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Marcelline Delbecq » Blog Archive » Marcelline Delbecq. Brumes Impressions pigmentaires sur papier Japon (sept feuilles, texte en anglais) dans une boite fabriquée sur mesure (toile, carton, verre), 40×30 cm Inspiré par Au Divan Japonais, dessin longtemps introuvable de Seurat, Brumes est un court texte (ici dans sa version anglaise) qui, au fil des pages, parvient à remplacer le regard du lecteur par celui du peintre, observateur embrumé des danseuses qui se trémoussent devant lui sur la scène du fameux cabaret.

Marcelline Delbecq » Blog Archive » Marcelline Delbecq.

Sa présentation dans une boîte-étui transforme la narration en un délicat portfolio de dessins textuels. Brumes a été publié en version française dans le numéro 1 de la revue sur le dessin contemporain Roven. Brumes, vue de l’installation dans l’exposition Voices of Silence, Galerie Opdahl, Berlin, juin 2010. Première page de Brumes, impression numérique pigmentaire sur papier Japon Couverture de Roven numéro 1, aujourd’hui épuisé Première page de Brumes, tel que mis en page en version française dans Roven numéro 1, p.21. Poetry. Wavenet for Poem Generation: preliminary results. For the past week, I’ve been running a port of the Wavenet algorithm to generate poems.

Wavenet for Poem Generation: preliminary results

A reasonable training result emerges in about 24 hours, — a trained model that can generate immense amounts of text relatively quickly. On a laptop. Jonas Lund - Talk To Me. Digital Handwork. A contrasting depiction of the laboring hand as master of technology can be found in Camille Henrot's video Grosse Fatigue (2013).

Digital Handwork

While a narrator offers a sweeping history of the world, finely manicured hands traverse physical and digital interfaces, accessing multiple overlapping GUI windows displaying natural history-related imagery found online or during visits to the vaults of the Smithsonian Institute. As a rhythmically intense aural and visual bombardment, this work metaphorizes the impossibility of processing all the knowledge at our disposal, and the dilemma of where to begin. The transfer of resources to an internet that knows none of the limitations previously imposed by a building's walls and opening hours means we carry the burden of constant access in our hands.

The substitution of physical documents with digital files, of traditional architecture with digital infrastructure, implies weightlessness. I've got you under my skin : marie-eve levasseur. I've got you under my skin (or the anthropotechnoromantic infiltration), photo, 100 x 150cm, light box, 2014 In 1985 writes Donna Haraway in her Cyborg Manifesto :High-tech culture challenges […] dualisms in intriguing ways.

i've got you under my skin : marie-eve levasseur

It is not clear who makes and who is made in the relation between human and machine. It is not clear what is mind and what body in machines that resolve into coding practices. In so far as we know ourselves in both formal discourse […] and in daily practices […], we find ourselves to be cyborgs, hybrids, mosaics, chimeras. […] There is no fundamental, ontological separation in our formal knowledge of machine and organism, of technical and organic. […] Why should our body end at the skin, or include at best other beings encapsulated by skin? Agency of Unrealized Projects. Unlike unrealized architectural projects, which are frequently exhibited and circulated, unrealized artworks tend to remain unnoticed or little known.

Agency of Unrealized Projects

But perhaps there is another form of artistic agency in the partial expression, the incomplete idea, the projection of a mere intention? Agency of Unrealized Projects (AUP) seeks to document and display these works. Illicit Material — Real Life. Illicit Material The amount of images in circulation affects our ability to appreciate and understand them Phoebe Boatwright March 07, 2017 share Image: Future Relic by Daniel Arsham.

Illicit Material — Real Life

Courtesy of Daniel Arsham Studio, New York. Image consumption has long been a pillar of capitalism. Automate This! Delivering Resistance in the Gig Economy. In the workplace automation and technology have tipped the balance of power greatly in favour of capital but, as Jamie Woodcock explains, workers are contesting this situation, logging out and calling the shots In my new book Working the Phones, I worked in a call centre to try to understand the labour process, management techniques, and new forms of resistance and organisation.

Automate This! Delivering Resistance in the Gig Economy

This article connects the development of new managerial methods of surveillance and control, often tied up with automation, from the call centre to the new ‘gig economy’. The recent rise of Uber, and new ‘Uber for X’ type companies like Deliveroo, represents a new shift in employment relations, tipping the balance of power greatly in favour of capital.

