Absara (Marian Bantjes, tipógrafa y calígrafa canadiense)1) Do you use frequently? (Why?) I use Absara (by Xavier Dupré) a lot, though mostly for my own materials. (I don't typeset things much any more.) I fell in love with Absara in 2004 when I did a piece for FontShop (Font 004) and used Absara in it. It is so beautiful, especially the italic (and I was amazed how well the italic set on a curve!). Voltage Voltage, created by award-winning typeface and lettering designer Laura Worthington, is an unexpected and energetic standout in the world of script fonts, breaking free from formal classifications while retaining the degree of personality we treasure in hand lettering. Her primary goal was unique: readability with personality. Gone are the large loops, the frilliness, and the choice of beauty and elegance over utility. More…
Color of the Year 2016 - Rose Quartz and Serenity A softer take on color for 2016: For the first time, the blending of two shades – Rose Quartz and Serenity are chosen as the PANTONE Color of the Year As consumers seek mindfulness and well-being as an antidote to modern day stresses, welcoming colors that psychologically fulfill our yearning for reassurance and security are becoming more prominent. Joined together, Rose Quartz and Serenity demonstrate an inherent balance between a warmer embracing rose tone and the cooler tranquil blue, reflecting connection and wellness as well as a soothing sense of order and peace. The prevalent combination of Rose Quartz and Serenity also challenges traditional perceptions of color association.
Typographic Marks Unknown There are many typographic marks which are familiar to most, but understood by few. Most of these glyphs have interesting histories and evolutions as they survived the beatings given to them through rushed handwriting of scribes and misuses through history. They now mostly live on our keyboards and in our software, and a few are used often, so it seems only fitting to know where they come from and how to correctly use them. The Pilcrow History of the Pilcrow 21 Most Used Fonts By Professional Designers The fonts are one of the most important parts of every web Project. All though there have been many other selective collection font posts around which most of the time leads to big confusions Like which typefaces is really useful for your project or how to choose your font from the list of hundred fonts. We spent last whole week reviewing dozens of font reservoirs and typography articles about fonts usability and popularity.
La 40 mejores fuentes de graffiti gratis In recent decades, graffiti has moved from an urban nuisance to a professional business thanks to the rise of street art as a serious creative force. And with the artform ever growing in popularity, there are now a wealth of graffiti font styles available online for creatives to use as the typography in their urban artwork. Here, we've scoured the web to find you the best examples of free fonts in a graffiti style for designers. Enjoy! 01.Urban Jungle This big, bold typeface 'Urban Jungle' was created by designer Kevin Christopher of KC Fonts. Bowfin Printworks - Finding Just Your Type - Serif Font Identification Guide - Search Page - Identification Tool Your selections will be saved after each search. Click here to change. Remember: Skip attributes that are unclear choices Shape of serif Shape of tail
La 35 mejores fuentes del tatuaje gratis We've scoured the web to find you the top examples of free tattoo fonts for designers. In recent years, tattoo-style typography has become a big influence on all areas of design - from graphic design and illustration to web and app design and beyond. As a result, there are now hundreds of tattoo typefaces available online for use in your projects, and many don't cost a penny! But how do you find free fonts in a tattoo style that rock - the diamonds among the rough? We've done it for you - just scan the list below...
The Font Identifier: 12 Top Picks That Will Speed Up Your Workflow Designers have a need for relevant fonts in all creative mediums. Both print and digital design follow a similar track when choosing and composing typography. But there’s always the nuance of actually choosing which font to use. While on the search for a terrific typeface it’s all-too-common to bump into a great font that’s also hard to identify.