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Handpicked free fonts for graphic designers with commercial-use licenses.

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New High-Quality Free Fonts Advertisement Meet the new Sketch Handbook, our brand new Smashing book that will help you master all the tricky, advanced facets of Sketch. Filled with practical examples and tutorials in 12 chapters, the book will help you become more proficient in your work. Fontfabric /View License/ Description: Age free font is applicable for any type of graphic design – web, print, motion graphics etc and perfect for t-shirts and other items like posters, logos. Languages: Afrikaans, Alsatian, Basque, Bislama, Breton, Catalan, Chamorro, Danish, Dutch, English, Faroese, Finnish, Flemish, Franco-Provencal, French, Frisian, Friulian, Galician, German, Greenlandic, Icelandic, Indonesian, Irish, Italian, Ladin, Latin, Luxembourgish, Malay, Manx Gaelic, Norwegian (Bokmål), Norwegian (Nynorsk), Occitan, Portuguese, Rhaeto-Romance, Romansh, Sami (Inari), Sami (Lule), Sami (Northern), Sami (Skolt), Sami (Southern), Scottish Gaelic, Spanish, Swahili, Swedish, Tagalog, Walloon, Welsh Format: Opentype (.otf) Compatible: PC & Mac Details: 162 Character Set, Manual Kerning, Tracking / Pairs Price: Free With your donation we’ll be able to spend more time to improve and update our free fonts. We can add more characters, more languages like – polish, czech, hungarian, romanian etc.

A Beginner’s Guide to Pairing Fonts Pairing fonts can be a challenge. Selecting two or more fonts which work well is one thing - selecting two which work together to achieve your typographic aims may have you reaching for the aspirin. Let's see if we can alleviate any headaches. This guide will help you get started with font pairing for the web. 20 Fuentes Serif As I’ve mentioned, I’m a huge fan of type. So much so, my family and loved ones are pretty sick of font talk by now :) There are tons of fonts out there, and many many good ones that often go overlooked. With the surge of "Coolest Grunge Fonts" post, etc, I wanted to do something different.

How To Create a Vintage Text Effect in Illustrator We’re going to take inspiration from 19th century typography for today’s vintage text effect tutorial. We’ll use Adobe Illustrator to add detailed decorations to a basic word to transform it into a beautiful piece of engraved typography. The process makes use of lots of useful Illustrator techniques, such as offset path, blends and the Pathfinder tool.

Creative Beacon » Blog Archive The Absolute Best Fonts of 2012 A Collection of The Best Fonts of 2012 Fonts are so important in our work, whether we are working on print or web design. It speaks volumes, especially when we are trying to reinforce our message. The right look can really drive that message home. I have gathered a list of the best fonts of 2012. Infinity

Artfans Design Filed Under: Fonts / Typography, Freebies by fandy January 18, 2011, 19:42 Pleased to be presenting some new fonts option and probably among those fonts not too recent, the fonts is very beautiful and high-quality like Matchbook, Franchise, Typeface Adec and others. And better yet all this for free but please read the license agreement carefully prior to using it, some of which are only for personal use. Get the fonts! Get the idea! Perforama

25 romantic fonts Tis the season for everything lovely. To celebrate all the card writing and googly eye celebrating that will be coming up soon, I’ve complied a list of twenty five of my favorite free romantic fonts. Download via the links below to make all your love letters unwittingly nice this year. 1. Clipper Script, by Måns Grebäck | 2. Free Fonts - Browse fonts <div class="noscript"><div class="noscript-inner"><p><strong>We detected that your JavaScript seem to be disabled.</strong></p><p>You must have JavaScript enabled in your browser to utilize the functionality of this website.</p></div></div> Adria Grotesk 15 weights from FaceType from £0.00

À la recherche - Points of reflected light at the club Les Bains / by @artcom Latest in the series of mesmerising installations by ART+COM is À la recherche, a site specific installation that covers the surrounding walls of a newly refurbished legendary Les Bains nightclub in scattered points of reflected light from which the words “Re Trouve Le Temps Perdu” are composed over and over again. These words can be understood as “The lost times are found” (Le Temps Perdu Retrouve) or “Find the lost times” (Retrouve Le Temps Perdu) depending on where the viewer starts reading. The words are a reference to the legendary past of the space as Les Bains nightclub and ties into Marcel Proust’s magnum opus “À la recherche du temps perdu” (In Search of Lost Time), in which involuntary memories triggered by everyday activities, objects and sensations is the recurring motif.

Fascinating Business Cards Of The World’s Most Famous People Business cards can be surprisingly insightful—especially if they bear the names of history’s most famous personalities. Several fascinating name cards of the world’s most well-known people have surfaced on the internet—including contemporary tech legends and important historical figures. From Mark Zuckerberg’s provocatively worded card to Houdini’s intriguing piece of triangular cardboard, these will make valuable additions to any business card collector’s stash. You may want to keep every business card you receive from now on—because you never know which of the names printed on them will become famous in the future.

Vitaly Friedman New Free Quality Fonts - Union & Vollkorn » Apr 17, 09:02 PM In the article “25 Best Free Quality Fonts” published in my blog few months ago, I’ve mentioned the font “Union” (s. below). This font, designed by the Danish Ministry of Education, was removed from the server in the December of 2005. Since then, I’ve received numerous inquires about the location of the font. Beautiful web type — the best typefaces from the Google web fonts directory Among the numerous faults of those who pass their lives recklessly and without due reflexion, my good friend Liberalis, I should say that there is hardly any one so hurtful to society as this, that we neither know how to bestow or how to receive a benefit. It follows from this that benefits are badly invested, and become bad debts: in these cases it is too late to complain of their not being returned, for they were thrown away when we bestowed them. Nor need we wonder that while the greatest vices are common, none is more common than ingratitude: for this I see is brought about by various causes. The first of these is, that we do not choose worthy persons upon whom to bestow our bounty, but although when we are about to lend money we first make a careful enquiry into the means and habits of life of our debtor, and avoid sowing seed in a worn-out or unfruitful soil, yet without any discrimination we scatter our benefits at random rather than bestow them.

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