0to255. Design.tutsplus. In this tutorial I'm going to show you the inspiring process of drawing a Vampiress and her Voodoo-pet in a vintage portrait illustration with grungy elements in Adobe Illustrator. We will move step-by-step from sketch to the final vector colored image using custom brushes, gradients and the Pen Tool. Ready? Let's get started! Create a New Document of A4 size, Color Mode: RGB. File > Place your sketch in the middle of the artboard. It's time to make the outline for our sketch. Choose Tints in Colorization Method and leave other options as default. I'll be using the Paintbrush Tool (B) to draw the outlines, however if you've not got a steady hand, you could use the Pen Tool (P). Play with the Stroke Weight – make the strokes, which show the outer lines of the image more thick and small inner strokes more thin. Tip: If you want to resize your image together with your outline, don't forget to check the Scale Strokes & Effects box, which you can find in Edit > Preferences > General.
Adobe Illustrator & Photoshop tutorial: Create a realistic 3D character without 3D software. It's Guy Fawkes Night! Create a Bonfire With Blends in Adobe Illustrator. Remember, remember the fifth of November - gunpowder, treason and plot! It's Guy Fawkes Night in the UK, which is also known as Bonfire Night. It's the anniversary of the day Guy Fawkes was caught trying to blow up the House of Lords using gunpowder. It's observed by lighting bonfires, traditionally with a stuffed "Guy" on top, as well as several firework displays (to signify the gunpowder element of the plot).
In this tutorial, you will learn a new technique for creating fire in Adobe Illustrator, with the Blend Tool, which is much easier than with the Mesh Tool. Let's begin! Launch Illustrator then go to File > New to open a blank document. First, draw a rectangle and an ellipse on the right side having the dimensions shown. With the rectangle selected, go to Effect > Distort & Transform > Roughen and apply the settings shown on the left side of the image. In order to expand the Roughen effect applied, select Expand Appearance from the Object menu then Ungroup (Shift-Control-G).
Design.tutsplus. As the fall approaches in many parts of the world, designers and illustrators might already be thinking about the upcoming Halloween holiday, especially those that are based in the U.S. In this tutorial, we will show you how to illustrate a cute and scary children's illustration using techniques that you could easily incorporate into your own Halloween artwork. Let's get started! Before we begin, I would like to discuss some things about the process that I will use. For this illustration I will only use a basic Round Brush, using the settings below. 1-In Brush Tip Shape you can choose between the brushes you have loaded, change the size, hardness or spacing (this last one will leave it to 0). 2-In Shape Dynamics, select Control: Pen Pressure to activate the pen pressure. 3-In transfer, select Control: Pen Pressure to control the flow of paint from the pen pressure. 4-You can combine all of these features along with brush Opacity to get the stroke you want.
Paint the face. Adobe Illustrator tutorial: Create a Death Goddess inspired by Mexico’s Day of the Dead. Create a Painted Portrait Effect in Illustrator Using the Bristle Brush. In the past, when I wanted to create a paint-like effect, I always opened Photoshop and relied on the trusty old bitmap graphic. That is, until I discovered the Bristle Brush in Illustrator. The Bristle Brush (which is actually a set of brushes) allows you to paint with layers of vector strokes that apply different shades and transparencies to the stroke. The result is a beautiful and realistic looking paint stroke that is 100% vector. In this tutorial, I’m going to show you how to use the Bristle Brush to create a painting similar to the one I created below.
Step 1 – Tracing the Original Image First up, find a good portrait photo. I copied and pasted the image onto a new art board in Illustrator. Then I clicked (Object | Live Trace | Tracing Options). Once you’ve got your trace, click (Object | Expand) to convert the trace to an editable object, and reduce the color to 20% black. Very Important: You need to repeat the above steps 3 times.
Step 2 – Painting the Traces Related Posts. How to Create an Incredible Typographic Illustration - Part 1. List of colors - Wikipedia, the free encyclopedia. The following is a list of colors. A number of the color swatches below are taken from domain-specific naming schemes such as X11 or HTML4.
RGB values are given for each swatch because such standards are defined in terms of the sRGB color space. It is not possible to accurately convert many of these swatches to CMYK values because of the differing gamuts of the two spaces, but the color management systems built into operating systems and image editing software attempt such conversions as accurately as possible. The HSV (hue, saturation, value) color space values, also known as HSB (hue, saturation, brightness), and the hex triplets (for HTML web colors) are also given in the following table. Colors that appear on the web-safe color palette—which includes the sixteen named colors—are noted. (Those four named colors corresponding to the neutral grays have no hue value, which is effectively ignored—i.e., left blank.)
