background preloader

Latin Colonial

Facebook Twitter

Preview. DHQ: Digital Humanities Quarterly Digital Humanities & Colonial Latin American Studies Editors: Hannah Alpert-Abrams and Clayton McCarl Articles Modeling Amerindian Sea Travel in the Early Colonial Caribbean Emma Slayton, Carnegie Mellon University [sp] El Catálogo Colectivo de Marcas de Fuego.

Preview

Mercedes I. Treasures on the Terrace: Highlights from the HSM&L. The Hispanic Society Museum & Library is pleased to present this outdoor installation of photographic reproductions of works found its unparalleled collections.

Treasures on the Terrace: Highlights from the HSM&L

This remarkable institution reflects the vision of its founder Archer Milton Huntington who had the unique insight to create a museum that focused on all aspects of the cultures of Spain and Latin America. Archer Huntington’s fascination with the subject started at the age of twelve; by fourteen he had begun to study the Spanish language; and by nineteen he had revealed his aspiration to found a “Spanish Museum.” He traveled extensively developing friendships with intellectuals and collectors as he became an exemplary scholar of the subject.

As a result, it is not surprising that his institution boasts an outstanding collection. Tandfonline. Race, religion and the Black Madonna. The history of the Black Madonna does not end in medieval Europe.

Race, religion and the Black Madonna

Later, her image is again transformed, and takes on other interesting roles in the colonised Americas. But what can she still tell us today? What significance can she have beyond religion and faith? I believe icons like the Black Madonna can do a lot for us. They can help us change the way history is told. Museums are struggling to train their mostly white docents to talk about race. Palace Shaw was standing in one of the galleries in Boston’s Institute of Contemporary Art when she heard something that rattled her.

Museums are struggling to train their mostly white docents to talk about race.

It was the summer of 2017, and the show on display was Nari Ward: Sun Splashed, a large retrospective of the Jamaican American artist’s work. Shaw, who had recently graduated from college, was working as a “visitor assistant”—which meant, she says, being a “mediator between the art and the visitor, but also kind of a policing role where I was enforcing museum policy.” She spent long days on her feet watching visitors stream in and out of galleries. Evaluating Art Through Different Lenses. No. 404: Art and Empire, William Forsythe – The Modern Art Notes Podcast. Episode No. 404 of The Modern Art Notes Podcast features curator Michael A.

No. 404: Art and Empire, William Forsythe – The Modern Art Notes Podcast

Brown and choreographer William Forsythe. No. 445: Humboldt and the United States – The Modern Art Notes Podcast. Episode No. 445 of The Modern Art Notes Podcast features curator Eleanor Jones Harvey.

No. 445: Humboldt and the United States – The Modern Art Notes Podcast

Harvey is the curator of “Alexander von Humboldt and the United States: Art, Nature, and Culture” at the Smithsonian American Art Museum in Washington. The exhibition examines the impacts of Humboldt’s six-week visit to the United States in 1804, and how his influence extended into American art, science, literature, diplomacy, and more. SAAM is temporarily closed due to the COVID-19 pandemic; the exhibition’s re-opening and closing dates are to be determined. The excellent exhibition catalogue was published by Princeton University Press. ¡Viva Cal State LA! We celebrate Hispanic Heritage Month with Arielle's mini-tour of historical printing books from our Mesoamerican and Colonial Mexico collection.

Dr Laura Fernandez-Gonzalez sur Twitter : "Nice to receive the printed version of my article in the Bulletin of Spanish Visual Studies. In 'Imagining the Past?' I discuss digital visualisations of architecture, including ephemeral structures, vis-à-vis dr. Painting the Aztec Past in Early Colonial Mexico: Translation and Knowledge Production in the Codex Mendoza. Analyzing Images - Question 1. Inventing Painting: Cristóbal de Villalpando, Juan Correa, and New Spain's Transatlantic Canon. 2011 Conference on Sor Juana Inés de la Cruz: Her Work, Colonial Mexico, and Spain's Golden Age. 23. Fashion & the Body in Casta Paintings With Babelito — Unravel: A Fashion Podcast. Figure 1.

23. Fashion & the Body in Casta Paintings With Babelito — Unravel: A Fashion Podcast

Miguel Cabrera (Mexican, 1695-1768), De español e indio, Mestizo, 1763. Oil on Canvas Figure 2. Francisco Clapera (Spanish born, 1746-1810), De Espanol, e India, nace Mestiza, c. 1775. Denver Art Museum. Figure 3. Figure 4. You can find Babelito & Latinos Who Lunch here at and on Instagram @babelito & Twitter @latinoswholunch Resources Casta Wikipedia Katzew, Ilona. Donate to our GoFundMe Costume Society of America Dana will be at the Makers & Mentors event at NMAI where teens and young adults can learn about podcasting and textile conservation. The Routledge Companion to Remix Studies - Google Books. (PDF) Katzew, Ilona. “‘Remedo de la ya muerta América’: The Construction of Festive Rites in Colonial Mexico.” In Contested Visions in the Spanish Colonial World, edited by Ilona Katzew. Exh. cat. Los Angeles: Los Angeles County Museum of Art; New Haven:

No. 342: Holiday clips: Painted in Mexico, 1700-90 – The Modern Art Notes Podcast. Episode No. 342 of The Modern Art Notes Podcast is a holiday weekend presentation of previously recorded interview with curator and historian Ilona Katzew.

