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L'enfance au Moyen Âge

http://classes.bnf.fr/ema/index.htm

Related:  lasagessecdiVisites virtuellesMoyen AgeRessources Histoire GéographieThème 2 - Société, Église et pouvoir politique dans l’occident féodal (XIe -XVe siècles)

National Museum of Women in the Arts, Washington, D.C., États-Unis Founded in 1981 and opened in 1987, the National Museum of Women in the Arts (NMWA) is the only museum solely dedicated to celebrating the achievements of women in the visual, performing and literary arts. The museum’s collection features 5,000 works from the 16th century to the present created by more than 1,000 artists, including Mary Cassatt, Frida Kahlo, Alma Thomas, Lee Krasner, Louise Bourgeois, Chakaia Booker, and Nan Goldin, along with special collections of 18th-century silver tableware, botanical prints, and artists’ books. NWMA brings recognition to the achievements of women artists of all periods and nationalities by exhibiting, preserving, acquiring, and researching art by women and by teaching the public about their accomplishments.

Institut Européen en Sciences des Religions Sous la direction de Dominique AVON, Isabelle SAINT-MARTIN et John TOLAN Le but : comparer les manuels d’histoire de fin de cycle secondaire mais aussi prendre en considération les pratiques scolaires, ainsi que les différentes catégories d’acteurs impliqués dans l’élaboration des contenus. L’objet : examiner le religieux, le(s) fait(s) religieux, les... Théorie de l’évolution et religions MoMA The Museum of Modern Art, New York, United States Founded in 1929, The Museum of Modern Art (MoMA) in midtown Manhattan was the first museum devoted to the modern era. Today MoMA’s rich and varied collection offers a panoramic overview of modern and contemporary art, from the innovative European painting and sculpture of the 1880s to today's film, design, and performance art. From an initial gift of eight prints and one drawing, the collection has grown to include over 150,000 paintings, sculptures, drawings, prints, photographs, architectural models and drawings, and design objects; approximately 22,000 films and four million film stills; and, in its Library and Archives, over 300,000 books, artist books, and periodicals, and extensive individual files on more than 70,000 artists. Collection highlights include Claude Monet’s Water Lilies, Vincent van Gogh’s The Starry Night, and Pablo Picasso’s Les Demoiselles d'Avignon, along with more recent works by Andy Warhol, Elizabeth Murray, Cindy Sherman, and many others.

Chrétientés et Islam par Alain Rauwel Compte-rendu de Mme F. Delaspre, IA-IPR. Les références citées dans le compte-rendu sont présentées dans le dossier Pearltrees associé à cet article (bas de page). Alain Rauwel trouve le nouveau programme bien formulé car privilégiant le comparatisme et l’entrée par les pouvoirs, et évitant la description des pratiques religieuses (le catéchisme, disait ses élèves jadis). L’entrée par les empires lui semble également pertinente. National Museum of Modern and Contemporary Art, Séoul, Corée du Sud Since opening its door in 1969, the National Museum of Modern and Contemporary Art (MMCA), Korea has lived through the history of Korean art. In the process, MMCA established itself as a representative institution of Korean modern art. The museum’s four branches, including Gwacheon (opened in 1986), Deoksugung (opened in 1998), Seoul (opened in 2013), and Cheongju (expected to open in 2017), each in its own way, will continue to carry out MMCA’s commitment to the art and culture of Korea by enriching the first-hand cultural experience of the viewing public.

A faithful reconstruction of Constantinople, capital of the Eastern Roman Empire (1200 AD) Source: byzantium1200.com Constantinople was the capital city of the Byzantine (330–1204 and 1261–1453), and also of the brief Latin (1204–1261), and the later Ottoman (1453–1923) empires. It was reinaugurated in 324 AD from ancient Byzantium as the new capital of the Roman Empire by Emperor Constantine the Great, after whom it was named, and dedicated on 11 May 330 AD. From the mid-5th century to the early 13th century, Constantinople was the largest and wealthiest city in Europe. By the the time the Ottomans took Constantinople the Empire consisted of the immediate environs around the city, a few islands in the Aegean, and the Peloponnesus in southern Greece.

Musée du quai Branly In the heart of Paris's museum land, neighbouring the Louvre and the Musée d’Orsay, a few minutes from the Grand and Petit Palais, the Palais de Tokyo and the Musée d’art moderne de la Ville de Paris, the Musée du quai Branly - Jacques Chirac has an exceptional location on the banks of the River Seine, at the foot of the Eiffel Tower. The arts of Africa, Oceania, Asia, and the Americas now form part of the historical and artistic grand tour of the capital. The Musée du quai Branly - Jacques Chirac is an innovative cultural institution - museum, educational and research centre, and public living space all in one. Built on one of the last available sites in the heart of Paris, the architectural design of this original project is the work of Jean Nouvel.

Le voyage de l’éléphant Abul Abbas en Méditerranée au IXe siècle : une histoire (...) Les mondes carolingiens, musulmans et byzantins peuvent être étudiés à partir des pérégrinations de l’éléphant que le calife Haroun Al-Rachid offre à Charlemagne en 802. Il s’agit d’un travail de B.Quennoy. Histoire 5e Thème 1 : Chrétientés et Islam, des mondes de contact Le voyage de l’éléphant Abul Abbas en Méditerranée au IXe siècle : une histoire connectée Galerie des Offices, Florence The Uffizi was designed by Giorgio Vasari in 1560 for Cosimo I de'Medici to house the Granducal Magistratures of Tuscany. Over time, the top floor loggia became an exhibition of the dynastic collection of ancient sculpture, artwork and artifacts. The eastern wing of the building incorporated the ancient Florentine church of San Pier Scheraggio and the wing to the west connected with two existing buildings, the Mint and the Loggia dei Lanzi. Vasari conceived an architectural module to be repeated all along the building: a portico flanked by two pillars, with niches on the ground floor and three windows on the upper story.

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