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http://createdigitalmusic.com/2011/04/learn-mastering-technique-in-free-videos-limiting-ms-dubstep-bass/ Mastering to me is a bit like applying stain to wood: done correctly, it brings out the definition of what’s there rather than covering it up. But making mastering effective is a really special art. Danny Wyatt, a veteran mastering engineer now working as an instructor with Dubspot, has some serious credentials both on the mixing and mastering side and as an educator. He’s worked with a range of artists over the years (Wax Poetic featuring Norah Jones, Curtis Mayfield, Thievery Corp., the Roots, Ultra Records, and Mos Def, to name a few). But he also doesn’t mystify his knowledge: he’ll tell you straight what he believes, both face-to-face and as a teacher.

Learn Mastering Technique in Free Videos: Limiting, M/S, Dubstep Bass

The time has come to unite the artists once again for a brand new and exciting Chainsong. Factor and PyroZane, who are the admins of this project, invite you to join The MadTracker Chainsong 2006! The Chainsong has become one of the biggest events in the MadTracker community. This is the song that everyone talks about during its creation. If you join this project we can promise you a lot of fun, an exciting time, many of comments on your work, and huge amounts of PR! This song is all about fun so anyone can sign up, even if you don't have any expert skills with MadTracker. http://www.madtracker.org/main.php

Tracker-based music composition tool with VST, ASIO and ReWire support

Crafting New Twisted Tools: A Chat with Reaktor Patchers Making New Sonic Instruments

Ed. Twisted Tools are a special breed of music software makers, concocting wild-sounding instruments, sequencers, and effects, all with a distinctively-colorful and graphical approach to interface design. And they do all of this in Reaktor, Native Instruments’ deep toolbox for visual development of soundmakers, a patching cousin to tools like Max/MSP, Pd, and Plogue Bidule. Various patchers take a DIY approach to building musical tools in such environments, but Twisted Tools have successfully turned those creations into a business. http://createdigitalmusic.com/2011/07/crafting-new-twisted-tools-a-chat-with-reaktor-patchers-making-new-sonic-instruments/
http://www.anthonyarroyodotcom.com/theabletoncookbook/fx/mastering-multi-fx-in-ableton-live/

Mastering Multi FX in Ableton Live | THE ABLETON COOKBOOK

In this Ableton tutorial, I’ll show you how to make a multi effect in Ableton live.
http://www.cockos.com/reaper/index.php We've added dozens of small improvements to help speed your REAPER workflow. Take comping is more predictable, with takes remaining aligned by recording pass, even after splitting and deleting errors. Previewing and inserting media is easier, because you can highlight, loop, and insert subsections of media files. Switch between different MIDI clips more easily in the MIDI editor . Pool MIDI items so that editing one item edits all pooled copies. Define scales and chords for quickly painting runs and arpeggios.

REAPER | Audio Production Without Limits

http://audio.tutsplus.com/articles/general/top-10-2009-tutorials-about-mixing-and-mastering/

Top 10 2009 Tutorials About Mixing and Mastering | Audiotuts+

Mixing and mastering make or break all of the hard work you previously put into recording your musical masterpiece. They allow you to process and balance your tracks together in a pleasing final form that will hopefully be listened to by millions. The following 10 tutorials contain techniques that will get you mixing and mastering like a pro. How to Achieve Good Translation in Your Mixes What is ‘translation’ and how does it relate to our mixes? A mix that displays good translation will play back well on a number of sound systems, with all its individual elements remaining clear and balanced. In this tutorial, we look at how you can achieve this with your own mixes.
Technique : Recording / Mixing It's often necessary to work on headphones in the home studio, even when mixing. So what headphones should you choose, and how do you go about getting the best results? Hugh Robjohns At one time or another, we all resort to using headphones while trying to assess a mix. http://www.soundonsound.com/sos/dec03/articles/mixingheadphones.htm

