background preloader

Net artists #2

Facebook Twitter

Le Centre Culturel Suisse sous le charme des (fem)bots. Depuis le 23 septembre et jusqu’au 4 décembre 2016, la grande salle d’exposition du Centre Culturel Suisse (Paris, IIIème) se trouve métamorphosée en un vaste espace 2.0 accueillant en son sein pas moins de 61 fembots, contraction de females et de bots (femmes robots), en référence à l’affaire Ashley Madison ayant secoué la toile en 2015 dernier.

Le Centre Culturel Suisse sous le charme des (fem)bots

Une série de portraits de femmes virtuelles au nom séducteur, Ashley Madison Angel from Paris, pour une immersion des plus totales dans l’univers des bots et des algorithmes, à travers une scénographie, un système sonore et visuel des plus percutants. ! Mediengruppe Bitnik © Centre Culturel Suisse Jusqu’ici tout va bien est l’exposition proposée par le duo d’artistes ! Mediengruppe Bitnik, composé de Carmen Weisskop et Domagoj Smolio, basé à Zurich et Berlin. Cameron's World.

Kyttenjanae. Googlematism - Ole Fach, 2014. The algorithm decomposes the original Kazimir Malevich painting into its swatches.Each single swatch gets uploaded to Google’s Search By Image to look out for similar objects.

Googlematism - Ole Fach, 2014

These images are positioned at the same place and with the same size as the original swatches to create a reinterpretation of the original Malevich painting. 75,5 cm x 46,5 cm, Diasec. Artist Turns the Google Art Project’s Blurry Canvases Into Hazy Abstract Paintings. “The internet provides a huge amount of material which otherwise would be unattainable to most people,” the artist told Wired.

Artist Turns the Google Art Project’s Blurry Canvases Into Hazy Abstract Paintings

“It has led to a lot of creativity — whether it is with memes or highly skilled photoshop jobs — everyone is now able to create and edit images.” Thompson has also dealt with copyright law in other projects dealing, like the “Getty Oil Paintings” project, from last year, in which he appropriated and republished images of paintings like Matisse‘s “The Dance,” from the Getty Images photo bank that have the “Getty Images” logo superimposed over them as a watermark to ward off unwanted usage. Google Art Project: Phil Thompson Talks Copyright Issues And Outsourcing Chinese Talent (PHOTOS) British artist Phil Thompson has imagined a playful way to address issues of appropriation and ownership in the art world.

Google Art Project: Phil Thompson Talks Copyright Issues And Outsourcing Chinese Talent (PHOTOS)

The mind behind projects like "Getty Oil Paintings" and "Hallstatt, China" has taken to recreating the artworks he finds on Google Art Project -- an archive of over 45,000 works of art online. Using the program, which functions much like the tech behemoth's other app, Google Street View, art admirers can traverse the halls of art museums from the confines of their own home, shifting the perspective at will. Except there's one hitch, or glitch, which Thompson's project "Copyrights" so cleverly points out. Because of legal restrictions, a number of the paintings have been censored; blurred like the faces of unsuspecting individuals caught off-guard by a roving Google car.

AmbientTV.NET. Klangfiguren – Material Tweet. Netart or notart? Totally Fucking Radical. Molly Dilworth - projects. August 2010, Google Earth view of 16 Manhattan Avenue, Brooklyn NY Paintings for Satellites I have an inclination to work with materials that have had an obvious life before I use them; it's a challenge and a pleasure to make something from nothing.

Molly Dilworth - projects

In the last year my practice has grown out of the studio in the form of large-scale rooftop paintings for Google Earth. This project uses materials from the waste stream (discarded house paint) to mark a physical presence in digital space. My work is generally concerned with human perception of current conditions; the Paintings for Satellites are specifically concerned with the effects of the digital on our physical bodies. All my work begins a series of rules derived from existing conditions. Mapmaker, Artist, or Programmer? Some people look at the abundance of urban data out there and see an academic research paper.

Mapmaker, Artist, or Programmer?

Janet Sobel by Chandler McWilliams, Jackson Pollock by Miltos Manetas, original design by Stamen, press any key to s. David Morgan-Mar - DM's Esoteric Programming Languages - Piet. Introduction Piet is a programming language in which programs look like abstract paintings.

David Morgan-Mar - DM's Esoteric Programming Languages - Piet

The language is named after Piet Mondrian, who pioneered the field of geometric abstract art. Thomas Schoch - Obfuscated Programming – Piet. These two GIF images are programs "painted" in the programming language Piet.

Thomas Schoch - Obfuscated Programming – Piet

If you run them with the Piet interpreter, they will both print "secunet". (The "codel size" is 8 for the left one and 16 for the right one. These values are needed to properly run the Piet interpreter.) Jerome Saint-Clair (01010101) Arend deGruyter-Helfer. Echappées culturelles. #Psychovinyle #Trackshare #Replay.

Echappées culturelles

(Dina Kelberman) Net Art by Scott Blake. Barcode Marilyn Monroe. Jennifer Dewalt. Raquel meyers. Top Expiring Internet Artists - Guido Segni, 2013.

Jer thorp

11 Net Artists You Should Know. GIF-iti Is Street Art That You Can See Only Online. An artist's quest to make art tailored to the Internet, in the physical spaces of modern Los Angeles, London, and Newcastle That up there might look like some very cool but not particularly unusual street art.

GIF-iti Is Street Art That You Can See Only Online

And that's pretty much what it is, if you were to see it on the London street where it lives. But that physical instantiation is only a remnant of an art project, not its final stage -- an art project meant not for a city's streets, but for the Internet's showrooms. Here is it in its completed form, a GIF: GIF-iti, as the artist INSA has called it, is a response to the way the Internet simultaneously makes art much easier to access, but constrains our ability to take in.