Generation Next- Patrick Hans feat. Tullock by Patrick Hans. Live coding. Live coding[1] (sometimes referred to as 'on-the-fly programming',[2] 'just in time programming') is a programming practice centred upon the use of improvised interactive programming.
Live coding is often used to create sound and image based digital media, and is particularly prevalent in computer music, combining algorithmic composition with improvisation.[3] Typically, the process of writing is made visible by projecting the computer screen in the audience space, with ways of visualising the code an area of active research.[4] There are also approaches to human live coding in improvised dance.[5] Live coding techniques are also employed outside of performance, such as in producing sound for film[6] or audio/visual work for interactive art installations.[7] Live coding is also an increasingly popular technique in programming-related lectures and conference presentations, and has been described as a "best practice" for computer science lectures by Mark Guzdial.[8] Organizations[edit] Electronic music. Electronic music is music that employs electronic musical instruments and electronic music technology in its production, an electronic musician being a musician who composes and/or performs such music.
In general a distinction can be made between sound produced using electromechanical means and that produced using electronic technology.[1] Examples of electromechanical sound producing devices include the telharmonium, Hammond organ, and the electric guitar. Purely electronic sound production can be achieved using devices such as the Theremin, sound synthesizer, and computer.[2] Electronic music was once associated almost exclusively with Western art music but from the late 1960s on the availability of affordable music technology meant that music produced using electronic means became increasingly common in the popular domain.[3] Today electronic music includes many varieties and ranges from experimental art music to popular forms such as electronic dance music.
Futurists[edit] Ishkur's Guide to Electronic Music. Computer music. N:NET v3.0 : Detroit UnderGround and Electronic Music Community Portal. After scouring the 'Net and finding Detroit artists and DJs spread out everywhere, some on the "not-so-free" hosts, some paying exhorbitant prices for such little quality, and even those whose only presence was a mere email address, those technie geeks came up with that home: NEFARIOUS.NET.
Since that time, N:NET, comprising of Mark D, Will, Mike S, and the Urf, has brought that idea into a reality by maintaining an online presence for the likes of Biokidd, The House of PR, Technocity Records, Beretta Music, Ethereal Designs, Mission:Detroit, and many other local electronic music artists and enthusiasts. Our goal is to continue to reach out to the Detroit electronic music community through free domain hosting, electronic music culture awareness, Internet radio stations, social gatherings, and complete support of the Detroit "underground scene.
" Remembering Larry Levan, 'The Jimi Hendrix Of Dance Music' : The Record. Hide captionLarry Levan, who made the highlight of a new collection of DJ mixes recorded at London superclub Ministry of Sound.
Levan's work at New York club Paradise Garage was the inspiration for the London club. Unknown. The audio link above is a radio story for All Things Considered about the late Larry Levan, the producer and DJ whose residency at New York's Paradise Garage between 1977 and 1987 remains the most storied in clubland. For the story, I spoke with music writer Will Hermes, whose recently published Love Goes To Buildings On Fire deals with part of that period in New York City's history, and a pair of DJs who were profoundly influenced by Levan. Justin Berkmann is the founder of Ministry of Sound, the London superclub and record label that this fall released Live & Remastered 20th Anniversary, a box set containing five DJ mixes originally recorded during Ministry's early years. DANNY TENAGLIA: "This is the ramp you would enter.
"It was a very friendly welcome.