Colors in alphabetical order A-F Colors by shade White Twenty-Six Types of Animals by Jeremy Pettis. Creative Curio » The Color Wheel and Color Theory. Color is such a vast and variable element that it can be difficult to cover it fully in any one post. It can also be a little overwhelming when trying to implement it into your designs. Below are some sample color palettes, taken from classic color theory based combinations. The color wheel is one of the first places I turn for color inspiration and guidance when choosing a color scheme. Color charts and pre-made palettes are nice, but the color wheel is simple and easy to understand and use. Complementary Combinations Complementary colors are easy to pick out; they are hues that are directly across from each other on the color wheel.
Red and Green Red and green is one of the more difficult combinations to work with because it tends to remind everyone of Christmas. Yellow and Purple For a richer twist, try making the yellow more of a gold. Blue and Orange Blue and orange are a very bold combination. Triad Combinations Split Complementary Double Complementary Things to Remember or Expert Advice. Launchlist - Your one stop website checklist! Design.tutsplus. Learn how to create a simple three-dimensional icon of a paint bucket, complete with paint splotches, with this colorful tutorial. Harnessing the power of paths, layer effects and consistent lighting we'll obtain an effective, shiny icon. Take a look at the image we'll be creating. Program: Adobe Photoshop CS4Difficulty: IntermediateEstimated Completion Time: 30 minutes Open a new blank document and choose 512px for both width and height.
Create a new copy of the smaller ellipse and make it yellow, which will make the paint's surface (2a). Let's shade the bucket. Double-click the "outer rim" layer to open the Layer Style window and apply Inner Glow (4a). Select the "inside" layer. We need to add a highlight to the top part of the rim since that spot is directly exposed to the light. Now in the Paths palette right-click the active path and choose Stroke Path. Select the "paint" layer and add an Inner Shadow style (7a).
We need to move the paint's shadow above the "paint reflection. " Design.tutsplus. This tutorial takes a brief look at the quintessential aspects of 1950's automotive advertising, the aesthetics of the cars and the portrayal of their owners. Then taking what we've learned to create an image that embodies the spirit of the bold 50's auto ads. You can find the source files in the directory labeled 'source' that came in the files that you downloaded. You may wish to look through them briefly before we begin. The 1950's have always greatly inspired my work, from its children's book illustrations, to cartoons, and advertising, all have a very pleasing aesthetic. Its something about the use of line and shape that, for me, create such beautiful works. The 50's were a time of 'boom' in the states, a time of innovation and aspirations.
The design of 50's cars has always sparked my imagination, you can see the designs clearly inspired by aircraft and even spacecraft. Its easy to see the wealth of what can be learned from these adverts, and the cars they depict. How to Create the Discreet Charm in Illustrator - Illustrator Tutorial. Adobe Illustrator TutorialFinal Image Preview You can download the source vector file for this tutorial Our guest is the professional illustrator Catherine Dedova. Today she will share with you the steps of creation of the vector illustration. The Preparatory Phase I’ve always wanted to draw the Diva… or maybe even a film star? That’s why it was clear from the very beginning that we should draw in black-and-white. Here are some preliminary sketches, which didn’t work out. I always do color sketches in the Photoshop. Coloring in Adobe Illustrator I always try to find something new in my artworks, or at least somehow change the way of drawing.
All the forms are been created with the Pencil Tool (N) and are been filled with gradients. The hair is created from the main bulk, and then they are divided into locks. The Paintbrush Tool (B) suits perfectly for that. The coat looked like this from the very beginning. Everything else in the technical matter! And here we go! Explore new-folk illustration styles - Tutorials - Digital Arts. From Sketch to Vector Illustration | Go Media - Your Design Destination. Hey everyone! Welcome back to the GoMediaZine. There has been such a wonderful response on my vector art tutorial “Beautiful Vector Illustration” that I thought I better write another one.
If you recall in that tutorial I discussed how to create vector illustrations using photographs as your starting point. A technique of vector illustrating that takes a little bit more skill that I did not cover is starting with a hand drawn sketches. I will focus on that technique of vector illustrating for this tutorial. For those of you without good sketching ability – please don’t jump ship just yet! I am going to meander a bit between different sketches, but here is one example of a vector illustration that was based off of a sketch. This is a design our firm was hired to do for the rock band Mr. The tools you’ll need for this tutorial are: 1. This tutorial will cover: 1. Step 1. First, I believe that learning how to draw is like learning any other skill. 1. 2. 3. 4.
Step 2. 1. 2. Step 3. 1. 2. 3. Comment faire un motif répétitif dans le par SweetBonnieChristine. Design.tutsplus. In this tutorial we're going to illustrate a not so scary vampire in a geometric style. We'll be using basic shape tools and the Pathfinder panel as well as a great method of creating a unique color palette. Let's get started... mwahahaha! First, create a New document (Cmd + N). In this case the size is 600 x 800 px. In the "Sketch" layer use the Blob Brush Tool (Shift + B) and draw the base of the illustration. When you finish your sketch Select All (Cmnd+A) of the drawing and give them an Opacity of 40%. Now in the layer "Background" we are going to illustrate the moon.
