some 40 hours non-stop.

An Oral History of Burning Man, the Biggest, Weirdest, Most Clothing-Optional Desert Carnival on the Planet | Events

"This creed of the desert seemed inexpressible in words. And indeed in thought." —T.E. http://www.outsideonline.com/outdoor-adventure/events/Hot-Mess.html

Aids är en unik erfarenhet | Kultur | Konst Litteratur Kulturartiklar | Expressen

http://www.expressen.se/kultur/aids-ar-en-unik-erfarenhet/ Producenterna till aidslajvet bemöter kritiken. Är det respektlöst och spekulativt att arrangera ett lajv om aids? Philip Teir skriver (Expressen, 30/3) att "det [FINNS] vissa saker som man gärna får behandla med största omsorg". Vi anser att det behövs flera nya berättelser om aids som vågar ta både innehållsliga och formmässiga risker. Levande rollspel är unikt som konstuttryck i vår tid, därför att inget annat uttryck i lika stark grad införlivar en subjektiv upplevelse.

Le Sous-marin : Voyage immobile de 48H | Installation | Vendredi 23 Mars 2012

http://www.gaite-lyrique.net/evenement/le-sous-marin-voyage-immobile-de-48h Vous n'avez jamais vécu ça ailleurs. Michel Reilhac, directeur du cinéma d'ARTE France et spécialiste du transmedia vous invite à explorer votre rapport intime au temps lors d'une expérience inédite de 48 heures. Du vendredi 23 mars, 16h au dimanche 25 mars 18h, enfermez vous avec 70 volontaires dans la Gaîté lyrique et perdez toute notion du temps, sans aucun moyen de communiquer avec l'extérieur.

POWER TO THE PIXEL « MICHEL REILHAC

http://www.powertothepixel.com/events-and-training/pttp-events/london-forum-2009/speaker/michel-reilhac-2 Michel Reilhac is currently Executive Director of Arte France Cinéma and Director of Film Acquisitions for ARTE France . He was previously Executive Director of Forum des Images in Paris, General Manager of the American Centre in Paris and of the National Theater of Chaillot in Paris, Executive Director of the National Centre for Contemporary Dance in Angers, France. He was also a producer-curator-author through his own organisation,”Les Arts Etonnants” (Amazing Arts) of participatory events such as: - “Les Arts Etonnants 92″, an interactive exhibition of time-based works by Heather Ackroyd and Dan Harvey, Andreas Heinecke ( Dialogue in the Dark ), Stephen Taylor Woodrow - Dark/Noir based on darkness as a medium (Avignon Festival 93, Paris 94)
La création audiovisuelle et cinématographique se singularise depuis quelques années par une croissance spectaculaire des services et des nouveaux outils bénéficiant à plein de la force du numérique (Internet, VOD, TNT, ADSL, Catch-up…). Ces services, tout comme les nouveaux modes de consommation des spectateurs et téléspectateurs, déstabilisent fortement les médias historiques et le modèle économique traditionnel du secteur audiovisuel et amène de nombreux professionnels du cinéma et de l’audiovisuel à penser et à travailler autrement. Il s’agit désormais pour eux de chercher des relais de croissance susceptibles de renforcer leurs activités, de trouver de nouveaux marchés et surtout de se projeter dans un monde nouveau dans lequel l’écriture, les financements, la promotion et la distribution ne sont déjà plus vraiment les mêmes. http://www.dixit.fr/formation-dixit-le-transmedia-par-michel-reilhac-25-1.html

Formation : "Le transmédia" dirigé par Michel Reilhac - Direction de stage - Editions Dixit - La transmission du savoir dans l'audiovisuel

http://www.lasurprisedalice.com/journal-intime-partie-3 Ce moment là, reste désormais comme un instant d’éternité. Depuis, j’ai pu explorer plus loin avec Alice les régions de sa jouissance et aussi du coup de la mienne. Le vibromasseur magique ne nous est plus indispensable, même si on y rejoue de temps en temps.

Ejaculation féminine, prostate, point g,orgasme, clitoris | La surprise d'Alice

http://www.screendaily.com/festivals/storm-over-jerusalem/5030095.article 21 July, 2011 | By Mike Goodridge Perhaps befitting the volatile nature of Israel itself, the Jerusalem Film Festival this year stirred up heated divisions for its films and its jury. It takes just two minutes and you’ll immediately gain full access to ScreenDaily.com, PLUS Screen International monthly magazine delivered to your door. Screen International Subscribers: If you are a Screen International subscriber please sign in with your email address and click submit: <p style="text-align:right;color:#A8A8A8"></p>

Storm Over Jerusalem | Opinion/Comment | Screen

Transmedia as a state of mind

Michel Reilhac, Executive Director of ARTE France Cinéma, shares his thoughts on transmedia and ARTE’s role in financing transmedia projects PLAN: I guess the first transformative revelation came from my first son when he was six. I told him I was taking him to a show. He asked me “What kind?” I did not understand. He insisted “But what kind of show?” http://thepixelreport.org/2011/02/08/transmedia-as-a-state-of-mind/

Experimenting with video components, junaio Creator, and the iTouch 4g | Camaal Moten

In my previous post , I discussed the junaio Creator application and how it can be used to augment reality with animated 3D models. My first experiment didn’t go so well, but I did learn something. My second experiment was centered around adding video components to my channel. http://www.camaalmoten.com/2010/12/video-components-in-junaio-glue-channel-creator/
30. Michel Reilhac. Le cinéma à l’ère du transmédia. (présentation par Gwenola Wagon) Observatoire des nouveaux médias Ensad 31 rue d’Ulm 75005 Paris Mercredi 17 mars 2010, 18h 30, Amphi Rodin

Observatoire des nouveaux médias » 30. Michel Reilhac. Le cinéma à l’ère du transmédia.

If you missed last week’s highly inspiring annual Cross-Media Forum , programmed and produced by Power to the Pixel and held in association with the BFI London Film Festival, then here’s your chance to catch up on the hot topics that came up for discussion. First off is the opening keynote from Michel Reilhac , Executive Director of ARTE France Cinéma, at the first-day conference. Called The Game-ification of Life , Michel’s presentation explores how the art of storytelling and experience design is being re-shaped by game dynamics.

The game-ification of life