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Fourteen Things To Avoid When Putting Out YOUR OWN CD Releasing your own CD can be a fulfilling and rewarding experience, but along the way most people usually make mistakes...costly mistakes...that have the potential to ruin what could have been a perfectly worthwhile project.
tip sheets and song plugging
publishing how to videos
how to get a press release
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What is the ISRC?
An interview with Eric Beall, author of Making Music Make Money , An Insider’s Guide to Becoming Your Own Music Publisher , author of the Berkleemusic online course Music Publishing 101 , and former VP of Creative for Sony/ATV Music.
The Changing Face of Music Publishing Direct Delivery to The Consumer and the DO It Yourself (c)2000 -Lynne Robin Green
Casualties of the Music Business Royalty Recovery Work (Finding Out Where The Bodies Are Buried) (c)2000 Lynne Robin Green (worldwide rights reserved)
PUBLISHER'S HALL OF SHAME RULES YOU DONT BREAK (that may help you get a break!)
Although it has been said over and over that nobody can predict a HIT or put the formula into stone as to what makes a song a HIT SONG, we can still judge it by our own learned intuition and our mental check list of all of the elements that we look for --(that are necessary for a good song "to become a great song aka' a potential commercial radio hit").
Please be aware that there are no warranties, express or implied as to these contracts purchased. These free and premuim music contracts, copyright forms and free and premuim business forms and contracts, are to be use as examples of the various contracts and form and language thereof, ----Not as legal advice. Laws and Regulations may vary from State to State and Country to Country.
PRACTICE SAFE SONGWRITING !
In the past seventeen years that I have been in the Music Publishing and Licensing field I have continually found there that is an intense need to try to help educate Artist's and Songwriter's on music publishing basics in order to help teach them firsthand -how this business works --SO that THEY are better prepared to understand the who,what, when where and why of contracts,licenses and royalties and the inner mechanisms of what drives the income wheels in music.