Periodic Table of Typefaces on Behance Large original English version HERESpanish version HEREPortuguese version HERE PRINTS, SOURCE FILES, and other Periodic Table of Typeface related goodies are available HERE The Periodic Table of Typefaces is obviously in the style of all the thousands of over-sized Periodic Table of Elements posters hanging in schools and homes around the world. This particular table lists 100 of the most popular, influential and notorious typefaces today. As with traditional periodic tables, this table presents the subject matter grouped categorically. The Table of Typefaces groups by families and classes of typefaces: sans-serif, serif, script, blackletter, glyphic, display, grotesque, realist, didone, garalde, geometric, humanist, slab-serif and mixed.
A History of Western Typefaces [INFOGRAPHIC] The Fontography Series is supported by join.me, the easiest way to have an online meeting. join.me lets you instantly share your screen with anyone, for free. Use it to collaborate, demo, show off — the possibilities are endless. Try it today. You see approximately 490,000 words every day — and that's just on the web. If the designers behind those websites are any good, they put a lot of thought into the typefaces they use on each page. 2010 Typographic Posters Blackletter 4CP. 5 x 7 inches. This typographic poster features a photographed 3-D two-tone blackletter paper sculpture overlaid with an original graphite line drawing. « buy a signed print Note: posters currently for sale are indicated below their respective project description. Now Available — Note card sets and numbered edition print sets featuring Blackletter, Can O’ Dingbats, Typographic Hype, Paragraph Indentation and Sans Serif are now for sale in the...studiotwentysix2 shop
Infographic: The 50 Most Popular Typefaces in the World Do you know where Arial was created? Or what year Paul Renner designed Futura? How about who designed Bembo? No? No? No? 25 MORE Completely Free Fonts Perfect for @fontface A year or so ago we published our original Completely Free Fonts Perfect for @fontface. It has been a long time coming but here, at long last, is our next installment. Again, we have chosen 25 free (for both personal and commercial use) fonts that are so good we can’t believe they are the free. Here they are… Bemio Download Page → Bemio Copyright → Pay what you want (or zero) for personal and commercial use.
Home of the Universal Font Classification System With so many fonts available on the market today, a simple alphabetical font list can't do the job and font vendors have accordingly devised a variety of ways to help users find the font they are looking for, leveraging the accessibility and power of the Web. Different tools are available, suitable to the offering of the vendor and the user's level of expertise. Such tools typically include these kinds of font classifications: style, letter shape, keywords, designer, foundry, usage and category. The list below covers the main tools available on the Web. If you have suggestions for additions, by all means contact us at: firstname.lastname@example.org. Identifont
80 Beautiful Typefaces For Professional Design Advertisement You don’t like to scroll? Be prepared. (We warned you.) Nick Sherman > Senior Degree Project > Ideation Long before the semester even started, I began thinking and writing about what exactly it was that I wanted to do. The first thing I decided to do was make a long list of all the topics I was heavily interested in—or at least enough to be happy spending a semester focusing on. Right from this point I became quite excited about this whole degree project thing. I love to go into ridiculous levels of detail with research and development, and that is something you rarely ever get an opportunity to do.
Museo font Downloads: 0 Rate this font: Lowercase characters On snot and fonts Africa: ⦿ Africa ⦿ Berber ⦿ Coptic ⦿ Egypt ⦿ Hieroglyphics ⦿ Mauritius ⦿ Morocco ⦿ Other ⦿ South-Africa ⦿ Tunisia Oceania: ⦿ Australia ⦿ Maori ⦿ New Caledonia ⦿ New Zealand ⦿ Rongo Rongo Europe + the old USSR: ⦿ Albania ⦿ Austria ⦿ Basque ⦿ Belarus ⦿ Belgium ⦿ Bosnia ⦿ Bulgaria ⦿ Catalunya ⦿ Celtic/Gaelic ⦿ Croatia ⦿ Cyprus ⦿ Cyrillic ⦿ Czechia ⦿ Denmark ⦿ Eastern European ⦿ Esperanto ⦿ Estonia ⦿ Finland ⦿ France ⦿ Georgian ⦿ Germany ⦿ Greece ⦿ Greek ⦿ Hungary ⦿ Iceland ⦿ Ireland ⦿ Italy ⦿ Kazakhstan ⦿ Kosovo ⦿ Kyrgyzstan ⦿ Latvia ⦿ Liechtenstein ⦿ Lithuania ⦿ Luxemburg ⦿ Macedonia ⦿ Malta ⦿ Moldova ⦿ Montenegro ⦿ The Netherlands ⦿ Northern Ireland ⦿ Norway ⦿ Ogham ⦿ Old Italic ⦿ Poland ⦿ Portugal ⦿ Romania ⦿ Russia ⦿ Scotland ⦿ Serbia ⦿ Slovakia ⦿ Slovenia ⦿ Spain ⦿ Sweden ⦿ Switzerland ⦿ Turkey ⦿ United Kingdom ⦿ Ukraine ⦿ Uzbekistan ⦿ Wales Far East: ⦿ China ⦿ Hong-Kong ⦿ Japan ⦿ Korea ⦿ Macao ⦿ Mongolia ⦿ Taiwan
The International Typographic Style Timeline Graphis #1 Graphis, The International Journal of Visual Communication, was first published in 1944 by Walter Herdeg in Zurich, Switzerland. Graphis Inc. is the international publisher of books and magazines on communication design, advertising, photography, annual reports, posters, logos, packaging, book design, brochures, corporate identity, letterhead, interactive design and other design associated with graphic arts. Graphis was (and still is) one of the most important and influential European graphic design publication.
The Complete Engraver Introducing two new typefaces – JMC Engraver & Feldman Engraver. Designed by Terrance Weinzierl, these two typefaces were commissioned as companion fonts to Nancy Sharon Collins’ new book The Complete Engraver: A Guide to Monograms, Crests, Ciphers, Seals, and the Etiquette and History of Social Stationery. Available now on Fonts.com, these fonts are FREE. Simply add to your cart, download and enjoy them in all your creative projects. The Complete Engraver charts the art of engraving, from its origin to those who carry on the tradition still today. A practicing designer – authority on engraving – Collins also provides insight on the methods in which engraving (and social stationery as a whole) soldiers forward in today's digital age.
Introducing... The seriously minimal graphic design of Icelandic studio GUNMAD Introducing… The desk of GUNMAD GUNMAD is Guðmundur Ingi Úlfarsson and Mads Freund Brunse, one Icelandic and one Danish graphic designer working together between Rekjavík and London. Stylistically these guys are at the very edge of minimal, striving for typographic purity and structural perfection, with no white space disturbed by imagery or text unless absolutely necessary. They’re also incredibly experimental, channeling an enormous amount of energy into research in a manner that’s rarely seen outside of academic institutions. The walls of their studio are thick with typographic sketches, slices of inspirational imagery and any other snippets of visual paraphernalia that might expand the scope of their practice.