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Francisco negroni. Lenticulaires (nuages) Synthese-soustractive. Tour de France PHOTOFINISHING de FUJIFILM / hiver 2014. The Luminous Landscape. Celebrating Our 15th Year Kilt Rock - Mealt Falls, November 2014 - Isle Of Skye, Scotland Fuji X-T1, 55-200mm at 74mm, f/8, 7.4 sec ISO 800, Lee Big Stopper by Kevin Raber There are Currently 184 Photographers Visiting The Luminous Landscape The contents of this site were last updated on 30 November, 2014 Michael's Phlog was just updated on October 21 lu-mi-nous (lue'muh nuhs) adj. 1. radiating or reflecting light; shining; bright. 2. clear; readily intelligible Welcome to The Luminous Landscape, the web’s most comprehensive site devoted to the art and technique of photography.

The Luminous Landscape

The Publisher of this site is Kevin Raber. Just awesome responsive WordPress theme! I often marvel that I escaped so easily Coming, as they did, over the soft and soundless moss, which covers practically the entire surface of Mars with the exception of the frozen areas at the poles and the scattered cultivated districts, they might have captured me easily, but their intentions were far more sinister. It was the rattling of the accouterments of the ... Soon, while the crews were awaiting the arrival Soon, while the crews were awaiting the arrival of the ship, the body showed symptoms of sinking with all its treasures unrifled.

Immediately, by Starbuck’s orders, lines were secured to it at different points, so that ere long every boat was a buoy; the sunken whale being suspended a few inches beneath them by the ... What art thou thrusting that thief-catcher into my face for, man? Um-m. The best photography websites - Photo hosting - Sell photography. Photo Sharing. Stunning Photo Websites. Cargo. Smugmug. Zenfolio - Professional photo and video hosting for photographers and enthusiasts.

Blog Du Webdesign. Galerie Frank Elbaz » Justine Kurland images. Nicholas Nixon. Early Years (1971-1978) Tom M Johnson-Photographer - ABOUT - 1. William eggleston. Jérôme Brézillon, photographe. La photographie impersonnelle d'August Sander. La fondation HCB expose jusqu'au 20 décembre une rétrospective du photographe allemand August Sander (1876-1964).

La photographie impersonnelle d'August Sander

On pourra y voir une centaine de tirages "vintage" de cette figure de la photographie dont l'œuvre voulait donner à « voir, observer, penser ». August Sander écrit : « Je ne déteste rien plus que la photographie au sucre avec minauderies, poses et affectations. Cela étant laissez-moi dire sincèrement la vérité sur notre époque et ses hommes. » Ses portraits vont à rebours des lieux communs du genre. Point de psychologie de bazar, les états d'âme de ses sujets ne l'intéressent pas. L'instituteur est à la lisière d'un champ. La pile de briques domine l'ouvrier et pèse lourdement sur ses épaules. Le rictus du propriétaire terrien voudrait être un sourire. Progressiste En 1910, August Sander s'installe à Cologne quand son studio de Linz (Autriche) périclite. Ces douze planches représentent en coupe douze lieux significatifs de la structure sociale de la république de Weimar.

Yann Gross/Works. The Sweet Flypaper of Life. DeCarava’s photographs languished in a closet until he took them to Langston Hughes.

The Sweet Flypaper of Life

“I thought Hughes would enjoy them because they were so much about people,” DeCarava told In These Times this February. “He was very touched and moved by the pictures and said, ‘Let me try to get them published.’” Hughes found Simon and Schuster willing to bring out the book, but only on the condition that Hughes write an accompanying text. DeCarava at that point relinquished control of the project, giving Hughes some 500 photographs from which to make a selection. Of the people he had photographed, DeCarava told Hughes nothing. The Sweet Flypaper of Life is not, then, a collaboration of writer and photographer, but a writer’s response to photographs, a phototext in the same category as Thom and Ander Gunn’s Positives (1966), Ted Hughes and Fay Godwin’s Remains of Elmet (1979), or Wright Morris and Jim Alinder’s Picture America (1982).

Pictures. DeCarava’s trust in the writer paid off. MANSET. Landscape Stories: Jem Southam. Early in the morning, before breakfast and the beginning of the workday, photographer Jem Southam takes to the countryside of southwest England, visiting and revisiting the hills and dales of Bristol, Cornwall, Devon, and Somerset.

Landscape Stories: Jem Southam

His lyrical photographs of these places, taken in series over several years, chart the subtle evolution of this picturesque countryside as it has been transformed by both natural processes and human intervention. Ostensibly topographic and descriptive, each achieves a greater power thanks to an allegorical language that draws on our collective imagination.

"Landscape Stories" is the first comprehensive collection of Southam's work, drawn from three completed series: "The Pond at Upton Pyne," "The Red River," and "Rockfalls, Rivermouths, and Ponds," along with several smaller groups of pictures from series still in the making.