This is reliant on contractually outsourcing labour, a legalistic trick, backed up with new technological methods of surveillance and control. E-flux Conversations. Papier Machine. DÉFAUTS DE L'IMPRESSION RISO Avant tout il faut savoir que l'impression riso n'est PAS NICKEL.

Papier Machine

Elle a des défauts. Telescopic Text. The Unreasonable Effectiveness of Recurrent Neural Networks. There’s something magical about Recurrent Neural Networks (RNNs).

The Unreasonable Effectiveness of Recurrent Neural Networks

I still remember when I trained my first recurrent network for Image Captioning. Within a few dozen minutes of training my first baby model (with rather arbitrarily-chosen hyperparameters) started to generate very nice looking descriptions of images that were on the edge of making sense. Sometimes the ratio of how simple your model is to the quality of the results you get out of it blows past your expectations, and this was one of those times. What made this result so shocking at the time was that the common wisdom was that RNNs were supposed to be difficult to train (with more experience I’ve in fact reached the opposite conclusion). GitHub - keon/awesome-nlp: A curated list of resources dedicated to Natural Language Processing (NLP) Storyspace: Storyspace. Storyspace – the pioneering hypertext environment – enters a new era with Storyspace 3 Storyspace is a tool for complex, interlinked narrative, both fiction and nonfiction.

Storyspace: Storyspace

Twenty years ago, the original Storyspace ushered in the era of serious interactive writing with works like Michael Joyce’s afternoon, a story (“a graceful and provocative work ... utterly essential to an understanding of this new art form” – Robert Coover, NY Times Book Review) and Shelley Jackson’s Patchwork Girl (“A cult hit” – The Village Voice). Generating Stories about Images. Generating Stories about Images Recurrent neural network for generating stories about images Stories are a fundamental human tool that we use to communicate thought.

Creating a stories about a image is a difficult task that many struggle with. - Get Lamp is an Interactive Fiction documentary by Jason Scott, 2010 creative commons. Uncreative Writing: Managing Language in the Digital Age. Managing Language in the Digital Age Kenneth Goldsmith COLUMBIA UNIVERSITY PRESS New York Columbia University Press Publishers Since 1893 New York Chichester, West Sussex Copyright © 2011 Columbia University Press. Ryan Gander, John Menick, Melvin Moti et Tris Vonna-Michell dans le texte. Pratiques de la narration. N. Katherine Hayles - Wikipedia. N. Katherine Hayles (born 16 December 1943) is a postmodern literary critic, most notable for her contribution to the fields of literature and science, electronic literature, and American literature.[1] She is professor and Director of Graduate Studies in the Program in Literature at Duke University.[2] Background[edit] Hayles was born in Saint Louis, Missouri to Edward and Thelma Bruns.

P=R=O=G=R=A=M=M=A=T=O=L=O=G=Y. Evolution. ...and by islands I mean paragraphs. Islands... ...and by islands I mean paragraphs ...J.R.Carpenter. DP-DB : Digital Poetry for Drunken Boat. The readers project. Daniel C. Howe: Projects. Rednoise. Designed to support the creation of new works of computational literature, the RiTa† library provides tools for artists and writers working with natural language in programmable media. The library is designed to be simple while still enabling a range of powerful features, from grammar and Markov-based generation to text-mining, to feature-analysis (part-of-speech, phonemes, stresses, etc). All RiTa functions are heuristic and do not require training data, thus making the core library quite compact. RiTa can also be integrated with its own user-customisable lexicon, or with the WordNet database. RiTa is implemented in both Java and JavaScript, is free/libre and open-source, and runs in a number of popular programming environments including Android, Processing, Node, and p5.js.

School for Poetic Computation. Text Mechanic™ – Text Manipulation Tools. Andrews Bernstein Language Lines 1988. Witz71. Compilation. Ch4. 385 Paper. Chapitre I Une base de données lexicales pour la langue française: Lexique. Introduction rapide pour le nouveau venu Si vous cherchez une information particulière et ne connaissez rien à Lexique, nous vous conseillons de procéder de la façon suivante : - lisez ce manuel (dans les grandes lignes) afin de o déterminer dans quelle base se trouve l’information que vous cherchez (le plus souvent c’est la base Lexique3) o comprendre comment cette base est structurée (quel sont le ou les champs dont vous avez besoin) o déterminer quelle recherche vous allez utiliser (online ou offline).