To draw it, use a black line with a 1pt Stroke Weight and no fill. The castle is made from rectangles drawn with the Rectangle Tool (M) and triangles drawn with the Polygon Tool. To draw a triangle quickly, select the Polygon Tool and click once on the artboard and select 3 sides. Align the rectangles and the triangles to the Horizontal Align Center in the Align panel.
To draw the bats, you can start with some triangles. Design.tutsplus. This tutorial looks at the way in which self promotional images can be used flexibly and powerfully to talk to your clients and with any luck get you some work. Step by step I’ll guide you through an iterative promotional design, and show you some top tricks with texture along the way. You can find the Source files in the directory labeled 'source' that came in the files that you downloaded. You may wish to look through them briefly before we begin. Self-promotion is a hot topic for artists/designers and we all want to feel proactive in the mission to gain mindshare. Its important to get this right as it's 'win' or 'bin' in most cases and no grey area in-between. One of the main considerations when I address business card design, is information placement, should anything go on the front? There is definitely something to be said for physicality in design, and for me texture plays a key role in this.
Decide what best represents you, or what you want to show in your promotional image. Design.tutsplus. Pucker up, let's create a sweet pair of super glossy vector lips. Start with a sketch, scan it in, Live Trace it, then proceed to color your illustration with layer upon glossy layer until your vector lips are complete. The workflow uses the Eraser Tool to reveal the shadows below, which is a useful approach to review.
Let's get to it! Below is the final design we will be working towards. First, draw the lips on paper. It's always good to start with a solid sketch. Next, scan them in, convert the scan to a black and white image in Photoshop, and then drag the image into your Illustrator workspace. Click on the Live Trace button and use the Default settings, or ones you prefer, so you can work with the lines and colors as vectors. Expand the image. Select all the white fill with the Magic Wand Tool and delete it, so your left with only the black line. Draw a red square with your Rectangle Tool. Send the square back with CTRL + Left Bracket Key.
Apply the same technique with a brighter color. Design.tutsplus. Take your skills to the next level with this tutorial on creating a shiny voluminous object. We'll cover how to use a variety of tools like Gradient Mesh and 3D effects to create a more realistic illustration. Let's great started! Below is the final image we will be working towards. Want access to the full Vector Source files and downloadable copies of every tutorial, including this one? Join Vector Plus for just 9$ a month. Program: Adobe IllustratorVersion: CS3Difficulty: IntermediateEstimated Completion Time: 1.5 hours Using the Rectangle Tool (M) to draw a rectangle like the one below. Draw another rectangle that's much shorter. Use the Direct Selection Tool (A) to move the top two points inward slightly. Using the Ellipse Tool (L), draw an oval the width of the can. Use the Rectangle Tool to draw another short rectangle that will be the lip of the top of the can. Easily give the shape a curve by going to Object > Envelope Distort > Make with Warp.
This is the shape you'll be left with. Design.tutsplus. In a today's tutorial we are going to draw a creepy zombie! It is a good character for beginners in Adobe Illustrator. The reason being is that zombies have lumps, bumps and body parts out of proportion, so you don't need to worry about it. One more reason to draw a zombie is it's Halloween. Let's get to it and stick with us as there is a cheeky surprise at the end! Let's start by drawing the head with the Ellipse Tool (L). With the Add Anchor Point Tool (+), add four points in between the points of the ellipse. Use the Direct Selection Tool (A) to move the points. Make two copies of the head. Now to add the facial features.
Draw another Ellipse (L). Use the Paintbrush Tool (B) to draw an eyebrow. Draw an Ellipse (L). Move the nostril into place. The face is not ready yet. Draw a white ellipse for an eye over the first one. Select both ellipses and create a copy for second eye. Take the Line Segment Tool and hold down the Shift key to draw a line. Then select the teeth and these forms. GTA V Logo in Illustrator and Photoshop. How to Create a Vintage Ocean Liner Poster. Pin by Denise Dee on Graphic Design. How to Create a Gothic Window Using ColliderScribe and Adobe Illustrator. Design.tutsplus. Adobe Illustrator Tutorial: Create a Semi-Realistic Oil Barrel. How to use brushes in Adobe illustrator to create an angry octopus. Adobe Illustrator tutorial: Master composition in vector art. How to create a bloody Halloween ornament using Adobe Illustrator. How to create psychedelic Halloween pumpkin face using Adobe Illustrator.
How to use Blending Tool in Adobe Illustrator to create psychedelic designs. Using complementary colors to create vibrant images. How to draw mushrooms in Adobe Illustrator. Create a Painterly Landscape with the Blob Brush Tool. How to create a trippy psychedelic poster.