1963 - The Third Castle Lager Jazz Festival :: The Blue Notes 1963 - The Third Castle Lager Jazz Festival :: The Blue Notes Native (Urban Areas) Amendment Act: extends control of the government on who can live in cities and where they can live. General laws Amendments Act permits detention without trial. Louis Moholo joins the Swinging City Six, led by the tenor saxophonist Ronnie Beer in Cape Town. Fourth and final Castle Lager Jazz Festival. First prize for the best band was won by the ‘Blue Notes’, while the best solo instrumentalist prize was awarded to Philip Thabane on guitar. ‘THE STAR’, CAPE TOWN, SOUTH AFRICA Saturday, April 27th, 1963 Preview and photo of a Blue Notes concert in University Great Hall, Cape Town.
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Phantasy Tour Phantasy Tour actually, i love that album. if you don't consider that a free record, then i'd be cruising the black market for a new set of ears. sure, there's a hard bop element to it, i guess. if yr suggesting that because it has a definitive theme around which the improv is centered it's not free (are you?) would be incredibly naive. some things regarding art and music aren't subjective, maaaan. seurat wasn't a cubist. fusion =/= free jazz.
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Clifford Jordan The explosion of creative freedom that characterized jazz in the late 1950s and 1960s was just one step in the process of musicians taking control and responsibility for their lives. Promoting, owning and distributing their own product were other obvious results. Rent parties and private releases may have been a part of the music scene forever, but in the 1970s, on the heels of the "black power" movement, self-sufficiency started to look like a crusade. Clifford Jordan
BigO Audio Archive These recordings are part of the BigO Audio Archive covering albums that circulate among collectors and music fans. Email - mybigo@bigozine.com Click here for the BigO homepage JAZZ [misc] The AACM Great Black Music Ensemble - AACM 1 with George Lewis, Mwata Bowden [no label 1CD dime 260161] live at Umbria Jazz Festival, Perugia, Italy, July 14, 2009. Three day festival featuring the Association for the Advancement of Creative Musicians. BigO Audio Archive
red indicates new stuff, blue indicates my masters updates as of 11/13 more coming soon AIR basel, Switzerland 5/27/81 47:14, 56:11/fm-/9.6 HAMIET BLUIETT solo basel 4/22/81 57:54/fm-/9.8 BADEN BADEN JAZZ FEST (BOWIE, JARMAN, MITCHELL, MANGELSDORFF, BURRELL, AO) baden baden, germany 12/12-14/69 62:48, 65:45/fm-/9.7 ANTHONY BRAXTON 10/25/69 20:20/fm-/9.3 with filler kpfa 71 22:29/fm-/9.1 trio wgbh, boston 12/12/82 63:34/tv-/9.8 4tet chateauvallon, france 8/22, 25/1973 56:25/fm-/9.0 boston, early 11/5/05 72:57/auM/9.2 free jazz and jazz related list or kinda like jazz or something like jazz page... free jazz and jazz related list or kinda like jazz or something like jazz page...
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The Unit: Cecil Taylor In 1978 | Burning Ambulance by Phil Freeman [This essay appears in the latest issue of Burning Ambulance, available physically and digitally from Lulu.com and for Kindle from Amazon.com.] In the 1960s, pianist Cecil Taylor formed and recorded a variety of groups—trios, quartets and expanded ensembles were heard on albums like Nefertiti, The Beautiful One Has Come, Unit Structures, Conquistador! The Unit: Cecil Taylor In 1978 | Burning Ambulance
On the Importance of Jazz Dr. Martin Luther King, Jr., Opening Address to the 1964 Berlin Jazz Festival: Dr. Martin Luther King, Jr On The Importance Of Jazz | WCLK Dr. Martin Luther King, Jr On The Importance Of Jazz | WCLK
▶ Cannonball Adderley - Intro + The Black Messiah This video is currently unavailable. Sorry, this video is not available on this device. by $author ▶ Cannonball Adderley - Intro + The Black Messiah
We’re fascinated by lists. Other people’s lists. Even the ones left behind in shopping carts are interesting (Jarlsburg, Gruyere and Swiss? Must be making fondue.) But it’s the lists made by famous people that are the really good stuff. Advice From the Master: Thelonious Monk Scribbles a List of Tips for Playing a Gig
Randy Weston (born April 6, 1926, in Brooklyn, New York), is an American jazz pianist and composer, of Jamaican parentage.[1] He has been described by Marian McPartland as "one of the world's great visionary pianists and composers".[2] Weston's piano style owes much to Duke Ellington and Thelonious Monk (he has paid direct tribute to both on the "portraits" albums), but it is highly distinctive in its qualities: percussive, highly rhythmic, capable of producing a wide variety of moods.[3] Biography[edit] Early life[edit] Weston was raised in Brooklyn, where his father owned a restaurant. Randy Weston
~ JORGE SYLVESTER ACE COLLECTIVE New Double CD Set ~ SPIRIT DRIVEN ~ ~ ~ ~~~~~ NOW AVAILABLE!! ON foUR ~ friends of UNSEEN RAIN Records ~~~~~~~~~~ Contact : Booking.acemusic@gmail.com "The silent stars, prevailing winds, and powerful surface currents that have together pointed the way to the Caribbean for untold generations have set in to motion a uniquely layered and nuanced human adventure, admixing myriad populations, languages, and cultures. From this crossroads and crucible of identity and diversity that so profoundly invalidates crude notions of nationalistic "Exceptionalism", emerges the core inspiration for this music and the evolving DNA of its connectedness". NEW DOUBLE CD SET ~ SPIRIT DRIVEN ~ NOW AVAILABLE!!
My Name is Albert Ayler [Free Jazz][Documentary][Swedish Subtitle Svenska][00:01:18] This video is currently unavailable. Sorry, this video is not available on this device. Video player is too small. Watch Later as __user_name__ as __user_name__ Normal
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To escape the cold that makes me feel old this week I took another trip up to Trumpet Mountain.I walked into the main hall and heard Clifford Brown practicing in a room inside.I stood outside his door and listened.The stuff he was playing was way,way past running down chord changes. "Brownie's been hanging out with Don Cherry and Don Ayler" I was shocked to hear these words come from none other than Gil Evans standing in front of me.Gil said he was on Trumpet mountain to talk to Miles about a new symphonic work but that nobody had seen him. "I'm glad I ran into you Matt Lavelle.I have some thoughts about you and that lady Alto Clarinet.You have been friends now a long time,isn't that your third Alto? The Coda
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