Literature Infographics - Course Hero. List of narrative techniques - Wikipedia. A narrative technique, also known, more narrowly for literary fictional narratives, as a literary technique, literary device, or fictional device, is any of several specific methods the creator of a narrative uses to convey what they want—in other words, a strategy used in the making of a narrative to relay information to the audience and, particularly, to "develop" the narrative, usually in order to make it more complete, complicated, or interesting.
Literary techniques are distinguished from literary elements, which exist inherently in works of writing. Setting Plots Perspective Style Theme Character References 150 Great Articles and Essays. Changing My Mind by Zadie Smith A great collection of essays about literature, writing and culture, along with more personal pieces Home By Subject By Author By Publication 150 Great Articles 100 Great Nonfiction Books By Subject By Author Greats Books David Foster Wallace.
Rituals and Routines. Writers. Writers. Il "doppiese", la lingua irreale delle traduzioni. Entrate in libreria, aprite un romanzo italiano a caso, prendete una pagina a caso, e leggete le prime battute di dialogo su cui vi cadono gli occhi.
#atozchallenge W is for The Writing Rule Book [Infographic] – Word Hunter. Writing Maxims to Live By, and Break “There are three rules for writing.
Unfortunately, nobody knows what they are.” – Somerset Maugham. If only there were a Writing Rule Book, but it went missing, along with that Parent Manual 101 I was looking for some years back. What Famous Novels Look Like Stripped of Everything But Punctuation. 9201 21ShareNew Punctuation marks are the unsung heroes of writing.
They determine the story's rhythm and clarity, but are doomed to play second fiddle to the author's words. The world's greatest literature reveals multifractals and cascades of consciousness. James Joyce, Julio Cortazar, Marcel Proust, Henryk Sienkiewicz and Umberto Eco.
Regardless of the language they were working in, some of the world's greatest writers appear to be, in some respects, constructing fractals. Statistical analysis carried out at the Institute of Nuclear Physics of the Polish Academy of Sciences, however, revealed something even more intriguing. The composition of works from within a particular genre was characterized by the exceptional dynamics of a cascading (avalanche) narrative structure. This type of narrative turns out to be multifractal. The Psychology of Writing and the Cognitive Science of the Perfect Daily Routine. Reflecting on the ritualization of creativity, Bukowski famously scoffed that “air and light and time and space have nothing to do with.”
Samuel Johnson similarly contended that “a man may write at any time, if he will set himself doggedly to it.” And yet some of history’s most successful and prolific writers were women and men of religious daily routines and odd creative rituals. (Even Buk himself ended up sticking to a peculiar daily routine.) Such strategies, it turns out, may be psychologically sound and cognitively fruitful. In the altogether illuminating 1994 volume The Psychology of Writing (public library), cognitive psychologist Ronald T. The Psychology of Cryptomnesia: How Unconscious Plagiarism Works. This Is Water: David Foster Wallace on Life. On September 12, 2008, David Foster Wallace took his own life, becoming a kind of patron-saint of the “tortured genius” myth of creativity.
Just three years prior to his suicide, he stepped onto the podium at Kenyon College and delivered one of the most timeless graduation speeches of all time — the only public talk he ever gave on his views of life. The speech, which includes a remark about suicide by firearms that came to be extensively discussed after DFW’s own eventual suicide, was published as a slim book titled This Is Water: Some Thoughts, Delivered on a Significant Occasion, about Living a Compassionate Life (public library). You can hear the original delivery in two parts below, along with the the most poignant passages. On solipsism and compassion, and the choice to see the other: David Foster Wallace on Why You Should Use a Dictionary, How to Write a Great Opener, and the Measure of Good Writing. By Maria Popova “Readers who want to become writers should read with a dictionary at hand,” Harvard psycholinguist Steven Pinker asserted in his indispensable guide to the art-science of beautiful writing, adding that writers who are “too lazy to crack open a dictionary” are “incurious about the logic and history of the English language” and doom themselves to having “a tin ear for its nuances of meaning and emphasis.”
But the most ardent case for using a dictionary came more than a decade earlier from none other than David Foster Wallace. In late 1999, Wallace wrote a lengthy and laudatory profile of writer and dictionary-maker Bryan A. Garner. David Foster Wallace on Writing, Self-Improvement, and How We Become Who We Are. By Maria Popova “Good writing isn’t a science.
It’s an art, and the horizon is infinite. You can always get better.” Vladimir Nabokov on Writing, Reading, and the Three Qualities a Great Storyteller Must Have. By Maria Popova “Between the wolf in the tall grass and the wolf in the tall story there is a shimmering go-between.
