Illustration
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Comic Illustrators
Ankaris
Spectrum 19 Howdy Folks, Spectrum 19, The Best in Contemporary Fantastic Art has just arrived in the mail!
Dominique Corbasson Illustratrice - Looking for DC
Paris & Moi, publié en 2000 par CWC Books au Japon, est sans doute le plus beau livre de Dominique Corbasson à ce jour, le plus caractéristique de l'esprit de son dessin de Paris, même si sa façon de dessiner les personnages, et aussi un peu les bâtiments, a évolué depuis 10 ans. Il s'organise par doubles pages, chacune consacrée à un site de Paris. On y trouve un dessin pleine page du site par Corbasson, un plan fait à la main du quartier, un descriptif de ce qui l'attire à cet endroit et de spots de ballades à pied, de shopping et de choses à voir. Sont présentés des endroits tels que la boutique Guerlain place Vendôme, le Square Vaillant, la BNF, la Place des Victoires, la Rue Maurice Utrillo, la Place Furstenberg...
Escape From Illustration Island – Illustration Resources and Community
Escape from Illustration Island , the trusted resource for illustrators, is now merging with our flagship site Illustration Age .Photoshop actions can make lots of tasks easier; from batch processing to handling simple, every day tasks. Actions can seriously improve your workflow. In today’s quick tip we will demonstrate how to use actions to help color your artwork.
Quick Tip: Color Your Artwork Using Actions in Photoshop
Rupert Bear - A Weird But Compelling Childhhod Icon
Courtesy of Phil Rushton here are some pages from the 1956 Rupert Annual. This is a particularly beautiful example of Alfred Bestall's work. Bestall had inherited the little bear from it's creator Mary Tourtel in 1935, when Tourtel's eyesight started to fail.
Tadahiro Uesugi
The strange thing about Tadahiro Uesugi is the amount of people who have never heard of him… His work (and there is lots and lots of it!) has appeared in high profile magazines like Vogue and Cosmopolitan, on book covers, CD’s and what not. But still, whenever I mention the name to some one, they often get a puzzled look on their face.
Writing in her blog on the Telegraph in an article titled Why preserve Van Gogh’s palette? , Lucy Davies points to some of the considerations for artists learning from the palettes of the masters, both in choice and arrangement of colors. Those fascinated by the techniques of the great painters would benefit from understanding their palettes. Even when learning from contemporary artists, the palette plays a greater part than is often acknowledged.
