Double Exposures: A DIY Project That Brings Friends Together With Photos! We love hanging out with our friends, and we’ve had a great summer full of lunches in the park, guests from around the globe, and days off at the beach.
With summer winding down, we have a lot less beach days in our future, and no out-of-town guests scheduled to sleep on our couch. …That’s a problem for us. Naturally, we tried to fix the problem with photos. Were we successful? Of course!
Abundant photography: the misleading metaphor of the image flood. “We’re exposed to an overload of images nowadays.”
That was the impetus behind Erik Kessel’s 2011 “Photography in Abundance” installation, in which he printed off 1 million pictures to illustrate the number of daily uploads to Flickr. Kessels argues we confront a glut images on social media: Lost photographs from Scott of the Antarctic's doomed expedition | Art and design. The world's weirdest photo albums | Art and design. By any standards, Me TV is an odd photo book.
It comprises eight found snapshots of a middle-aged Chinese woman standing in front of her new television set. In each, her pose is identical, right down to way the little finger of her left hand rests on the TV cabinet. The Self-Portrait: A Cultural History review – 'profoundly human' "The moment when a man comes to paint himself – he may do it only two or three times in a lifetime, perhaps never – has in the nature of things a special significance.
" So Lawrence Gowing wrote, in an introduction to a 1962 exhibition of British self-portraits. And he is right: self-portraits, whether of men or women, have a particular call on our attention. Take Käthe Kollwitz's etching Self-portrait with Hand to her Forehead, reproduced in James Hall's new book. The head and hand fill the entire plate, leaving no room for anything else. Is the end near for copyright? | Photokonnexion. • Copyright Tarnished •Is the time approaching when copyright protection will fade away.
Photographers copyright is under attack. In general, copyright protects the creator of an original work allowing them to control their interests in the work. However, most countries recognise copyright limitations giving users some rights. These “fair” exceptions have mostly been related to “personal use” and contained situations… Watch: The Greatest Photography Documentaries | Article | Grolsch Film Works.
Erik Kessels - A Lifetime of Self-Portraits at a Shooting Gallery. In almost every picture #7 tells the story of a Dutch woman whose life is seen from the point of view of a fairground shooting gallery.The chronological series begins in 1936, when a 16-year-old girl from Tilburg in Holland picks up a gun and shoots at the target in a shooting gallery.
Every time she hits the target, it triggers the shutter of a camera and a portrait of the girl in firing pose is taken and given as a prize. And so a lifelong love affair with the shooting gallery begins. My Favorite Dirt Roads by Robert Kinmont. Pinterest.
Touching Strangers: Richard Renaldi. Seeing the project Touching Strangers by Richard Renaldi reminded me of David Foster Wallace’s commencement speech, This Is Water.
The message of the speech is simple: Wallace encourages us to be aware of our surroundings and to pay attention to the beauty of the people around us. Yet, despite the simplicity, we tend to get so wrapped up in the stress of our own lives that we ignore the fact that most of the people in the world are just like us. We all share similar hopes, fears and even the basic desire to be loved and accepted. Touching Strangers evolved out of a project Renaldi did in 2003, called See America By Bus, in which he photographed people in Greyhound bus stations all over the country.
Rauschenberg's Rolleiflex. Best remembered for his silkscreen paintings and Coke bottle sculptures, Robert Rauschenberg deserves a closer look for his lesser-known photographs, a portfolio of which we present here.
Rarely without his trusty Rolleiflex camera, the proto-pop artist documented extraordinary moments throughout his life, from his student days at Black Mountain College with Merce Cunningham and John Cage, through travels to Rome and Venice with close friends including Cy Twombly, and at his Brooklyn Studio in the early 60s. Rauschenberg’s black and white images starkly convey a sense of spontaneity, with his subjects often caught on the fly, as illustrated in the shots of Twombly wandering around the relics at Rome’s Capitoline Museum, or Cunningham flexing his limbs in his New York rehearsal space.
Children, Anon., from the personal collection of Terry Castle, Terry Castle. I've been collecting anonymous photographs for more than two decades now and probably own a thousand or so, in all kind of formats.
Nineteenth-century tintypes and cyanotypes, cabinet cards and cartes de visite, turn-of-the-century RPPCs (Real Photo Postcards), disaster pix, police mugshots and Bertillon cards, photo-booth strips, deaccessioned newspaper photos (especially ones with white crop marks), old prom photos, not to mention a recently acquired batch of ratty, Nan Goldin–style, 1970s Polaroids. Should I be in rehab?