Si vous avez un problème, faites d’abord une recherche sur le forum. DEFT 2015 - Défi Fouille de Texte. Le défi DEFT est un atelier annuel d'évaluation francophone en fouille de textes. Cette onzième édition portera sur l'analyse de l'opinion, des sentiments et des émotions dans des tweets rédigés en français. Recursive Deep Models for Semantic Compositionality Over a Sentiment Treebank. Deeply Moving: Deep Learning for Sentiment Analysis This website provides a live demo for predicting the sentiment of movie reviews.

Most sentiment prediction systems work just by looking at words in isolation, giving positive points for positive words and negative points for negative words and then summing up these points. That way, the order of words is ignored and important information is lost. GitHub - aparrish/sfpc-gen-text-2015: notes and links for generative text workshop at SFPC 2015. Lina Selander. Working archive: Radiographs, fossils, stone containing uranium, ancient coin with Silphium plant, 140 photographs from the film Anteroom of the Real, To the Vision Machine (video) on an Ipad, publications and documents. Installation view from the exhibition Open System–Silphium and other works, Iniva, London 2015. Photo: Thierry Bal. Littérature numérique et performance.

Parsing a Would-Be Canon of Recent Artists' Writings. The Most Dangerous Writing App. Parody generator - Wikipedia. Their purpose is often satirical, intending to show that there is little difference between the generated text and real examples. Computational humor - Wikipedia. It is a relatively new area, with the first dedicated conference organized in 1996.[1] Joke generators[edit] Jean-françois gleyze. Generative Writing Exercises - INFINITY'S KITCHEN. Emoji Dick. Installation/text/light artists. The Writing on the Wall: Art and Text in the 20th Century. Et le texte flux. Introduction to Pathfinders. Electronic Literature. Hyperrhiz: New Media Cultures. 07 Velicu La grammaire. W05 0105. Qu'est-ce que la génération automatique de texte littéraire ?

Digital literature: is it literature at all? "Numérique et écriture littéraire" dirigé par Anne-Marie Petitjean et Violaine Houdart-Merot. Un cycle conçu et animé par Guénaël Boutouillet et Catherine Lenoble pour le CRL Pays de la Loire. La littérature numérique. Littérature de code. Tiers Livre : entre auctorialité et architextualité, jeux d’écritures en régime numérique - Komodo 21.

Intro to E-Lit: How Electronic Literature Makes Printed Literature Richer. Interferences: [Net.Writing] and the Practice of Codework. The Aesthetics of Generative Code. Racter. Electronic Literature Organization. CELL Project. Electronic Literature: What is it? Media archaeology lab. Installations. Change The Code, Keep The Text. Whatiscodework. Hypermedia Joyce Studies, 3.1 (2002), McKenzie Wark.

Dichtung-digital. Hyperfiction, Netzliteratur, Hypermedia, Interfictions. Hypertext/Cybertext/Poetext. Bank robbery - A Story by the Scheherazade AI Story Generator. Aspen: The multimedia magazine in a box. Les Revues. Marie Boivent : La revue d’artiste. Le livre d’artiste : quels projets pour l’art ? Imagism. GitHub - dhowe/RiTaJS. GitHub - rstuven/rmutt.js: rmutt.js is a transpiled language for generating random strings from context-sensitive grammars. GitHub - galaxykate/tracery: Tracery: a story-grammar generation library for javascript. GitHub - dariusk/wordfilter: A small module meant for use in text generators that lets you filter strings for bad words. Programmes / Aphorismes à votre façon. CURA. Reading and Writing Electronic Text: ITP Spring 2016. Conceptualist ostranenie: A dialogue between Derek Beaulieu (Canada) and Natalia Fedorova (Russia)

Talks From Copenhagen REVERSE Festival: Steven Zultanski on Conceptual Writing, Vanessa Place on Divya Victor’s ‘Race Card’ : Harriet Staff : Harriet the Blog : The Poetry Foundation. Biasincomputers. The Upright Script: Words in Space and on the Page. Uncreative Writing - The Chronicle of Higher Education. As4i3ri.pdf. Penser la narrativité contemporaine. King James Programming. Beard of Bees.