Kurt Vonnegut's 8 Tips on How to Write a Great Story. Stephen King's Top 20 Rules for Writers. Image by the USO, via Flickr Commons In one of my favorite Stephen King interviews, for The Atlantic, he talks at length about the vital importance of a good opening line. “There are all sorts of theories,” he says, “it’s a tricky thing.” “But there’s one thing” he’s sure about: “An opening line should invite the reader to begin the story. It should say: Listen. Come in here. We’ve talked so much about the reader, but you can’t forget that the opening line is important to the writer, too. Steven Pinker: 'Many of the alleged rules of writing are actually superstitions'
The Paris Review's Lorin Stein on the Power of Ambiguity in Fiction. By Heart is a series in which authors share and discuss their all-time favorite passages in literature. See entries from Karl Ove Knausgaard, Jonathan Franzen, Amy Tan, Khaled Hosseini, and more. In the past five years, Lorin Stein has watched something happen at The Paris Review, the literary magazine he edits.
A new generation of writers under 40 has emerged, he says; their essays, poems, and short stories don’t sound alike, but they’ve been shaped by the same forces and they share a set of concerns. The goal of The Unprofessionals—an anthology of new work harvested from the Review’s pages, edited by Stein—is to put these voices in one place and let them be taken in together.
Bird by Bird: Anne Lamott’s Timeless Advice on Writing and Why Perfectionism Kills Creativity. By Maria Popova “Perfectionism is the voice of the oppressor, the enemy of the people. It will keep you cramped and insane your whole life.” Anne Lamott’s Bird by Bird: Some Instructions on Writing and Life (public library) is among my 10 favorite books on writing — a treasure trove of insight both practical and profound, timelessly revisitable and yielding deeper resonance each time. Lamott adds to the collected wisdom of great writers with equal parts candor and conviction, teaching us as much about writing as she does about creativity at large and, even beyond that, about being human and living a full life — because, after all, as Lamott notes in the beginning, writing is nothing more nor less than a sensemaking mechanism for life: One of the gifts of being a writer is that it gives you an excuse to do things, to go places and explore.
I started writing when I was seven or eight. I still encourage anyone who feels at all compelled to write to do so. The Workhorse and the Butterfly: Ann Patchett on Writing and Why Self-Forgiveness Is the Most Important Ingredient of Great Art. By Maria Popova “The ability to forgive oneself … is the key to making art, and very possibly the key to finding any semblance of happiness in life.” “All makers must leave room for the acts of the spirit,” Ursula K. Sara Toole Miller - Fiction & Non-Fiction Writer. Numéro Cinq » A warm place on a cruel web. Literary Hub: The Best of the Literary Internet. The Rumpus.net. Review 31 Home. ReadySteadyBook - for literature... Open Letters Monthly - an Arts and Literature Review. Paris Review Daily - Blog, Writers, Poets, Artists - Paris Review.
Donald Barthelme would’ve been, and should be, eighty-three today. It would be an exaggeration to say that I feel the absence of someone whom I never met—someone who died when I was three—but I do wonder, with something more than mere curiosity, what Barthelme would have made of the past twenty-odd years. These are decades I feel we’ve processed less acutely because he wasn’t there to fictionalize them: their surreal political flareups, their new technologies, their various zeitgeists and intellectual fads and dumb advertisements. Part of what I love about Barthelme’s stories is the way they traffic in cultural commentary without losing their intimacy, their humanity. But I’m losing the thread. My point is not to reveal a secret wish that Barthelme was my uncle. I wanted to say something about lists. Writersroom - Homepage. Writer and Proud. We Make Zines - a place for zinesters - writers and readers. Digital Is.
Explore the Genre Map. Publishers, booksellers, and readers describe books by their literary categories, or genres. It's how books are placed in stores and sold online. We created the Genre Map to help you find the right genre for your book. Roll over the map with your cursor to see the different genres. Some categories, such as women's fiction, stand alone.
Linguistics/Literature. Unmissable articles on writing. Writing sites. FMWriters.com. Forward Motion is an entirely free site. Backspace: The Writers Place. Terrible Minds. Whichbook. Sad books make me happy. Longform. Word-Whores.
All Freelance Writing - Freelance Writing Resource. Write hard. Write true. And write on. Script Frenzy. Ralan.com - Home Page. Make A Living Writing. Everest by Fog. The Allen Ginsberg Project. Harry Potter vs. Huckleberry Finn: Why the British Tell Better Children’s Stories Than Americans. If Harry Potter and Huckleberry Finn were each to represent British versus American children’s literature, a curious dynamic would emerge: One defeats evil with a wand, the other takes to a raft to right a social wrong.