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Typographica

Typographica
Colophon Typographica is a review of typefaces and type books, with occasional commentary on fonts and typographic design. Edited by Stephen Coles and designed by Chris Hamamoto. Founded in 2002 by Joshua Lurie-Terrell. Relaunched in 2009 by Coles and Hamamoto. Set in Bureau Grot by Font Bureau, Nocturno Display by Nikola Djurek, Fern (unreleased) by David Jonathan Ross, and JAF Bernini Sans by Tim Ahrens.

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100 Must-have Free Fonts for Commercial and Personal Use Each time a designer starts work on a new design, there is always a big problem: a lack of high-quality materials, such as fonts, icons, images etc. Of course, you can create a font that will properly fit the design you created, but it’s not a good idea since font creation takes a lot of time, which is never enough when you have to work within a deadline. The solution is simple: you can use ready-made free fonts. There are tons of them all over the web, and we have but collected a small group of 100 free fronts you can download here. There are elegant and unusual fonts, serif and slab serif, rigorous and handwritten fonts and more in the showcase.

Useful Typography Tips For Adobe Illustrator - Smashing Magazine Advertisement Typography is not only an all-important aspect of design, it is also an art form in and of itself. Choosing the right font, the perfect spacing and even the correct shape of text can be an important factor as to whether a project fails or succeeds. Although Illustrator is not really used for multiple-paged projects, many would agree that it is one of the most powerful applications for creating vector graphics, such as logos, and it is also often used for one-page documents, such as business cards, posters, or postcards. Since we can easily transfer graphics from Illustrator to Photoshop and InDesign, designers often use Illustrator to create vector type that they can then incorporate into projects in another program. For instance, you can create a nice type design within Illustrator, then add some extra effects in Photoshop.

Typothèque Every year we make a lim­it­ed edi­tion of the pock­et-size cal­en­dar and sketch­book. And every year we strive to make it better. You may have seen the story of the previous editions. 35 Professional Bold Sans Serif Fonts Sans-serif fonts should be top pick if you are finding a font specifically for headlines or captions as they look more prominent and appealing in large size. Normally people don’t use them as standard for body text because it is believed sans-serif fonts are more difficult to read as compared to serif fonts, as they don’t have “serifs” (small decoration at the end of strokes). Therefore if you are finding Free Sans-Serif font to design a large logo or to use it in title\headline of your project, you can select anyone of these high-quality professional fonts. Also make sure to check this post if you want other kind of fonts for killer headlines. 1. League Gothic

Revised Font Stack Serious efforts are being made to get more typeface choices on the web to enhance web typography. Still, most of us prefer web-safe fonts like: Verdana, Georgia, Times New Roman and Arial. Though choices are limited, yet the number can be increased by exploring other pre-installed fonts. “… font stacks are ultimately design factors, and should be scrutinized as such.”—Nathan Ford, Better CSS font stacks Typekit - Full Library Enter your own text... ABCDEFGHIJKLMNOPQRSTUVWXYZ 0123456789 ¿ ? ¡ !

7 Tips For More Professional Typography at Design Panoply Many people have had some kind of experience using Photoshop and a small number of those people grow to excel in graphic design. An even more minute group understands the principles of design and can tell you the reasons behind why something looks good or bad. One of the biggest areas that people struggle with when learning design is the proper use of typography. It's much more than just finding a good font. There are many attributes including color, size, weight, leading, tracking, padding, and more.

On snot and fonts Africa: ⦿ Africa ⦿ Berber ⦿ Coptic ⦿ Egypt ⦿ Hieroglyphics ⦿ Mauritius ⦿ Morocco ⦿ Other ⦿ South-Africa Australia: ⦿ Australia ⦿ Maori ⦿ New Caledonia ⦿ New Zealand ⦿ Rongo Rongo Europe + the old USSR: ⦿ Albania ⦿ Austria ⦿ Basque ⦿ Belarus ⦿ Belgium ⦿ Bosnia ⦿ Bulgaria ⦿ Catalunya ⦿ Celtic/Gaelic ⦿ Croatia ⦿ Cyprus ⦿ Cyrillic ⦿ Czechia ⦿ Denmark ⦿ Eastern European ⦿ Esperanto ⦿ Estonia ⦿ Finland ⦿ France ⦿ Georgian ⦿ Germany ⦿ Greece ⦿ Greek ⦿ Hungary ⦿ Iceland ⦿ Ireland ⦿ Italy ⦿ Kazakhstan ⦿ Kyrgyzstan ⦿ Latvia ⦿ Liechtenstein ⦿ Lithuania ⦿ Luxemburg ⦿ Macedonia ⦿ Malta ⦿ Moldova ⦿ Montenegro ⦿ The Netherlands ⦿ Northern Ireland ⦿ Norway ⦿ Ogham ⦿ Old Italic ⦿ Poland ⦿ Portugal ⦿ Romania ⦿ Russia ⦿ Scotland ⦿ Serbia ⦿ Slovakia ⦿ Slovenia ⦿ Spain ⦿ Sweden ⦿ Switzerland ⦿ Turkey ⦿ United Kingdom ⦿ Ukraine ⦿ Wales

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