The Strangers | Creepypasta Index. My name is Andrew Erics. I lived, once, in a city called New York. My mother is Terrie Erics. She’s in the phone book. If you know the city, and you read this, find her. It all started when I decided, around the time that I turned twenty-five, that it was time for me to give up taking my backpack in to work. I had an mp3 player, which helped pass the time for a while, but when it broke – it would shut down at the end of every song if I didn’t skip to the next track manually – I gave that up too.
Just as people-watching was threatening to get unbearably boring, I found my first incongruity. He was on the subway in the afternoons. By the time the subway reached my stop, I found myself queasy, and when I exited the car my hands were shaking like I was having a nicotine fit. I found myself intentionally dawdling after work in the afternoons, stopping to browse in kiosks in the mall near the subway even when I didn’t intend on buying anything. He hadn’t gone anywhere! Instead, I waited. Scrivener. Share Book Recommendations With Your Friends, Join Book Clubs, Answer Trivia. Thirty Question Character Survey|National Novel Writing Month.
Books that will induce a mindfuck. Here is the list of books that will officially induce mindfucks, sorted alphabetically by author. Those authors in bold have been recommended by one or more people as being generally mindfucking - any books listed under their names are particularly odd. You're welcome to /msg me to make an addition to this list. And finally, although he's way down at the bottom, my personal recommendation is definitely Howard Zinn's A People's History of the United States, as it turns the ultimate mindfuck: inverting the world-view of our entire culture, and it is non-fiction. The 10 Types of Writers Block (and How to Overcome Them) 25 Things You Should Know About Character. Previous iterations of the “25 Things” series: 25 Things Every Writer Should Know 25 Things You Should Know About Storytelling And now… Here you’ll find the many things I believe — at this moment!
— about characters: 1. Without character, you have nothing. 2. A great character can be the line between narrative life and story death. 3. Don’t believe that all those other aspects are separate from the character. 4. The audience will do anything to spend time with a great character. 5. It is critical to know what a character wants from the start. 6. It doesn’t matter if we “like” your character, or in the parlance of junior high whether we even “like-like” your character. 7. It is critical to smack the audience in the crotchal region with an undeniable reason to give a fuck. 8. You must prove this thesis: “This character is worth the audience’s time.” 9. Don’t let the character be a dingleberry stuck to the ass of a toad as he floats downriver on a bumpy log. 10. 11. 12. 13. The law of threes. Tension.
Hook Your Readers With Tension By Laura Backes, Write4Kids.com Tension. Without it, life would be—let's face it—boring. So would fiction. Tension works with conflict to raise the emotional level of the text to a boiling point. "Tension" is a loaded word, and can be misleading. Tension is what hooks readers of any age and keeps them turning the pages. . * The ticking clock. . * Dialogue. . * Pacing. . * Sentence structure. Each story requires a different kind of tension. Laura Backes is the author of Best Books for Kids Who (Think They) Hate to Read from Prima/Random House. Copyright © 2002, Children's Book Insider, LLC. DarkCopy - Simple, full screen text editing. Synonyms for. Kurt Vonneguts 8 Tips on How to Write a Great Story - Entertainment. Confusing Words.
Internet Resources - Writers Resources - Writing Links & Writers Links for Writers. For those who have asked and those who may, this collection of links for writers, researchers and the terminally curious is not, was never intended to be, and will never be the all-inclusive stash of every possible link fitting our slapdash criteria for what belongs here. We select sites with some consideration and thought for usefulness, depth, interest and je ne sais quoi and we try not to offer fifty different links to "manuscript submission. " Sometimes we find a really cool site on a subject we already cover and mull over which link to keep and which to set free, sometimes we keep both and add a third. We lean toward linking to cool sites maintained by people we've met in the ether, but don't use a friend's site if there's a better site elsewhere.
We don't link to just anybody and seldom link to commercial sites such as "Learn to Write in Five Days" or "We Will Publish Your Book" unless there is some -- no, make that a lot of -- free, useful content. Feel free to suggest links. Internet Resources - Writers Resources - Writing Links & Writers Links for Writers - Word Stuff. Unsorted [/writers] James Patrick Kelly - Murder Your Darlings - "When time comes to make that final revision, however, you must harden your heart, sharpen the ax and murder your darlings. " Greda Vaso - Determining the Readability of a Book - includes formulas for Gunning's Fog Index, Flesch Formula, Powers Sumner Kearl L.
Kip Wheeler - Literary Terms and Definitions L. Kip Wheeler - Comp - Lit - Poetry - Links - more Style - Grammar - Errors in English [/writers]American Heritage - Book of English Usage - free download Band-Aid AP StylebookPaul Brians - Common Errors in EnglishCJ Cherryh - Writerisms and other Sins The Chicago Manual of Style FAQ Gary N. Curtis - The Fallacy Files - Logical fallacies and bad arguments Prof. Charles Darling [RIP] - Guide to Grammar and Writing The Economist (UK) - Style Guide John Eshleman - Logical Fallacies H.W.
Japanese Folktales. Selected and edited by D. L. Ashliman © 1998-2008 Contents Return to D. The Two Frogs Once upon a time in the country of Japan there lived two frogs, one of whom made his home in a ditch near the town of Osaka, on the sea coast, while the other dwelt in a clear little stream which ran through the city of Kyoto. So one fine morning in the spring they both set out along the road that led from Kyoto to Osaka, one from one end and the other from the other. They looked at each other for a moment without speaking, and then fell into conversation, explaining the cause of their meeting so far from their homes. "What a pity we are not bigger," said the Osaka frog; "for then we could see both towns from here, and tell if it is worth our while going on. " "Oh, that is easily managed," returned the Kyoto frog.
This idea pleased the Osaka frog so much that he at once jumped up and put his front paws on the shoulder of his friend, who had risen also. "Dear me! " The Mirror of Matsuyama Source: F. "Buried! " The Tyee & Ten Novels Every Aspiring Writer Should Read. TYEE LIST #9: Put down that pen and curl up with these giants. Treat your craft seriously, as does Gabriel García Márquez. Some time ago I published an article about 10 novels that aspiring writers should avoid. It wasn't because they were bad -- most of them are modern classics -- but because their readable styles looked so easy that they might seduce a young writer into imitating them. Other novels deserve reading by writers precisely because they can't be imitated. They can only show us how far a particular technique can be pushed, and it's up to us to understand and adapt that technique to our own work. Here are 10 novels that taught me something about the craft and art of fiction. 1. 2. 3. 4. 5. 6. 7. 8. 1984, by George Orwell (1949). 9. 10.
Again, I'm not suggesting imitating these novels. 36 Writing Essays by Chuck Palahniuk. 1: Establishing Your Authority Chuck teaches two principal methods for building a narrative voice your readers will believe in. Discover the Heart Method and the Head Method and how to employ each to greatest effect. 2: Developing a Theme At the core of Minimalism is focusing any piece of writing to support one or two major themes. 3: Using “On-The-Body” Physical Sensation Great writing must reach both the mind and the heart of your reader, but to effectively suspend reality in favor of the fictional world, you must communicate on a physical level, as well. 4: Submerging the “I” First-person narration, for all its immediacy and power, becomes a liability if your reader can't identify with your narrator. 5: Nuts and Bolts: Hiding a Gun Sometimes called "plants and payoffs" in the language of screenwriters, Hiding a Gun is an essential skill to the writer's arsenal that university writing courses almost never touch upon. 6: Nuts and Bolts: “Thought” Verbs 8: Nuts and Bolts: Using Choruses.