Mixing On Headphones

Blue Microphones Yeti Pro, microphone for professional USB & XLR recording

Blue Microphones has announced the Yeti Pro, the world’s first USB microphone combining 24 bit/192 kHz digital recording resolution with analog XLR output. Featuring three custom condenser capsules and four different pattern settings, the Yeti Pro can capture digital audio with up to four times the clarity found on CDs. Plus, the Yeti Pro features a cutting-edge A-D converter chip and separate analog circuit path for usewith professional studio mixers and preamps. You also get a built-in headphone amplifier for zero-latency monitoring, and direct controls for headphone volume, pattern selection, mute, and microphone gain. So whether you record at home, in a studio (or in the Himalayas!), the Yeti Pro is your ultimate sound solution. http://rekkerd.org/blue-microphones-announces-yeti-pro-microphone-for-professional-usb-xlr-recording/

Portable home recording with Ubuntu on a netbook | ouistiti

While an Asus EEE PC is perhaps not best suited for full-on intensive music production, it does have values which make it an ideal solution for portable recording. EEEPC and Shure SM57 This tutorial will show you how to install and setup a linux recording environment on your EEE PC or other netbook, for the purpose of mobile audio recording and audio sampling. http://www.ouistiti.info/linux-music-production/linux-music-recording-with-an-eee-pc/
Recording Software

Recording

<p style="background-color:#ffff90;padding: 0em .5em 0em .5em;font-size:.9em"><strong>Warning:</strong> Your browser does not support JavaScript &#8211; RANDOM.ORG may not work as expected</p> Generating true random numbers takes time. RANDOM.ORG uses a simple quota system to make sure nobody hogs all the random numbers produced by the generator. This page allows you to examine and top up your current allowance. Current Allowance Your allowance is associated with your computer's IP address.

Quota Top-Up

Here are the answers to the questions you made to Tim Walston during january. And stay tuned because there’s one more article coming from Tim about his work on Star Trek. Designing Sound Reader: Hey Tim.

Tim Walston Special: Reader Questions

shaktiimart

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Journey With Me - ピアノ

Entering the Third Dimension: One Evocative Take on Real-Time Music Creation with a 3D Interface

AudioGL, a project teased in videos first in April and then again last week, is a new concept in designing a user interface for real-time music creation. Visuals and sound alike are generative, with the rotating, 3D-wireframe graphics and symbolic icons representing a kind of score for live synthesized music. The tracks in the video may sound like they’ve been pre-synthesized, polished, and sampled from elsewhere, but according to the creator, they’re all produced in the graphical interface you see – what you see is what you hear. The newest video, released this week, reveals in detail the project’s notions of how to make a 3D, live music interface work. The UI itself is similar to other graphical patching metaphors, but here, like exploding a circuit diagram in space, routings and parameter envelopes are seen and edited in a freely-rotating view in three dimensions rather than on a flat plane. There’s a reason interfaces like this have been few.
He’s built an open-source, retro-tinged 8-bit sampler, “Where’s the Party At?” (I’m been building the second generation now, so expect a review by early August.) He’s had electronic instrument designs on shelves at the retail chain Target and on the walls of the Whitney Art Museum in New York. He just completed a set of luxury chandeliers, when he wasn’t making waves in the circuit bending scene. Todd Bailey is the kind of Renaissance artist at the center of the new DIY scene. There was a time when engineers and artists were separate groups, and big laboratories worked how to get them together.

Designing Music, in an Art:21 Interview with Electronic Instrument Creator Todd Bailey

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Best place to come is www.psychicvsionsradio.com/psychicchat.html for the chatroom to hear Dreagus Tunez by paranomralparodies Dec 7

I DJ for Psychic Visions Radio you can hear a lot of this kind of music on Dreagus Tunez of which is my endeavor Thursdays from 7-8PM EST and also 7-8PM EST then from 9-Midnight most Saturdays by paranomralparodies Dec 7

Great resources! Keep up your great work by fomaworld Nov 28