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http://typojungle.net/gibson-canada-type/

Gibson – Canada Type | Typojungle

The Gibson font family hits the right spot for many people and on many levels. It is a humanist sans serif typeface designed by eminent Canadian type designer Rod McDonald, and produced by Patrick Griffin and Kevin King of Canada Type , to honour John Gibson FGDC (1928-2011), Rod's long-time friend and one of the original founders of the Society of Graphic Designers of Canada (GDC). Gibson is available at YouWorkForThem website . <p style="text-align:right;color:#A8A8A8"></p>

1554 : répertoire de la scène typographique française vivante

http://www.fadebiaye.com/type/1554/typo_scene_fr « Là où croît le péril, croît aussi ce qui sauve. » — Friedrich Hölderlin Cela pourrait commencer ainsi : la scène typographique française est en pleine ébullition. Comme partout pourtant, le monde de la typographie en France a été touché de plein fouet par l’avènement de la PAO (Publication Assistée par Ordinateur) au milieu des années 1980.

Font Aid IV : The Society of Typographic Aficionados

The Society of Typographic Aficionados is proud to announce the release of “Coming Together”, a font created exclusively for Font Aid IV to benefit the victims of the 2010 earthquake in Haiti. The font consists entirely of ampersands, to represent the idea of people coming together to help one another. Type designers, graphic designers, and other artists from around the world contributed artwork to the font. The font is being be sold for $20US and is available through font distributors Ascender Fonts , Veer , FontShop , and MyFonts . All proceeds from the sale of the font will go to Doctors Without Borders , to help with their relief efforts in Haiti. http://www.typesociety.org/fontaid/iv/
http://typofonderie.com/gazette/

Gazette — Typofonderie

Geneo, designed by Stéphane Elbaz, is a synthesis of historic and present-day visions of typography, a slab serif constructed on an oblique axis. Its subtle contrast evokes both Renaissance elegance and the robustness of the Egyptian typefaces that were in vogue during the 19th century. Geneo falls halfway between the classic styles of Garamond and Fournier, with aspects of contemporary slab serifs. From this blend of styles and genres, it emerges with a singular identity perfectly suited for modern illustrations of quality, savoir-faire, and culture. <p style="text-align:right;color:#A8A8A8"></p>
These pages offer over 40,000 entries with information on type design, type designers, the history and choice of fonts and typefaces, the mathematics of type design, font software, and typographic matters in general. The subjects are cross-classified by country, language, tag, style, and category. Each item also has a dedicated subpage with additional images not shown on the main pages [click on pink dots like ⦿ ]. I started this work in 1993. This web page is imperfect. I apologize for all errors and omissions.

On snot and fonts

http://luc.devroye.org/fonts.html

ITCFonts.com

By far, the most influential and successful type foundry of the 1970s and well into the 1980s was International Typeface Corporation. For nearly four decades, ITC has designed and marketed typefaces to creative professionals. The ITC® Library – comprised of more than 1,650 designs – features the work of world-class typeface designers. http://www.fonts.com/font/itc
Jacob Cass at TEDxCMU, giving a talk on Personal Branding. Hi, my name is Jacob Cass and I am the founder of ‘JUST™ Creative’. On this website you will find my personal graphic design portfolio (My design services are currently available for hire ), as well as a blog on the main subject of graphic design which provides free graphic design tips, articles & resources on all subjects of design, ranging from but not limited to; print design, logo design, web design, branding, typography, advertising & more. There is a lot of information on this page so please feel free to jump through using the menu below. About Page Sub Navigation: http://justcreative.com/about/

Jacob Cass - Graphic Designer - New York, USA

http://retinart.net/typography/marksunknown/ There are many typographic marks which are familiar to most, but understood by few. Most of these glyphs have interesting histories and evolutions as they survived the beatings given to them through rushed handwriting of scribes and misuses through history. They now mostly live on our keyboards and in our software, and a few are used often, so it seems only fitting to know where they come from and how to correctly use them. The Pilcrow History of the Pilcrow As with many elements of language today, it all started with Latin.

Typographic Marks Unknown