No. 342: Holiday clips: Painted in Mexico, 1700-90 – The Modern Art Notes Podcast

Along with Jaime Cuadriello, Paula Mues Orts, and previous MAN Podcast guest Luis Elena Alcala, Los Angeles County Museum of Art curator Ilona Katzew is a co-curator of “Painted in Mexico, 1700-1790: Pinxit Mexici.” The exhibition is a broad survey of many kinds of 18th-century Mexican painting, including religious narratives, altarpieces, portraits, casta painting and more. It is on view at the Metropolitan Museum of Art through July 22. The remarkable exhibition catalogue was published by DelMonico Prestel. Amazon offers it for $60. Katzew is one of the world’s foremost experts on New Spanish painting. For images of art discussed in this conversation, see Episode No. 322. Charlotte Ekland Ph.D. Presents the Architecture of Colonial Mexico. These 18th-Century Paintings of Interracial Mexican Families Are Based on a Lie - Artsy. The paintings were largely invented “to impose order on what was perceived to be mostly a hybrid and therefore unruly society,” Katzew has explained.

These 18th-Century Paintings of Interracial Mexican Families Are Based on a Lie - Artsy

These 18th-Century Paintings of Interracial Mexican Families Are Based on a Lie - Artsy. Heaven, Hell, and Everything in Between: Murals of the Colonial Andes. Gabrielino-Tongva Tribe. The “18 lost treaties” recognized the Tongva but were never adopted.

Gabrielino-Tongva Tribe

The Pleasures of Taxonomy: Casta Paintings, Classification, and Colonialism. The Pleasures of Taxonomy: Casta Paintings, Classification, and Colonialism Abstract: A new model for thinking about the socioracial categories depicted in casta paintings (remarkable eighteenth-century Spanish American images representing the outcome of “racial mixing”) takes seriously both their fluidity and their genealogical character. Approaching classification, and casta paintings, from this direction clarifies the underlying epistemologies that structured colonial society and helps connect the paintings more explicitly to the debates about human difference that captivated Enlightenment thinkers.

Ultimately, however, these paintings were produced and collected in the hundreds not simply because they visualized Atlantic debates about classification and human difference but because these visualizations were interesting and pleasant to contemplate. ‘Painted in Mexico’: When a New Art Flourished Far From Mother Spain. Selected Artworks.

Feathers

Cocihineal. California Missions. Asian influence in Mexico. Rediscovered Mexican Old Master picture gets fresh look for Met show. Age of Revolution: Positivism in Latin America. Based on the writings of French philosopher and social reformer Auguste Comte. Pinxit Mexici at LACMA. Unknown artist, Portrait of a Conceptionist Nun (Retrato de monja concepcionista), second half of the 18th centuryOil on canvas, 41 1/8 × 29 in.

Museo Nacional del Virreinato, INAH, Secretaría de Cultura, Tepotzotlán, Mexico, photo © Museo Nacional del Virreinato, INAH, Secretaría de Cultura, Tepotzotlán, Mexico, by Rafael Doniz As we approach the Christmas season, nativity scenes abound on holiday cards and advertisements. Whether true believer or determined skeptic of the Christian narrative, an excursion to LACMA is nothing if not timely. Painted in Mexico, 1700-1790: Pinxit Mexici presents a great number of 18th-century canvases that exemplify the ways Christianity was promulgated by Catholic rulers in the New Spain colonies.

The exhibition is an unprecedented assessment of painting by artists influenced by European training and history yet often venturing into alternative visual territory. First major exhibition to reposition the history of 18th-century Mexican painting opens. LOS ANGELES, CA. Audio: Rediscover Mexican colonial art at a huge LACMA exhibition. Around 50 years ago in New York, I saw the most beautiful and the most literally racist exhibition I had ever seen. It was 18th Century casta art, from what was then called New Spain. A bilingual painting and how the Huntington's ‘Visual Voyages’ changes the story of art and science.

The 19th century engraving is striking for its blue skies, its placid clusters of llamas and the elegant profile of the Ecuadorean volcano Chimborazo looming over a broad Andean plane. HISTORY 608: SEMINAR IN PREMODERN EUROPE. Week 1 (01/13): Introduction. New Acquisition: Three Casta Paintings by Juan Patricio Morlete Ruiz. This weekend LACMA added eight new works to its collection through its annual Collectors Committee events. All week on Unframed our curators will be highlighting the objects just acquired. The Atlantic slave trade: What too few textbooks told you - Anthony Hazard. Magna Subasta de Antigüedades by Morton Subastas. Magna Subasta de Antigüedades by Morton Subastas. Artdaily.org - The First Art Newspaper on the Net.

Sor Juana

We’ve created the Huntington Channel to share lectures and conferences with the world as a testament to the vitality of the intellectual work done here. We’ve been capturing audio and posting it on iTunes U for some time; that’s now all available here. And, with video, we’re providing our online audience with an even richer experience, almost as if you were seated in the auditorium itself.

We’ll live stream some of our lectures so you can view them in real time if you’re unable to make it to The Huntington for a talk, or if it’s sold out. Relinquished to feds by local gallery, fate of stolen sculpture uncertain. Watch Full Episodes Online of Latino Americans on PBS. Welcome! — Colonial Art. Monas coronados. Unit I Andean. Vistas: Visual Culture in Spanish America, 1520-1820.

Vistas: Visual Culture in Spanish America. Colonial Latin American Art History REV. Caste and Politics in the Struggle for Mexican Independence: Digital Collections for the Classroom. Alegoria de la retorica. The Casa del Deán: New World Imagery in a Sixteenth-Century Mexican Mural Cycle. The 18th-Century Devotional Painting that Documents a Brutal Mastectomy.