You 'll have a few, won't you? #photographie 01

1000 Words Photography Magazine

In May 2010, we conducted a two-day media experiment. 8,000 people signed up, 1,500 submissions came in, 35 editors selected 70 pieces to fill a 60-page magazine.

500 Photographers

This is not a written piece that is supposed to make you sad or feel pity; it is a calling to you and myself. It is not a manifesto or a preach.

The idea is to put all these fucking teenage boys in one place and just finish it there. just put the whole obsession with going back in one book and maybe it will be finished, maybe I can do something else. - Larry Clark interviewed by Mike Kelly

Blog

Last summer I was having dinner with an Art Director who was fielding emails from a client who wanted to pull stills from the commercial video shoot to drop into the background of the commercial stills shoot he was on. He bemoaned the fact that he would probably have to show them how horrible that would look to convince them it could not be done. Several weeks ago I was at Shoot LA talking to a ski photographer who was on a ski movie shoot in Alaska where the crews all shot with the Red camera.

A Photo Editor - Former Photography Director Rob Haggart

aCurator

Afterimage | The Journal of Media Arts and Cultural Criticism

Ahorn Magazine

AMERICAN SUBURB X

blackflash

By Wayne Baerwaldt The Yale-educated and Winnipeg-based photographer, Elaine Stocki has produced captivating photographs over the last three years, remarkable for their ability to beguile viewers in their simultaneous rendering of time present and time past. She’s inscribed her photographs with a sense of anticipatory, hallucinatory change; not an easy achievement. Although photography is the medium attributed with the greatest proximity to reality and evidence to authenticate the moment, photography’s visual moment is traditionally associated with a moment frozen in time, a moment from past reality.