English 50 – Intro to Creative Writing: Exercises for Story Writers More Exercises: Write the first 250 words of a short story, but write them in ONE SENTENCE. Make sure that the sentence is grammatically correct and punctuated correctly. This exercise is intended to increase your powers in sentence writing. Write a dramatic scene between two people in which each has a secret and neither of them reveals the secret to the other OR TO THE READER. Exercises for Fiction Writers - Page 2
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Synonyms for words commonly used in students writing Amazing- incredible, unbelievable, improbable, fabulous, wonderful, fantastic, astonishing, astounding, extraordinary Anger- enrage, infuriate, arouse, nettle, exasperate, inflame, madden Angry- mad, furious, enraged, excited, wrathful, indignant, exasperated, aroused, inflamed Answer- reply, respond, retort, acknowledge Ask- question, inquire of, seek information from, put a question to, demand, request, expect, inquire, query, interrogate, examine, quiz Awful- dreadful, terrible, abominable, bad, poor, unpleasant
When George Plimpton asked Ernest Hemingway what the best training for an aspiring writer would be in a 1954 interview, Hem replied, “Let’s say that he should go out and hang himself because he finds that writing well is impossibly difficult. Then he should be cut down without mercy and forced by his own self to write as well as he can for the rest of his life. At least he will have the story of the hanging to commence with.” 25 Insights on Becoming a Better Writer :: Tips :: The 99 Percent
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How to Write a Novel Using the Snowflake Method
25 Things You Should Know About Character Previous iterations of the “25 Things” series: 25 Things Every Writer Should Know 25 Things You Should Know About Storytelling And now… Here you’ll find the many things I believe — at this moment!
Writing is a muscle. McSweeney&s Internet Tendency: The Ultimate Guide to Writing Better Than You Normally Do.
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20 Common Grammar Mistakes That (Almost) Everyone Gets Wrong | LitReactor I’ve edited a monthly magazine for more than six years, and it’s a job that’s come with more frustration than reward. If there’s one thing I am grateful for — and it sure isn’t the pay — it’s that my work has allowed endless time to hone my craft to Louis Skolnick levels of grammar geekery. As someone who slings red ink for a living, let me tell you: grammar is an ultra-micro component in the larger picture; it lies somewhere in the final steps of the editing trail; and as such it’s an overrated quasi-irrelevancy in the creative process, perpetuated into importance primarily by bitter nerds who accumulate tweed jackets and crippling inferiority complexes.
writing from deeper self by Naomi Rose Reprinted from Massage Magazine, Issue 104, Sept. – Oct. 2003 Most people don’t think of massage and writing as having anything to do with each other.