Lately I’ve managed to put a small part of my collection into serious, made-for-collectors-type albums—the organic kind, that is, with acid-free archival sleeves and glassine pockets. You can get them in the kale and beets section at Whole Foods. Cindy Sherman (American, born 1954) American photographer.
While still growing up she was drawn to the television environment of the 1960s and fascinated by disguise and make-up. She studied art at Buffalo State College (1972–6), concentrating on photography, which she maintained is the appropriate medium of expression in our media-dominated civilization. Her photographs are portraits of herself in various scenarios that parody stereotypes of woman. A panoply of characters and settings is drawn from sources of popular culture: old movies, television soaps and pulp magazines. Hipstamonochrome #18. Heroes of photography. Deutsche Börse Photography prize show: mashups and moon walkers | Art and design. Google Street View has recorded the world.
The camera-toting vans have seen astonishing things, from mountain lions patrolling parking lots to armed holdups, elks running down the highway, accidents and murders. Many of the images Street View has accidentally recorded have been sampled and published by the Canadian photographer Jon Rafman. Among his immense trawl of images are several of sex workers selling themselves at the roadside. I have seen some of these women myself: on sun-blasted Spanish roadsides and, once, on a Polish highway on the way to Treblinka.
John Davies on The British Landscape. In pictures: Fidel Castro and Che Guevara photos sold. Martin Usborne. Scrapbook — Illuminating photography: From camera obscura to... Dan Holdsworth. Jeremy Ramsden obituary | From the Guardian. Jeremy Ramsden in his darkroom at Labyrinth in the East End of London. Photograph: David Secombe Jeremy Ramsden, who has died of a stroke aged 59, was one of the finest photographic printers of his generation. Jeremy could take a frame of anyone's film and turn it into a work of art on paper. His attention to detail was apparent in the way he would produce a variety of prints from the same frame, each having its own distinct mood and character.
When you got your negatives back, you would see his meticulous notes written on little strips of masking tape affixed to the protective sheets.
Photographer Diarists. Wittgenstein. Photo-Texts. Photo-Manipulation. 100 Ideas That Changed Photography. By Maria Popova From the camera obscura to the iPhone, or why photography is an art of continuous reinvention. Earlier this year, British publisher Laurence King brought us 100 Ideas That Changed Graphic Design, 100 Ideas That Changed Film, and 100 Ideas That Changed Architecture.
Photography is the art of our time | Art and design. It has taken me a long time to see this, and you can laugh at me if you like. But here goes. Photography is the serious art of our time.
Blind & Visually Impaired Photographers. German Photography. Remembering Bonni Benrubi, Curator of Images. Abelardo MorellBroadway, from a room at the Marriott Hotel. Camera obscura photograph. The magazine lost a friend and colleague last week when Bonni Benrubi, the founder and director of the Bonni Benrubi Gallery died on Thursday. Benrubi opened her gallery in 1987, at a time when photography was still claiming its place within the world of art collecting.
She represented an amazing group of photographers, several of whom have had a close working relationship with the magazine over the past 25 years. Benrubi had a special love for magazine photography and was as likely to be seduced by the storytelling in an image as by its visual beauty. In History, Using Photography to Advance, Question or Alter Ideas About Race. Photography: is it art? | Art and design. F.N.D | Strand: Under the Dark Cloth. Moments of Reprieve: Representing Loss in Contemporary Photography at Visual Culture Blog by @MarcoBohr. Stalingrad: Damaged Photos Tell the Story of an Epic WWII Battle. Suzanne Ruta: Photographing Algeria. Paradise Lost: Twisted Postcards From Dystopic Vacations | Raw File.
Bibliophilia / Chema Madoz #Photography. New Topographics: photographs that find beauty in the banal | Art and design.
Self-portraits of photographers | The green box. The best photography websites, publications and galleries | Guardian photography guide | Art and design. Seduced by Art: Photography Past and Present, National Gallery, WC2 - review - Visual Arts - Arts. Japanese Photography. Photodemocracy. Teaching Photography. We Hereby Declare the Death of Film Photography - Houston Arts. Department of Records - Photo Gallery. Iphoneography.
Clarence John Laughlin
Photos From Kodak's Picture Contests in the 1920s, '30s and '40s. Hidden Light: The Visual Language of an Autistic Photographer | NeuroTribes. Memento mori photography. The artist with the bad camera | Photography. Good Soldier Michals by Martin Filler. Writing on Photography. Richard Mosse | Photography. New York professor installs camera in head. Man Ray: National Portrait Gallery stages first museum exhibition devoted to photographer's portraits.
Jo Spence. Photojournalism. Chasing Light.