Exercises for Fiction Writers - Page 2. Ink - Quotes about writing by writers presented by The Fontayne Group. Questionnaires for Writing Character Profiles. Enter your e-mail to get the e-book for FREE.
We'll also keep you informed about interesting website news. "I have searched the web and used different worksheets, but none have come close to your worksheets and descriptions of (what to do and what not to do). Both courses I have taken have with Creative Writing Now have been amazing. Each time I have learned something new. The one thing I love, you take everything apart and give examples. " - Katlen Skye "As usual - I already love the course on Irresistible Fiction, rewriting a lot and improving greatly even after the first lesson. “Essentials of Fiction proved that I could indeed write and I wrote every day, much to my boyfriend's dismay (waa sniff).” - Jill Gardner "I am loving the course and the peer interaction on the blog is fantastic!!!
" "I'm enjoying the weekly email course, Essentials of Poetry Writing. "Thank you for all the material in this course. Daily Writing Tips. Synonyms for words commonly used in students writing. 25 Insights on Becoming a Better Writer. When George Plimpton asked Ernest Hemingway what the best training for an aspiring writer would be in a 1954 interview, Hem replied, “Let’s say that he should go out and hang himself because he finds that writing well is impossibly difficult.
Then he should be cut down without mercy and forced by his own self to write as well as he can for the rest of his life. At least he will have the story of the hanging to commence with.” Today, writing well is more important than ever. Far from being the province of a select few as it was in Hemingway’s day, writing is a daily occupation for all of us — in email, on blogs, and through social media. It is also a primary means for documenting, communicating, and refining our ideas.
So what can we do to improve our writing short of hanging ourselves? Synonyms for. How to Write a Novel Using the Snowflake Method. 25 Things You Should Know About Character. Previous iterations of the “25 Things” series: 25 Things Every Writer Should Know 25 Things You Should Know About Storytelling And now… Here you’ll find the many things I believe — at this moment!
— about characters: 1. Without character, you have nothing. 2. A great character can be the line between narrative life and story death. 3. Don’t believe that all those other aspects are separate from the character. 4. The audience will do anything to spend time with a great character. 5. It is critical to know what a character wants from the start. 6. It doesn’t matter if we “like” your character, or in the parlance of junior high whether we even “like-like” your character. 7. It is critical to smack the audience in the crotchal region with an undeniable reason to give a fuck. 8. You must prove this thesis: “This character is worth the audience’s time.” 9. McSweeney&s Internet Tendency: The Ultimate Guide to Writing Better Than You Normally Do.
[Originally published April 10, 2012.]
Writing is a muscle. Smaller than a hamstring and slightly bigger than a bicep, and it needs to be exercised to get stronger. Think of your words as reps, your paragraphs as sets, your pages as daily workouts. BlaBlaMeter - Bullshit detection tool. DarkCopy - Simple, full screen text editing. Plot Scenario Generator. 20 Common Grammar Mistakes That (Almost) Everyone Gets Wrong. I’ve edited a monthly magazine for more than six years, and it’s a job that’s come with more frustration than reward.
If there’s one thing I am grateful for — and it sure isn’t the pay — it’s that my work has allowed endless time to hone my craft to Louis Skolnick levels of grammar geekery. As someone who slings red ink for a living, let me tell you: grammar is an ultra-micro component in the larger picture; it lies somewhere in the final steps of the editing trail; and as such it’s an overrated quasi-irrelevancy in the creative process, perpetuated into importance primarily by bitter nerds who accumulate tweed jackets and crippling inferiority complexes.
Journal ideas. Oneword. Writing from deeper self. By Naomi Rose Reprinted from Massage Magazine, Issue 104, Sept. – Oct. 2003 Most people don’t think of massage and writing as having anything to do with each other.
After all, one is nonverbal, the other verbal. Even the human brain relegates these abilities into different hemispheres, the right and the left. But massage therapists and bodyworkers do need to write sometimes: for professional reasons (brochures, educational literature, newsletters, articles, even a book); for personal expression; or to heal a larger spectrum of people than can fit, one by one, on a massage table. Touching writing touches the reader’s heart and being, as well as the reader’s mind. To write in a touching way, you cannot set about to do it with your intellect. Happily, people who heal through touch are the perfect ones to write "touching writing. "